- Red sable water color brush
- selected Kolinsky red sable hair
- double section black artificial horn handles
- also called a pocket brush
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Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
- da Vinci MAESTRO watercolor brush, round
- Siberian Kolinsky red sable hair from selected male winter tails
- short black polished handles
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Out of stock
Weight: 265 gsm Size: 1.25 x 10 m Content: 1 roll Colour: natural white Order no.: 10629110 -
White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
40% Off!
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
14 very lightfast and transparent watercolors, full pans in a metal box 402208 Italian Gold Ochre light 404008 Raw Sienna (Italy) 405108 Venetian Red 407208 Burnt Umber (Cyprian) 408218 Green Earth from Verona 420008 Vermilion 439408 Baryte Yellow 441518 Cobalt Green bluish A 442008 Chrome Oxide Green 452108 Paris Blue, water soluble 457008 Cobalt Blue, dark 463008 Zinc White (lead-free) 472508 Furnace Black 487008 Caput Mortuum reddish -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19543 Cadmium Yellow No. 2, very light 19547 Cadmium Yellow No. 6, medium 19551 Cadmium Yellow No. 9, dark 19553 Cadmium Orange No. 0, very light 19555 Cadmium Orange No. 1, medium 19559 Cadmium Red No. 1, light 19563 Cadmium Red No. 2, medium 19567 Chrome Oxide Green 19571 Viridian Green 19575 Cobalt Green Bluish A 19579 Cobalt Blue Turquoise Light 19583 Cobalt Blue Light 19587 Ultramarine Blue, very dark 19591 Paris Blue -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints. -
Holbein Artists’ Watercolors come in 48 colors, in half pans. Box sets of 12 include Permanent Alizarin Crimson, Vermilion Hue, Imidazolone Yellow, Yellow Ochre, Viridian Hue, Sap Green, Cobalt Blue Pale, Prussian Blue, Dioxazine Violet, Burnt Umber, Burnt Sienna, Ivory Black, two palettes, and a synthetic travel brush. -
Out of stock
Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges. -
Out of stock
Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
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Out of stock
14 very lightfast and transparent watercolors, half pans in a metal box 462008 Titanium White 463008 Zinc White 463608 Kremer White 479218 Warm Grey no. 1 479228 Warm Grey no. 2 479258 Warm Grey no. 5 479268 Warm Grey no. 6 479418 Cold Grey no. 1 479428 Cold Grey no. 2 479458 Cold Grey no. 5 479468 Cold Grey no. 6 124408 Bideford Black 471008 Bone Black 472508 Furnace Black -
Out of stock
Eight - 2 fl. oz. / 59 ml Tubes. The Classic Theory Color Mixing Set from GOLDEN offers a starting place for artists as they begin to explore their own approach to colors and painting. Based on a selection of historically significant colors, this collection is capable of producing a wide range of traditional mixes, creating a spectrum of colors often found in nature. Includes: Cadmium Yellow Light, Indian Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, Titanium White, and a Classic Color Theory Mixing Guide. -
Out of stock
Eight - 2 fl. oz. / 59 ml Tubes. This seven color selection of organic pigments plus Titanium White is capable of producing some of the cleanest, brightest mixes and are least likely to muddy or gray. This enables artists to produce a wide array of hues, shades and tints that can be supplemented any time with the impressive selection of other GOLDEN Heavy Body color offerings. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (GS), Phthalo Green (BS), Titanium White and a Modern Theory Color Mixing Guide. -
Out of stock
Ø 7.5 cm, app. 300 g Our glass mullers are all handmade. They are used on a sandblasted piece of glass to slowly grind oil into the pigment. Our mullers are oversized and heavier than other models. -
Out of stock
Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
40% Off!
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Out of stock
Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
Out of stock
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Mixing is easy with the intuitive split primary method. A warm and cool choice of each primary color in addition to other key colors allows the artist to mix an extensive range of colors with a limited palette. Set contains ten 1 fl. oz. / 30 ml Bottles. Includes: Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Phthalo Blue (Red Shade), Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Phthalo Green (Yellow Shade), Carbon Black, and Titanium White. -
Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:- Crimson Lake W010
- Carmine W011
- Pyrrole Red W007
- Opera (Quinacridone Opera) W013
- Vermilion Hue W019
- Cadmium Yellow Deep W043
- Cadmium Yellow Lemon W040
- Imidazolone Yellow W050
- Yellow Ochre W034
- Permanent Green No. 1 W066
- Hooker's Green W062
- Sap Green W075
- Cerulean Blue W092
- Cobalt Blue W090
- Ultramarine Light W093
- Prussian Blue W097
- Permanent Violet W115
- Cobalt Violet Light W110
- Bright Violet (Luminous) W175
- Quinacridone Violet W120
- Burnt Sienna W134
- Burnt Umber W133
- Vandyke Brown W139
- Payne's Grey W156
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The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. -
Six versatile, foundational colors capable of mixing a full range of hues, tints and shades. Set contains six 2 fl. oz. / 59 ml Tubes. Includes: Benzimidazolone Yellow Medium, Quinacridone Magenta, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Carbon Black and Titanium White. -
Out of stock
