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Out of stock
White Toray fiber is one of the softest and typically used in watercolor. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint. -
Out of stock
Holbein Masking Fluid comes in a convenient syringe-type container in order to preserve small, white areas when painting. -
Fat line 5 cm ø. / 1.9 in -
40% Off!
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Out of stock
Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
Out of stock
ArtGraf Stick is a practical graphite bar (9cm lenght), quite smooth and with a high solubility properties. With ArtGraf Stick the artist can achieve a large of graphite greys and it’s perfect to be used with water. -
Out of stock
Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. The Basic Set of 12 11mL tubes includes Permanent Red, Permanent Scarlet, Permanent Yellow Deep, Permanent Lemon, Permanent Green Light, Permanent Green Middle, Sky Blue, Cobalt Blue Hue, Violet, Burnt Sienna, Jet Black, and White. -
Out of stock
Weight: 190 gsm Surface: Vellum Pages/Book: 64 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. Excellent for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. 100% cotton fiber, acid free, lignin free, archival. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter. -
Fats line 8 cm ø. / 3.1 in -
- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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Medium lines 3.2 cm ø. / 1.25 in -
FREDRIX Painting and Palette Knives are sturdy and long lasting with extra thin, flexible blades, ideal for mixing and applying paints. Because we control the manufacturing process, we hold ourselves to the highest standards using premium grade, non-toxic and non-acidic materials. -
White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. -
- da Vinci MAESTRO2, brights
- medium length bristles
- long red transparent handles with black ends
- Flats and brights for area work
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Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors. -
The Fluid Iridescent Colors are one of the most unique products available to artists today. They are well-known for their luster quality and offer highly reflective metallic variations. They can be used alone or mixed with other GOLDEN colors. Adding glossy gels or mediums to Iridescent colors will also increase their luster quality. Most of the Iridescent Acrylics are made from mica particles coated with Titanium Dioxide and are very resistant to fading. Some are made from metal and metal oxides, such as Iridescent Stainless Steel and Micaceous Iron Oxide. The Iridescent acrylics will not oxidize or tarnish since they are made from stainless steel, naturally occurring minerals such as mica, or fully oxidized materials. -
Medium wide line 4 cm ø. / 1.6 in. -
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
5% Off!
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
50% Off!Out of stock
Here's a basic Peerless Watercolor set for those who prefer bright colors. Each set comes in 15 large sheets. -
Out of stock
This set of Holbein gouache is a useful set for students and professionals studying color theory, particularly CMYK. A good way to strengthen artists’ educational foundations. -
Out of stock
Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges. -
Select Artiste™ – Brushes for Acrylic, Watercolor and Oil
Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with. -
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
FORTE BASIC, round - strong elastic synthetic fiber - aluminum ferrule - blue matt handles with a newly developed surface structure - standard sizes No. 5/0, 3/0 - Rounds for details and precision work -
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Out of stock
The Holbein Artists' Gouache 12 5ml Tube Set G3702 provides you with 12 essential colors in 5ml tubes to start painting with Holbein Artists' Gouache today! The set includes the following colors:- Carmine G502
- Flame Red G507
- Permanent Yellow Deep G521
- Lemon Yellow G526
- Permanent Green Deep G542
- Permanent Green Light G541
- Turquoise Blue G561
- Ultramarine Deep G565
- Violet G581
- Burnt Sienna G603
- Ivory Black G606
- Permanent White G630
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Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Select Artiste™ – Brushes for Acrylic, Watercolor and Oil
Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with. -
Fredrix® White Canvas Pads contain genuine artist canvas, primed and ready for use with any medium. Canvas sheets are sturdy enough to be mounted when dry. Each pad contains 10 sheets. -
Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:- Crimson Lake W010
- Carmine W011
- Pyrrole Red W007
- Opera (Quinacridone Opera) W013
- Vermilion Hue W019
- Cadmium Yellow Deep W043
- Cadmium Yellow Lemon W040
- Imidazolone Yellow W050
- Yellow Ochre W034
- Permanent Green No. 1 W066
- Hooker's Green W062
- Sap Green W075
- Cerulean Blue W092
- Cobalt Blue W090
- Ultramarine Light W093
- Prussian Blue W097
- Permanent Violet W115
- Cobalt Violet Light W110
- Bright Violet (Luminous) W175
- Quinacridone Violet W120
- Burnt Sienna W134
- Burnt Umber W133
- Vandyke Brown W139
- Payne's Grey W156
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40% Off!Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
40% Off!Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Out of stock
Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. -
Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected. -
GAC 900 Fabric Painting Medium, when heat-set properly, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.
Note: Packaging design may vary. -
Out of stock
Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media. -
Medium fat lines 3.6 cm ø. / 1.4 in -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
50% Off!Out of stock
A special set of six large Peerless Watercolor sheets in shades of pink, not found in any of the other sets. Perfect for artists specializing in botany, florals, or fashion illustration. -
Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time. -
Out of stock
Weight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
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- da Vinci MAESTRO2, round
- medium length bristles
- long red transparent handles with black ends
- Rounds for detail and precision work
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Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet in wet techniques and reducing skinning on the palette.
Note: Packaging design may vary. -
Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. -
40% Off!
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Out of stock
Medium Book Blocks have 40 pages, measure 8x10 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media. -
Out of stock
- Highest quality
- Pure pigments, no wax fillers
- White mixing trays and brush included
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Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm. -
Out of stock
Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes. -
Out of stock
- 21 Permanent Red
- 20 Permanent Scarlet
- 12 Permanent Yellow Deep
- 10 Permanent Lemon
- 42 Permanent Green Light
- 43 Permanent Green Middle
- 51 Sky Blue
- 52 Cobalt Blue(Hue)
- 62 Violet
- 34 Burnt Sienna
- 1 White
- 999 Ankoku Black
