• Holbein DUO Linseed Oil

    250700
    Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected.
  • Out of stock
    Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics.
  • Golden GAC 900

    8462,079

    GAC 900  Fabric Painting Medium, when heat-set properly, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.

    Note: Packaging design may vary.
  • Out of stock
    Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media.
  • Medium fat lines  3.6 cm ø. / 1.4 in
  • Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
  • Golden Soft Gel Gloss

    8465,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage.
  • Out of stock
    50% Off!

    Peerless Watercolor Pretty In Pink Color Set

    Original price was: ₱520.Current price is: ₱260.
    A special set of six large Peerless Watercolor sheets in shades of pink, not found in any of the other sets. Perfect for artists specializing in botany, florals, or fashion illustration.
  • Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time.
  • Golden Retarder

    567963

    Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet in wet techniques and reducing skinning on the palette.

    Note: Packaging design may vary.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork.
    • da Vinci MAESTRO2, round
    • medium length bristles
    • long red transparent handles with black ends
    • Rounds for detail and precision work
  • 40% Off!
    The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media.
  • Out of stock
    Medium Book Blocks have 40 pages, measure 8x10 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media.
  • Out of stock
    • Highest quality
    • Pure pigments, no wax fillers
    • White mixing trays and brush included
  • Out of stock
    Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media.
  • Gamblin GAMVAR Varnish

    6191,082
    Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm.
  • Out of stock
    Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes.
  • Out of stock
    • 21 Permanent Red
    • 20 Permanent Scarlet
    • 12 Permanent Yellow Deep
    • 10 Permanent Lemon
    • 42 Permanent Green Light
    • 43 Permanent Green Middle
    • 51 Sky Blue
    • 52 Cobalt Blue(Hue)
    • 62 Violet
    • 34 Burnt Sienna
    • 1 White
    • 999 Ankoku Black
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