• Golden Molding Paste

    ₱1,390

    Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.

    When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.

    Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
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    Golden MSA Varnish with UVLS (Gloss)

    ₱1,955

    MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than water­borne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

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  • Golden OPEN Acrylic Color 59ml Tube

    ₱495 – ₱1,071
    OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.
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    Golden OPEN Acrylic Color 6 22ml Tube Introductory Set – Modern

    ₱1,525
    Six-3/4 fl. oz. (22 ml) OPEN Acrylic Tubes Contents: Hansa Yellow Opaque, Pyrrole Red, Quinacridone Magenta, Phthalo Blue (GS), Phthalo Green (BS), Titanium White. The colors in this set include some of our cleanest organic pigments, capable of producing bright mixes and are least likely to muddy or gray.
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    Golden OPEN Acrylic Color 6 22ml Tube Introductory Set – Traditional

    ₱1,525
    Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety.
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  • Golden OPEN Acrylic Gel (Gloss) Medium

    ₱846

    OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
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  • Golden OPEN Acrylic Gel (Matte) Medium

    ₱846

    OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
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  • Golden OPEN Acrylic Gloss Medium

    ₱490 – ₱801

    Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.

    Note: Packaging design may vary.
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  • Golden OPEN Acrylic Iridescent Color 59ml Tube

    ₱630 – ₱864
    OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments.
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    Golden OPEN Acrylic Matte Medium

    ₱490 – ₱801

    Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.

    Note: Packaging design may vary.
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    Golden OPEN Slow-Drying Acrylic Color Landscape Set

    ₱2,325
    Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting and monoprinting. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide.
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  • Golden OPEN Slow-Drying Acrylic Color Landscape Set

    ₱2,641
    An excellent outdoor palette that allows artists to produce the wide variety of hues, shades and tints encounted in nature. Since OPEN Acrylics remain wet far longer than other acrylics, they resist skinning on the palette during long painting sessions in the studio and outdoors. Set contains seven 3/4 fl. oz. / 22 ml Tubes, One 2 fl. oz. / 59 ml Titanium White, One 1 fl. oz. / 30 ml OPEN Thinner. Includes: Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, and Sap Green Hue, Titanium White and OPEN Thinner.
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    Golden OPEN Slow-Drying Acrylic Color Mixing Set – Modern Theory

    ₱2,325
    Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors.  OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml).
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  • Golden OPEN Thinner

    ₱279 – ₱535

    OPEN Thinner contains no binders and is used to thin paint mixes without altering open time, or to maintain and adjust workability on palettes without water mists and moisturizing palettes.

    Note: Packaging design may vary.
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  • Golden Pastel Ground

    ₱877

    Acrylic Ground for Pastels is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher texture Fine or Coarse Pumice Gel can be added. Acrylic Ground for Pastel can also be tinted with acrylic colors.

    Note: Packaging design may vary.
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    Golden Polymer Varnish with UVLS (Gloss)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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    Golden Polymer Varnish with UVLS (Matte)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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    Golden Polymer Varnish with UVLS (Satin)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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    Golden Principal Fluid Acrylic 10 30ml Bottle Set

    ₱2,920
    This set offers a selection of 10 GOLDEN Professional Fluid Acrylic Colors that are fundamental to the serious artist working with fluid viscosity acrylics. The GOLDEN Principal Fluid set provides artists with a cost effective means to setting up a basic palette, capable of mixing a full range of hues, tints, and shades, that can later be supplemented with the wide selection of Fluid color offerings. Fluids are the most versatile paint formula produced by GOLDEN, easily adaptable to a wide range of applications. They are ideal for spraying, brushing, or mixing with all GOLDEN Colors including Heavy Body and Airbrush Colors. When mixed with water, or GOLDEN Acrylic Flow Release, the Fluids are very useful for staining or watercolor techniques. Includes: Titanium White, Hansa Yellow Medium, Yellow Oxide, Pyrrole Red, Quinacridone Magenta, Ultramarine Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Burnt Sienna, Carbon Black, Fluid Application Guide.
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  • Golden Pumice Gel Coarse

    ₱846
    Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
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  • Golden Pumice Gel Extra Coarse

    ₱846
    Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
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    Golden Pumice Gel Fine

    ₱877
    Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
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  • Golden Regular Gel Gloss

    ₱846 – ₱5,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
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  • Golden Regular Gel Matte

    ₱846 – ₱5,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
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  • Golden Retarder

    ₱567 – ₱963

    Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet in wet techniques and reducing skinning on the palette.

