• Mixing is easy with the intuitive split primary method. A warm and cool choice of each primary color in addition to other key colors allows the artist to mix an extensive range of colors with a limited palette. Set contains ten 1 fl. oz. / 30 ml Bottles. Includes: Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Phthalo Blue (Red Shade), Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Phthalo Green (Yellow Shade), Carbon Black, and Titanium White.
  • Out of stock
    MSA (Mineral Spirit Acrylic) Varnish with UVLS is a Mineral Spirit based Acrylic resin system that reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • An excellent outdoor palette that allows artists to produce the wide variety of hues, shades and tints encounted in nature. Since OPEN Acrylics remain wet far longer than other acrylics, they resist skinning on the palette during long painting sessions in the studio and outdoors. Set contains seven 3/4 fl. oz. / 22 ml Tubes, One 2 fl. oz. / 59 ml Titanium White, One 1 fl. oz. / 30 ml OPEN Thinner. Includes: Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue, Titanium White and OPEN Thinner.
  • A selection of ink-like acrylic colors useful for drawing and lettering with pump markers, dip pens or brushes. Set contains six 1 fl. oz. / 30 ml Bottles. Includes: Indigo (Anthraquinone), Sepia, N5 Neutral Gray, Carbon Black, Iridescent Bright Gold (Fine) and Iridescent Silver (Fine).
  • Out of stock

    Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)

    Note: Packaging design may vary.
  • Six versatile, foundational colors capable of mixing a full range of hues, tints and shades. Set contains six 2 fl. oz. / 59 ml Tubes. Includes: Benzimidazolone Yellow Medium, Quinacridone Magenta, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Carbon Black and Titanium White.
  • A selection of historically significant colors ideal for mixing the range of colors needed for figurative painting. Set contains seven 3/4 fl. oz. / 22ml Tubes, one 2 fl. oz. / 59 ml Titanium White and one 2 fl. oz. / 59 ml Gloss Glazing Liquid. Includes: Cadmium Yellow Light, India Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, Titanium White and Gloss Glazing Liquid.
  • Out of stock
    High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary.
  • Golden Isolation Coat

    6161,044
    Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing.
  • Out of stock
    High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary.
  • Clear Granular Gel is made with granular acrylic solids and has excellent clarity and du­ra­bil­i­ty with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Note: Packaging design may vary.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
  • Out of stock

    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.

    Note: Packaging design may vary.

  • Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass - best seen in thin films over a light color to allow the glass beads to be illuminated. Note: Packaging design may vary.
  • A water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS]. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light. It can be thinned and cleaned up with water, eliminating the need for harsh solvents, and can be removed with household ammonia to facilitate cleaning and conservation.
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary.
  • GAC 500  Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.

    Note: Packaging design may vary.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
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