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Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
Fine line 2,5 cm ø. - 1.0 in. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19543 Cadmium Yellow No. 2, very light 19547 Cadmium Yellow No. 6, medium 19551 Cadmium Yellow No. 9, dark 19553 Cadmium Orange No. 0, very light 19555 Cadmium Orange No. 1, medium 19559 Cadmium Red No. 1, light 19563 Cadmium Red No. 2, medium 19567 Chrome Oxide Green 19571 Viridian Green 19575 Cobalt Green Bluish A 19579 Cobalt Blue Turquoise Light 19583 Cobalt Blue Light 19587 Ultramarine Blue, very dark 19591 Paris Blue -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Out of stock
MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Out of stock
Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures. -
Out of stock
- 13 unique and vivid colors
- Highest quality pigments
- Unique Far-Eastern colors from the traditional Korean palette
- Authentic colors with Far-Eastern tone
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Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints. -
Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Out of stock
Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
GENERAL DESCRIPTION White primer paint formulated for use as a first layer or background, especially on dark surfaces, to ensure that the colors subsequently applied are brighter, especially when we want to finish the object with fluorescent paint or clear colors with a poor covering power. Paint formulated for use as a primer, or even as a top coat when a matt white finish is required. FEATURES - Fast drying. - Good adherence. - Excellent covering power. - Does not contain lead or other heavy metals. - Color durability. - Non-yellowing. - Easy of application and recoating -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary. -
Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.
When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.
Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