This set offers a selection of 10 GOLDEN Professional Fluid Acrylic Colors that are fundamental to the serious artist working with fluid viscosity acrylics. The GOLDEN Principal Fluid set provides artists with a cost effective means to setting up a basic palette, capable of mixing a full range of hues, tints, and shades, that can later be supplemented with the wide selection of Fluid color offerings. Fluids are the most versatile paint formula produced by GOLDEN, easily adaptable to a wide range of applications. They are ideal for spraying, brushing, or mixing with all GOLDEN Colors including Heavy Body and Airbrush Colors. When mixed with water, or GOLDEN Acrylic Flow Release, the Fluids are very useful for staining or watercolor techniques. Includes: Titanium White, Hansa Yellow Medium, Yellow Oxide, Pyrrole Red, Quinacridone Magenta, Ultramarine Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Burnt Sienna, Carbon Black, Fluid Application Guide. -
Out of stock
The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings. -
The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings. -
Out of stock
The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings. -
Out of stock
The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings. -
Out of stock
Weight: 450 gsm Surface: Cold Pressed Bright white, acid free, lightfast and extremely age resistant. The heavy weight provides a very stable board that ensures improved flatness when wet. Cornwall offers good color flow and high color intensity. This quality is ideal for wet painting techniques: watercolor – especially smooth washes and dry painting – and also lavis, gouache, tempera and acrylic. -
Out of stock
Ten 1 oz. (30 ml) bottles of the following colors: Burnt Sienna, Carbon Black, Quinacridone Magenta, Benzimidazolone Yellow Medium, Quinacridone/Nickel Azo Gold, Naphthol Red Light, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Ultramarine Blue, Titanium White. -
- da Vinci MAESTRO2, brights
- medium length bristles
- long red transparent handles with black ends
- Flats and brights for area work
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A selection of historically significant colors ideal for mixing the range of colors needed for figurative painting. Set contains seven 3/4 fl. oz. / 22ml Tubes, one 2 fl. oz. / 59 ml Titanium White and one 2 fl. oz. / 59 ml Gloss Glazing Liquid. Includes: Cadmium Yellow Light, India Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, Titanium White and Gloss Glazing Liquid. -
An excellent outdoor palette that allows artists to produce the wide variety of hues, shades and tints encounted in nature. Since OPEN Acrylics remain wet far longer than other acrylics, they resist skinning on the palette during long painting sessions in the studio and outdoors. Set contains seven 3/4 fl. oz. / 22 ml Tubes, One 2 fl. oz. / 59 ml Titanium White, One 1 fl. oz. / 30 ml OPEN Thinner. Includes: Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue, Titanium White and OPEN Thinner. -
- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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Out of stock
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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Out of stock
Ten 1 oz. (30 ml) bottles of the following colors: Transparent Dioxazine Purple, Transparent Benzimidazolone Yellow Med, Transparent Naphthol Red Light, Transparent Phthalo Blue GS, Transparent Phthalo Green BS, Transparent Quinacridone Red, Transparent Brown Iron Oxide, Transparent Red Iron Oxide, Transparent Shading Gray, Transparent Yellow Iron Oxide -
Out of stock
- High precision color produced by selecting the world’s finest pigments.
- Velvet-like matte surface.
- Water-soluble opaque paint with excellent concealment power.
- Highly lightfast color consisting of cadmium and cobalt pigment.
- Carmine 4B
- Scarlet Red 8B
- Permanent Yellow Orange 22C
- Permanent Yellow 26B
- Permanent Green Light 49A
- Viridian 64B
- Turquoise Blue 83C
- Ultramarine Light 96B
- Violet 115B
- Burnt Sienna 139A
- Ivory Black 151B
- Permanent White 162A
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Out of stock
The High Flow Drawing Set from GOLDEN includes ten colors for calligraphers, graphic artists and illustrators. This set includes colors typically used for illustration, such as Indigo and Carbon Black, fancy colors for calligraphy, such as Iridescent Gold and Teal, as well as, White and a range of mixing colors that artists can use to create a whole spectrum of colors. COLORS INCLUDED (10 - 1 oz. bottles): Iridescent Gold (Fine), Iridescent Copper (Fine), Iridescent Silver (Fine), Carbon Black, Titanium White, Neutral Gray N5, Teal, Benzimidazolone Yellow Medium, Quinacridone Magenta, Indigo (Anthraquinone) -
Out of stock
Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting and monoprinting. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
- da Vinci MAESTRO2, round
- medium length bristles
- long red transparent handles with black ends
- Rounds for detail and precision work
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A selection of ink-like acrylic colors useful for drawing and lettering with pump markers, dip pens or brushes. Set contains six 1 fl. oz. / 30 ml Bottles. Includes: Indigo (Anthraquinone), Sepia, N5 Neutral Gray, Carbon Black, Iridescent Bright Gold (Fine) and Iridescent Silver (Fine). -
Out of stock
290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed
- vegan
- resistant to ageing
- acid-free
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Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
46% Off!
This natural hair comes from the tail of a squirrel which lives in the region of Kazán, in the center of European Russia. It is the softest of all natural fine hairs and because of the hairs natural characteristics, it is the best in retaining liquid. It is the perfect choice for watercolor painting. -
This set includes 59ml bottles of Gamsol, Linseed Oil, Galkyd Lite, Gamvar, a 37ml tube of Solvent-Free Gel, and a 59 ml jar of Cold Wax Medium.
