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Mixing is easy with the intuitive split primary method. A warm and cool choice of each primary color in addition to other key colors allows the artist to mix an extensive range of colors with a limited palette. Set contains ten 1 fl. oz. / 30 ml Bottles. Includes: Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Phthalo Blue (Red Shade), Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Phthalo Green (Yellow Shade), Carbon Black, and Titanium White.
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Out of stockMSA (Mineral Spirit Acrylic) Varnish with UVLS is a Mineral Spirit based Acrylic resin system that reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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An excellent outdoor palette that allows artists to produce the wide variety of hues, shades and tints encounted in nature. Since OPEN Acrylics remain wet far longer than other acrylics, they resist skinning on the palette during long painting sessions in the studio and outdoors. Set contains seven 3/4 fl. oz. / 22 ml Tubes, One 2 fl. oz. / 59 ml Titanium White, One 1 fl. oz. / 30 ml OPEN Thinner. Includes: Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue, Titanium White and OPEN Thinner.
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Out of stock
Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)
Note: Packaging design may vary. -
A selection of historically significant colors ideal for mixing the range of colors needed for figurative painting. Set contains seven 3/4 fl. oz. / 22ml Tubes, one 2 fl. oz. / 59 ml Titanium White and one 2 fl. oz. / 59 ml Gloss Glazing Liquid. Includes: Cadmium Yellow Light, India Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, Titanium White and Gloss Glazing Liquid.
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Out of stockSix versatile, foundational colors capable of mixing a full range of hues, tints and shades. Set contains six 2 fl. oz. / 59 ml Tubes. Includes: Benzimidazolone Yellow Medium, Quinacridone Magenta, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Carbon Black and Titanium White.
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Out of stockHigh Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary.
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Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing.
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Out of stockHigh Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary.
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Out of stock
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.
Note: Packaging design may vary.
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A water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS]. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light. It can be thinned and cleaned up with water, eliminating the need for harsh solvents, and can be removed with household ammonia to facilitate cleaning and conservation.
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Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary.