• Golden Light Molding Paste

    8011,390

    Light Molding Paste - Over 50% lighter than GOLDEN Molding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Molding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colors.

    Originally developed as a custom product for an artist whose large, abstract paintings were literally ripping the canvas from its stretcher bars. Mixtures made with this lightweight material allow an artist to work larger with less overall weight.

    This product has a white, low-density filler that replaces the traditional marble dust. Aside from being much whiter in color than the other molding pastes, Light Molding Paste is approximately 67% lighter by weight! It has a consistency similar to cake icing, easily manipulated by a palette knife. Wonderfully high peaks maintain their height and appearance. The spongy flexibility opens up new possibilities.

    Light Molding Paste's unique attributes allow an artist to use this product in new ways. It can be used simply as a lightweight filler for paints, as a white tinting medium or as a ground.

    Note: Packaging design may vary.
  • Golden Hard Molding Paste

    8011,390

    Hard Molding Paste This product is similar to the regular Molding Paste, but develops a much harder film. When dry, it can be carved with hand or power tools, and is readily sandable. It can be used on rigid supports like wood to add designs or texture to the object. Hard Molding Paste can also be mixed with acrylic paints or painted over.

    Flexibility can be improved by blending with regular Molding Paste or Regular or Heavy Gel. To minimize the chance of cracking, avoid applying a single layer thicker than 1/4 inch. Multiple layers can be applied to achieve thicker overall applications; this actually facilitates faster drying.

    Dries to a extremely hard, opaque film, it is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. Blends easily with acrylic colors. Note: Packaging design may vary.
  • Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.

    When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.

    Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
  • Out of stock
    MSA (Mineral Spirit Acrylic) Varnish with UVLS is a Mineral Spirit based Acrylic resin system that reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:
    • Odourless
    • Drying time somewhat longer than Talens white spirit (090)
    • Very pure, 100% evaporation; disappears completely from the paint film
    • Makes oil paint leaner (use in lower coats)
    • Not suitable for removing dry varnish coats
  • Out of stock
    Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media.
  • 40% Off!
    The Escoda Prado is one of the most valued synthetic matters because of its similarity to sable hair. It not only imitates its color, but it also imitates its spring and absorption of liquids. Thanks to the perfect combination of three different diameters and three lengths in the fibers, the brushstroke's results is the same as one made of natural hair. Excellent for oil, acrylic, or watercolor, the snap and color-carrying capacity of these brushes are outstanding.
  • Gamblin Ground

    9281,276
    • For preparing and reusing panels and canvas
    • Non-absorbent for deeper color saturation
    • Add oil colors for a tinted Ground
  • Out of stock
    Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media.
  • Out of stock
    40% Off!
    White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint.
  • Out of stock
    This set of Holbein gouache is a useful set for students and professionals studying color theory, particularly CMYK. A good way to strengthen artists’ educational foundations.
  • Paint that possesses highly reflective qualities when light is shone directly onto the painted surface.   Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability.
  • Out of stock

    Archival Aerosol Varnish MSA (Mineral Spirit Acrylic) with UVLS (Ultra Violet Light Stabilizers) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. It resists changes in appearance, remains flexible. It has an adjustable fan spray tip that allows precise application and reduced overspray. Available in Gloss, Satin and Matte. Removable for conservation purposes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Out of stock

    Gamblin GAMVAR Varnish

    6191,082
    Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm.
  • Out of stock
    Inspired in the traditional tailor's chalk, ArtGraf Tailor Shape it's a rich pigment block prepared for drawing and painting. Extremely soft and water soluble provides the artist a wide range of shades, from light ones to deep and opaque colors. ArtGraf Tailor Shape it's an excellent tool for drawing and painting.
  • OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.
  • The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.
  • Out of stock
    Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media.
  • Golden Isolation Coat

    6161,044
    Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing.
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