    Note: Packaging design may vary.
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    Golden Sandable Hard Gesso

    ₱877

    Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.

    Note: Packaging design may vary.
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    Golden Silverpoint/Drawing Ground

    ₱963

    Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)

    Note: Packaging design may vary.
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  • Golden Soft Gel Gloss

    ₱846 – ₱5,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage.
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  • Golden Soft Gel Matte

    ₱846 – ₱5,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary.
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  • Golden Soft Gel Semi-Gloss

    ₱846
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage.
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    Golden Wetting Agent

    ₱490

    Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY

    Note: Packaging design may vary.
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  • Golden White Gesso

    ₱801 – ₱7,045

    White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
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    Hahnemuehle Agave Watercolor 290gsm Cold Pressed Block

    ₱1,105 – ₱2,275
    290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed
    • vegan​​​​​​​
    • resistant to ageing
    • acid-free
     
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    Hahnemuehle Bamboo Mixed Media 265gsm Roll – 1.25 x 10 m (49.21 in x 10.94 yd)

    ₱7,075
    Weight: 265 gsm Size: 1.25 x 10 m Content: 1 roll Colour: natural white Order no.: 10629110
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  • Hahnemuehle Britannia 300gsm Cold Pressed Block

    ₱570 – ₱3,140
    Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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  • Hahnemuehle Britannia 300gsm Cold Pressed Roll – 1.25 x 10m (49.21 in x 10.94 yd)

    ₱9,090
    Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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    Hahnemuehle Britannia 300gsm Cold Pressed Sheets – 50 x 65 cm (19.69 x 25.59 in)

    Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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  • Hahnemuehle Britannia 300gsm Hot Pressed Block

    ₱570 – ₱3,140
    Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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  • Hahnemuehle Britannia 300gsm Hot Pressed Roll – 1.25 x 10 m (49.21 in x 10.94 yd)

    ₱9,090
    Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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  • Out of stock

    Hahnemuehle Britannia 300gsm Hot Pressed Sheets – 50 x 65 cm (19.69 x 25.59 in)

    Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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    Hahnemuehle Cornwall 450gsm Cold Pressed Block

    ₱525 – ₱2,795
    Weight: 450 gsm Surface: Cold Pressed Bright white, acid free, lightfast and extremely age resistant. The heavy weight provides a very stable board that ensures improved flatness when wet. Cornwall offers good color flow and high color intensity. This quality is ideal for wet painting techniques: watercolor – especially smooth washes and dry painting – and also lavis, gouache, tempera and acrylic.
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    Hahnemuehle Watercolor Postcard 230gsm Cold Pressed Metal Box

    ₱820
    Weight: 230 gsm Surface: Cold Pressed Size: 10.5 x 14.8 cm (4.13 x 5.83 in)
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  • Holbein Acryla Gouache 20ml Tube

    ₱146 – ₱230
    107 highly pigmented colors in 20ml. Holbein Acryla Gouache moves, reacts, blends and feels like traditional gum arabic gouache. Holbein Acryla Gouache is water resistant once dry. Drying to a velvet matte finish. Holbein Acryla Gouache does not shift in color from liquid to dry color. What you see is what you get once dry. Holbein Acryla Gouache does not have the same fragile surface as traditional gouache in gum arabic and is compatible with all other water soluble media regardless of origin.
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    Holbein Acryla Gouache Master 12 20ml and 40ml Set

    ₱1,848
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    Holbein Acryla Gouache Primary 5 20ml Set

    ₱728
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    Holbein Acryla Gouache School 12 12ml Set

    ₱840
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    Holbein Artists’ Gouache 12 5ml Tube Set

