- FIT SYNTHETICS, flat
- grey, very elastic synthetic fiber
- aluminum ferrule
- green matt handles with a newly developed surface structure
- Flats and brights for area work
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- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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- FIT SYNTHETICS, round
- grey, very elastic synthetic fiber
- aluminum ferrule
- green matt handles with a newly developed surface structure
- Rounds for details and precision work
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FORTE BASIC, round - strong elastic synthetic fiber - aluminum ferrule - blue matt handles with a newly developed surface structure - standard sizes No. 5/0, 3/0 - Rounds for details and precision work -
- da Vinci MAESTRO2, brights
- medium length bristles
- long red transparent handles with black ends
- Flats and brights for area work
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- da Vinci MAESTRO2, round
- medium length bristles
- long red transparent handles with black ends
- Rounds for detail and precision work
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True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors. -
Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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Out of stock
Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. -
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. -
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm. -
- For preparing and reusing panels and canvas
- Non-absorbent for deeper color saturation
- Add oil colors for a tinted Ground
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Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss -
Out of stock
This set includes 59ml bottles of Galkyd, Neo Meglip, Refined Linseed Oil, Gamsol, a 37 ml tube of Galkyd Gel, and a 2 ml jar of Cold Wax Medium. -
This set includes 59ml bottles of Gamsol, Linseed Oil, Galkyd Lite, Gamvar, a 37ml tube of Solvent-Free Gel, and a 59 ml jar of Cold Wax Medium. -
Out of stock
- Seals canvas and linen
- Vegan alternative to Rabbit Skin Glue
- Prepares paper for oil painting
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Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. -
Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. -
A water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS]. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light. It can be thinned and cleaned up with water, eliminating the need for harsh solvents, and can be removed with household ammonia to facilitate cleaning and conservation. -
Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. -
Out of stock
290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed- vegan
- resistant to ageing
- acid-free
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Out of stock
Weight: 265 gsm Size: 1.25 x 10 m Content: 1 roll Colour: natural white Order no.: 10629110
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Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Out of stock
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Out of stock
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Our Premium Amber Thinner is a great, low odour alternative for cleaning and reconditioning your oil paint brushes. This water-based solvent makes clean-up easy and is perfect for shared creative spaces. -
Free the artist within. Our 12 piece oil paint set is perfect for those who want to give oil painting a go. This compact set comes with a range of warm and cool colours that feature high quality pigments and a beautiful, smooth consistency. -
These Mont Marte Plastic Palette Knives have flexible blades that have no cutting edge. They can be used in conjunction with brushes when applying paints onto a canvas or painting surface - create great impasto effects and lay down flat colour. They can also be used for mixing paint, mediums and pigments on your palette. Suitable for oil and acrylic paints. Ideal for all levels of artistic ability. -
Enhance the flow and slow down the drying process of oil paints with our Premium Refined Linseed Oil. This mid-viscosity oil paint medium is a great choice for artists who wish to paint quickly using wet on wet techniques. -
Out of stock
Add extra depth and dimension to your creative projects with our Texture Combs 4pc. Inside are four combs that can create four different texture patterns. Get a range of texture effects in no time by gliding the comb through your wet paint, plaster or clay project. Plus, they come with a handle for easy use and can be cleaned up after use with warm soapy water. Grab these multipurpose texture art tools today and create instant effects, great for home décor and DIY wall art projects. -
Out of stock
Fast drying water based aerosol varnish of excellent characteristics with a Acrylic, water-based varnish that is fast drying and offers excellent characteristics that provide high quality matte and glossy finishes, long-lasting durability and non-yellowing on multiple surfaces. - Water based product. - Acrylic. - Cures well. - Non-yellowing. - Sticks well to the majority of surfaces. - Easy to apply.
