• Our Premium Airtight Watercolour Palette makes it easy to lay out your colours and create. With 18 generously sized colour wells, a removable tray and two large mixing areas, you'll wonder what you did without it. If you can't finish your painting in one sitting, the airtight seal makes sure your colours stay fresh for when you're ready to pick up where you left off.
  • Out of stock
    Luminous paint that, when charged with light, glows in the dark. It also reacts to black light.
    • Long-lasting luminescence.
    • The luminous intensity depends on the quantity and uniformity of application.
    • When applied to white surfaces, a maximum luminous effect is obtained.
    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
    • Very fast-drying
    • Good elasticity
    • Easy to apply and repaint with acrylic, synthetic and nitrocellulose products
    • Excellent adhesion on polypropylene (modified EPDM)
    • On other plastics we recommend carrying out a test prior to use
    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Small Book Blocks have 40 pages, measure 5x6 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media.
  • With a capacity of 750 ml, this is the ideal product for painting large surfaces quickly and conveniently, with coverage of 4 m2. High quality, quick dry alkyd gloss enamel for a perfect finish with very good colour retention and weather resistance. FEATURES - High pressure. - Very fast drying. - Excellent flexibility. - Easy to apply and repaint. - Good hardening. - Does not contain lead nor other heavy metals. - High covering power. - Very good resistance to the sun and rain. - Retains its glossiness and color. - Very good resistance to UV light. - Strong resistance to scratching once the film is polymerized
  • Out of stock
    Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary.
  • The MTN PRO Universal Primer is a primer spray that also works as a final coat. The primer enhances the adherence of paint to glossy surfaces – from plastics such as rigid PVC and methacrylate to metals such as aluminum, copper or zinc; as well as other materials such as glass, ceramic and tiles. This versatile product can also be used as a finishing paint, as it can be later enameled or varnished.   FEATURES - White - Anti-rust prevention - Fast drying - Resistant to temperatures of up to 100 ºC - Strong adhesion to any surface - Indoor and outdoor use - It can be used as a white finishing product. - Excellent primer for all surfaces: iron, zinc, copper, galvanized, polyester, methacrylate, melamine, polyurethane, ceramics, tiles and glass, etc. - It is not recommended for application on anodized aluminum
  • Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor.
  • Golden Hard Molding Paste

    8011,390

    Hard Molding Paste This product is similar to the regular Molding Paste, but develops a much harder film. When dry, it can be carved with hand or power tools, and is readily sandable. It can be used on rigid supports like wood to add designs or texture to the object. Hard Molding Paste can also be mixed with acrylic paints or painted over.

    Flexibility can be improved by blending with regular Molding Paste or Regular or Heavy Gel. To minimize the chance of cracking, avoid applying a single layer thicker than 1/4 inch. Multiple layers can be applied to achieve thicker overall applications; this actually facilitates faster drying.

    Dries to a extremely hard, opaque film, it is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. Blends easily with acrylic colors. Note: Packaging design may vary.
  • Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.

    Note: Packaging design may vary.
  • Golden Light Molding Paste

    8011,390

    Light Molding Paste - Over 50% lighter than GOLDEN Molding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Molding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colors.

    Originally developed as a custom product for an artist whose large, abstract paintings were literally ripping the canvas from its stretcher bars. Mixtures made with this lightweight material allow an artist to work larger with less overall weight.

    This product has a white, low-density filler that replaces the traditional marble dust. Aside from being much whiter in color than the other molding pastes, Light Molding Paste is approximately 67% lighter by weight! It has a consistency similar to cake icing, easily manipulated by a palette knife. Wonderfully high peaks maintain their height and appearance. The spongy flexibility opens up new possibilities.

    Light Molding Paste's unique attributes allow an artist to use this product in new ways. It can be used simply as a lightweight filler for paints, as a white tinting medium or as a ground.

    Note: Packaging design may vary.
  • Golden White Gesso

    8017,045

    White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
  • Out of stock

    Golden Matte Medium

    8011,390

    Matte Medium is a pourable medium useful for extending color, decreasing gloss and increasing film integrity. It is also used as a nearly clear ground on canvas instead of gesso.

    Note: Packaging design may vary.
  • Golden GAC 100

    8011,390

    GAC 100  Multi-Purpose Acrylic Polymer is a sealer that helps prevent Support Induced Discoloration (SID) caused by impurities that are drawn up through a substrate as the acrylic paint dries. GAC 100 is also useful for diluting and extending colors, increasing flexibility and film integrity, sizing for fabric and sealing for wood. GAC 100 will wet out solids, including pigments, more readily than other polymers and is useful for artists formulating their own paints.

    Note: Packaging design may vary.
  • GAC 500  Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.

    Note: Packaging design may vary.
  • Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clog­ging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other prod­ucts for spraying  such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).

    Note: Packaging design may vary.
  • GAC 800  is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.

    Note: Packaging design may vary.
  • The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media.
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