• 40% Off!
    Acrylic Colors offer the workability and consistency of oils with a faster drying time and easy water-based clean-up. ShinHan Acrylic Colors provide artists with unparalleled quality in a brilliant palette of colors to help you create your next masterpiece.
  • Out of stock
    • 21 Permanent Red
    • 20 Permanent Scarlet
    • 12 Permanent Yellow Deep
    • 10 Permanent Lemon
    • 42 Permanent Green Light
    • 43 Permanent Green Middle
    • 51 Sky Blue
    • 52 Cobalt Blue(Hue)
    • 62 Violet
    • 34 Burnt Sienna
    • 1 White
    • 999 Ankoku Black
  • Out of stock

    Let the world see your vision

    Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork.
  • Out of stock
    Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. The Basic Set of 12 11mL tubes includes Permanent Red, Permanent Scarlet, Permanent Yellow Deep, Permanent Lemon, Permanent Green Light, Permanent Green Middle, Sky Blue, Cobalt Blue Hue, Violet, Burnt Sienna, Jet Black, and White.
  • Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates.
  • Gamblin Neo Megilp

    503889
    Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss
  • Gamblin Galkyd Lite

    503889
    Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours.
  • Acrylic Ground for Pastels is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher texture Fine or Coarse Pumice Gel can be added. Acrylic Ground for Pastel can also be tinted with acrylic colors.

    Note: Packaging design may vary.
  • Out of stock

    Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.

    Note: Packaging design may vary.
  • Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary.
  • Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass - best seen in thin films over a light color to allow the glass beads to be illuminated. Note: Packaging design may vary.
  • Out of stock
    Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Out of stock

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

  • Out of stock

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

  • Out of stock

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

  • OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments.
  • GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects.
  • GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
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