Shop

  • Out of stock
    Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Titanium White, Hansa Yellow, Diarylide Yellow, Yellow Ochre, Orange, Permanent Red, Red Iron Oxide, Magenta, Violet, Ultramarine Blue, Phthalo Blue, Turquoise, Phthalo Green, Permanent Green, Bright Yellow Green, Burnt Sienna, Raw Umber, Black, Neutral Grey, and Chromium Oxide Green, plus a set of mini Sofft tools for painting.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Paynes Grey, Black, Red Iron Oxide, Raw Umber, Burnt Sienna, Burnt Sienna Tint, Raw Umber Tint, Neutral Grey, Neutral Grey Tint, and Titanium White, plus a set of mini Sofft tools for painting.
  • Out of stock
    Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Yellow Ochre, Violet, Phthalo Green, Burnt Sienna, Raw Umber, Permanent Red, Hansa Yellow, Ultramarine Blue, Titanium White, and Black, plus a set of mini Sofft tools for painting.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Chromium Oxide Green Extra Dark, Ultramarine Blue Extra Dark, Violet Extra Dark, Permanent Red Extra Dark, and Hansa Yellow Extra Dark.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set of primary and secondary brights includes Violet Shade, Ultramarine Blue Shade, Permanent Red Shade, Chromium Oxide Green Shade, and Hansa Yellow Shade.
  • Out of stock
    Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This pastel-hued set includes Hansa Yellow Tint, Permanent Green Tint, Ultramarine Blue Tint, Violet Tint, and Permanent Red Tint.
  • Out of stock
    Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Permanent Red, Hansa Yellow, Ultramarine Blue, Titanium White, and Black.
  • PanPastel Pearlescent mediums add a lustrous pearlescent sheen / shimmer which changes depending on the angle it is viewed from, also creating dimension. They are mica based. The mediums can be mixed with PanPastel Colors for custom pearlescent colors or used on their own for mixed media. They have all the characteristics of PanPastel Colors, they are mixable, erasable, low dust, lightfast and professional artist’s quality. FINE - Contains smaller particles to create a soft and subtle pearl sheen. COARSE - Contains larger particles to create a more shimmering sparkle.
  • The PanPastel Colorless Blender is a medium that can be used for a variety of new effects including increasing transparency and enhancing color “flow”. It can be used before color is applied (under the color), or mixed with the color after it is applied. It also has all the characteristics of PanPastel Colors i.e. mixable, erasable, low dust, lightfast and professional artist’s quality.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. Artists may also experiment by using softer brushes, such as Kolinsky hairs, with these compacted pigments. Pan Pastel comes in 91 exceptional-quality colours, including metallics and pearlescents.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues.
  • Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries.
  • Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors.
    • Standard duty snap-off blades
    • 9mm W x 80mm L x 0.38mm T
    • 58 degree / Extra sharp black blades
    • Made of high quality carbon tool steel
    • Packed in hanging plastic container
    • Cutting Material: Paper, wallpaper, card stock, vinyl, film, shrink-wrap, etc.
    • 5 blades/pack
    • Made in Japan
  • Out of stock
     
    • Light duty snap off blade utility knife
    • Aluminum die-cast grip / Electrical-acrylic metal coated / Made of recycled material
    • Blade Size: 9mm
    • Features an automatic blade lock
    • Stainless steel blade-sliding-track / Designed for right and left handed use / With built-in blade snapper
    • Replacement blade: BA-100
    • Cutting Material: Paper, wallpaper, card stock, vinyl, film, shrink-wrap, etc.
    • Made in Japan
  • Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
  • Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:
    • Crimson Lake W010
    • Carmine W011
    • Pyrrole Red W007
    • Opera (Quinacridone Opera) W013
    • Vermilion Hue W019
    • Cadmium Yellow Deep W043
    • Cadmium Yellow Lemon W040
    • Imidazolone Yellow W050
    • Yellow Ochre W034
    • Permanent Green No. 1 W066
    • Hooker's Green W062
    • Sap Green W075
    • Cerulean Blue W092
    • Cobalt Blue W090
    • Ultramarine Light W093
    • Prussian Blue W097
    • Permanent Violet W115
    • Cobalt Violet Light W110
    • Bright Violet (Luminous) W175
    • Quinacridone Violet W120
    • Burnt Sienna W134
    • Burnt Umber W133
    • Vandyke Brown W139
    • Payne's Grey W156
  • GAC 800  is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.

    Note: Packaging design may vary.
  • Golden GAC 400

    8462,079

    GAC 400  Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.

    Note: Packaging design may vary.
Go to Top