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Out of stock
Holbein Masking Fluid comes in a convenient syringe-type container in order to preserve small, white areas when painting. -
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Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes. -
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This set of Holbein gouache is a useful set for students and professionals studying color theory, particularly CMYK. A good way to strengthen artists’ educational foundations. -
Holbein Artists’ Watercolors come in 48 colors, in half pans. Box sets of 36 and 12 with palettes and synthetic hair travel brushes are also available. -
Out of stock
Holbein Artists’ Watercolors come in 48 colors, in half pans. Box sets of 12 include Permanent Alizarin Crimson, Vermilion Hue, Imidazolone Yellow, Yellow Ochre, Viridian Hue, Sap Green, Cobalt Blue Pale, Prussian Blue, Dioxazine Violet, Burnt Umber, Burnt Sienna, Ivory Black, two palettes, and a synthetic travel brush. -
Holbein Artists’ Oil Colors come in 148 colors, in 40mL tubes. -
Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time. -
Holbein Artists’ Oil Colors set of 12 10 mL tubes, perfect for oil painting beginners. The set includes Crimson Lake, Vermilion Hue, Yellow Ochre, Permanent Yellow Light, Permanent Green Pale, Viridian Hue, Cobalt Blue Hue, Ultramarine Deep, Burnt Sienna, Burnt Umber, Ivory Black and Permanent White. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19543 Cadmium Yellow No. 2, very light 19547 Cadmium Yellow No. 6, medium 19551 Cadmium Yellow No. 9, dark 19553 Cadmium Orange No. 0, very light 19555 Cadmium Orange No. 1, medium 19559 Cadmium Red No. 1, light 19563 Cadmium Red No. 2, medium 19567 Chrome Oxide Green 19571 Viridian Green 19575 Cobalt Green Bluish A 19579 Cobalt Blue Turquoise Light 19583 Cobalt Blue Light 19587 Ultramarine Blue, very dark 19591 Paris Blue -
40% Off!Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
40% Off!
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
40% Off!
The Escoda Prado is one of the most valued synthetic matters because of its similarity to sable hair. It not only imitates its color, but it also imitates its spring and absorption of liquids. Thanks to the perfect combination of three different diameters and three lengths in the fibers, the brushstroke's results is the same as one made of natural hair. Excellent for oil, acrylic, or watercolor, the snap and color-carrying capacity of these brushes are outstanding. -
White Toray fiber is one of the softest and typically used in watercolor. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, ArtGraf Tailor Shape it's a rich pigment block prepared for drawing and painting. Extremely soft and water soluble provides the artist a wide range of shades, from light ones to deep and opaque colors. ArtGraf Tailor Shape it's an excellent tool for drawing and painting. Available in six colors: Sanguine, Ochre, Sepia, Brown, Dark Brown, Black Carbon -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, ArtGraf Tailor Shape it's a rich pigment block prepared for drawing and painting. Extremely soft and water soluble provides the artist a wide range of shades, from light ones to deep and opaque colors. ArtGraf Tailor Shape it's an excellent tool for drawing and painting. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
50% Off!
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
50% Off!
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
50% Off!
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
Out of stock
ArtGraf Stick is a practical graphite bar (9cm lenght), quite smooth and with a high solubility properties. With ArtGraf Stick the artist can achieve a large of graphite greys and it’s perfect to be used with water. -
Viarco ArtGraf Watercolor Graphite has an interesting and very expressive graphic personality offering the artist an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones. Wet the brush directly on the product controlling the amount of water according to the desired shades. Brush is not included. -
Out of stock
Water soluble graphite pencils, extremely soft, extra large lead 5mm thickness for different trait, extensive grey scale graphite. -
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Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival. -
Weight: 300 gsm Surface: Cold press Pages/Book: 48
Media Applications: Watercolor, gouache and acrylic This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter. -
Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. -
Out of stock
Weight: 190 gsm Surface: Vellum Pages/Book: 64 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. Excellent for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. 100% cotton fiber, acid free, lignin free, archival. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter. -
Out of stock
Weight: 300 gsm Surface: Cold Press Size: 22" x 30" Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges. -
Out of stock
Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
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Out of stock
Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
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Out of stock
Weight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
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The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. -
GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects.
