• Out of stock
    Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish.
  • Gamblin Galkyd

    5031,392
    Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours.
  • Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto.
  • Gamblin Galkyd Lite

    503889
    Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours.
  • Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise.
  • Gamblin GAMVAR Varnish

    6191,082
    Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm.
  • Gamblin Ground

    9281,276
    • For preparing and reusing panels and canvas
    • Non-absorbent for deeper color saturation
    • Add oil colors for a tinted Ground
  • Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium.
  • Gamblin Neo Megilp

    503889
    Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss
  • Out of stock
    This set includes 59ml bottles of Galkyd, Neo Meglip, Refined Linseed Oil, Gamsol, a 37 ml tube of Galkyd Gel, and a 2 ml jar of Cold Wax Medium.
  • This set includes 59ml bottles of Gamsol, Linseed Oil, Galkyd Lite, Gamvar, a 37ml tube of Solvent-Free Gel, and a 59 ml jar of Cold Wax Medium.
  • Out of stock
    • Seals canvas and linen
    • Vegan alternative to Rabbit Skin Glue
    • Prepares paper for oil painting
  • Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium.
  • Gamblin Safflower Oil

    426619
    To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying.
  • Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates.
  • Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.
  • Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time.
  • Our Premium Amber Thinner is a great, low odour alternative for cleaning and reconditioning your oil paint brushes. This water-based solvent makes clean-up easy and is perfect for shared creative spaces.
  • Enhance the flow and slow down the drying process of oil paints with our Premium Refined Linseed Oil. This mid-viscosity oil paint medium is a great choice for artists who wish to paint quickly using wet on wet techniques.
  • Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Hardly influences the degree of gloss
    • Slightly yellowing
    • Can be thinned with white spirit or turpentine
    • Suitable as glazing medium
    • Flammable
  • Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil
    • Increases the gloss and the drying time of the paint film
    • Increases the risk of the paint film wrinkling
    • Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
    • Can be thinned with white spirit or turpentine
  • Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:
    • Odourless
    • Drying time somewhat longer than Talens white spirit (090)
    • Very pure, 100% evaporation; disappears completely from the paint film
    • Makes oil paint leaner (use in lower coats)
    • Not suitable for removing dry varnish coats
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Increases gloss
    • Does not yellow
    • Can be thinned with white spirit or turpentine
    • Flammable
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