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  • Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage.
  • Golden Regular Gel Gloss

    8465,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
  • Golden Regular Gel Matte

    8465,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
  • Out of stock

    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.

    Note: Packaging design may vary.

  • Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Out of stock
    Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Out of stock
    Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary.
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary.
  • Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary.
  • Golden Gloss Medium

    8461,426

    Gloss Medium is an acrylic liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. It has an oil-like feel and resinous nature that promotes flow and leveling.

    Note: Packaging design may vary.
  • Golden GAC 900

    8462,079

    GAC 900  Fabric Painting Medium, when heat-set properly, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.

    Note: Packaging design may vary.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
  • Golden GAC 400

    8462,079

    GAC 400  Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.

    Note: Packaging design may vary.
  • GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This nifty palette/tray secures and organizes Pan Pastels, making them portable for on-the-go painting.
  • Out of stock

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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