    ₱1,500
    The Holbein Artists' Gouache 12 5ml Tube Set G3702 provides you with 12 essential colors in 5ml tubes to start painting with Holbein Artists' Gouache today! The set includes the following colors:
    • Carmine G502
    • Flame Red G507
    • Permanent Yellow Deep G521
    • Lemon Yellow G526
    • Permanent Green Deep G542
    • Permanent Green Light G541
    • Turquoise Blue G561
    • Ultramarine Deep G565
    • Violet G581
    • Burnt Sienna G603
    • Ivory Black G606
    • Permanent White G630
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  • Holbein Artists’ Irodori Gouache 15ml Tube – Traditional Colors of Japan

    ₱235 – ₱355
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    Holbein Artists’ Irodori Gouache AUTUMN 12-color 15ml Tube Set

    ₱2,900
    The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings.
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    Holbein Artists’ Irodori Gouache SPRING 12-color 15ml Tube Set

    ₱2,900
    The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings.
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    Holbein Artists’ Irodori Gouache SUMMER 12-color 15ml Tube Set

    ₱2,800
    The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings.
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  • Holbein Artists’ Irodori Gouache WINTER 12-color 15ml Tube Set

    ₱2,900
    The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings.
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  • Holbein Artists’ Oil Color 12 10ml Tube Set

    ₱2,200
    Holbein Artists’ Oil Colors set of 12 10 mL tubes, perfect for oil painting beginners. The set includes Crimson Lake, Vermilion Hue, Yellow Ochre, Permanent Yellow Light, Permanent Green Pale, Viridian Hue, Cobalt Blue Hue, Ultramarine Deep, Burnt Sienna, Burnt Umber, Ivory Black and Permanent White.
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  • Holbein Artists’ Oil Color 40ml Tube

    ₱506 – ₱2,016
    Holbein Artists’ Oil Colors come in 148 colors, in 40mL tubes.
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  • Holbein Artists’ Oil Color 50ml Tube – White

    ₱420 – ₱784
    Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
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  • Holbein Artists’ Watercolor Botanical Art 24 5ml Tube Set

    ₱3,080
    Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:
    • Crimson Lake W010
    • Carmine W011
    • Pyrrole Red W007
    • Opera (Quinacridone Opera) W013
    • Vermilion Hue W019
    • Cadmium Yellow Deep W043
    • Cadmium Yellow Lemon W040
    • Imidazolone Yellow W050
    • Yellow Ochre W034
    • Permanent Green No. 1 W066
    • Hooker's Green W062
    • Sap Green W075
    • Cerulean Blue W092
    • Cobalt Blue W090
    • Ultramarine Light W093
    • Prussian Blue W097
    • Permanent Violet W115
    • Cobalt Violet Light W110
    • Bright Violet (Luminous) W175
    • Quinacridone Violet W120
    • Burnt Sienna W134
    • Burnt Umber W133
    • Vandyke Brown W139
    • Payne's Grey W156
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  • Holbein Artists’ Watercolor Half Pan

    ₱247 – ₱364
    Holbein Artists’ Watercolors come in 48 colors, in half pans. Box sets of 36 and 12 with palettes and synthetic hair travel brushes are also available.
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  • Holbein Artists’ Watercolor Half Pan Palm Box 12 Colors Set

    ₱3,808
    Holbein Artists’ Watercolors come in 48 colors, in half pans. Box sets of 12 include Permanent Alizarin Crimson, Vermilion Hue, Imidazolone Yellow, Yellow Ochre, Viridian Hue, Sap Green, Cobalt Blue Pale, Prussian Blue, Dioxazine Violet, Burnt Umber, Burnt Sienna, Ivory Black, two palettes, and a synthetic travel brush.
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  • Holbein DUO Aqua Water Soluble Oil Color 40ml Tube – Elite

    ₱521 – ₱1,512
    17 “Elite” labeled colors signify the use of heavy metal pigments including cadmiums and cobalts.
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    Holbein DUO Aqua Water Soluble Oil Color 50ml Tube – White

    ₱479 – ₱756
    Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
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