• Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.

    When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.

    Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
  • Golden Soft Gel Matte

    8465,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary.
  • Out of stock

    Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY

    Note: Packaging design may vary.
  • Out of stock

    MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than water­borne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Golden Black Gesso

    8772,268

    Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
  • Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary.
  • Out of stock
    Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors.  OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml).
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Golden Regular Gel Gloss

    8465,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
  • Out of stock
    Eight - 2 fl. oz. / 59 ml Tubes. This seven color selection of organic pigments plus Titanium White is capable of producing some of the cleanest, brightest mixes and are least likely to muddy or gray. This enables artists to produce a wide array of hues, shades and tints that can be supplemented any time with the impressive selection of other GOLDEN Heavy Body color offerings. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (GS), Phthalo Green (BS), Titanium White and a Modern Theory Color Mixing Guide.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Out of stock
    Ten 1 oz. (30 ml) bottles of the following colors: Burnt Sienna, Carbon Black, Quinacridone Magenta, Benzimidazolone Yellow Medium, Quinacridone/Nickel Azo Gold, Naphthol Red Light, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Ultramarine Blue, Titanium White.
  • Out of stock
    Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety.
  • Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.

    Note: Packaging design may vary.
  • Out of stock
    290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed
    • vegan​​​​​​​
    • resistant to ageing
    • acid-free
     
  • A dream may be ambiguous and vague but it is always colorful. The Dream set contains some surprising colors, American limited colors, mixed with more universal mid-tone colors. Using Night Blue while imagining a lingering dream corning true will eventually build and color a new and surreal landscape.
    • 29 Poppy Red
    • 113 Cadmium Orange (Hue)
    • 10 Permanent Lemon
    • 139 Hooker's Green
    • 144 Beryl Green
    • 150 Horizon Blue
    • 154 Night Blue
    • 64 Dioxazine Violet
    • 23 Rose
    • 35 Sepia
    • 108 Mars Black
    • 101 Titanium White
  • Universally acclaimed and loved for its bright and powerful colors, Acryl Gouache is the perfect paint for artists who paint with passion and vigour. Paint vigorously, and you make the world more vigorous. When this mood grabs hold of you, we often recommend the Cadmium Red Medium (Hue). Find it in our World set and express your vigour and vitality.
    • 119 Cadmium Red Medium (Hue)
    • 13 Permanent Yellow Orange
    • 135 Ivory Yellow
    • 42 Permanent Green Light
    • 43 Permanent Green Middle
    • 57 Cerulean Blue
    • 52 Cobalt Blue (Hue)
    • 60 Lilac
    • 123 Rose Pink
    • 39 Red Ochre
    • 108 Mars Black
    • 101 Titanium White
  • Out of stock
    Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes.
  • GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects.
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Out of stock
    Fast drying water based aerosol varnish of excellent characteristics with a Acrylic, water-based varnish that is fast drying and offers excellent characteristics that provide high quality matte and glossy finishes, long-lasting durability and non-yellowing on multiple surfaces. - Water based product. - Acrylic. - Cures well. - Non-yellowing. - Sticks well to the majority of surfaces. - Easy to apply.
  • Out of stock
    Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Out of stock
    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper.
  • Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. These standard, versatile colors are available as individual 20mL tubes. Scroll down for metallics.
  • Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage.
  • Out of stock
    The High Flow Drawing Set from GOLDEN includes ten colors for calligraphers, graphic artists and illustrators. This set includes colors typically used for illustration, such as Indigo and Carbon Black, fancy colors for calligraphy, such as Iridescent Gold and Teal, as well as, White and a range of mixing colors that artists can use to create a whole spectrum of colors. COLORS INCLUDED (10 - 1 oz. bottles): Iridescent Gold (Fine), Iridescent Copper (Fine), Iridescent Silver (Fine), Carbon Black, Titanium White, Neutral Gray N5, Teal, Benzimidazolone Yellow Medium, Quinacridone Magenta, Indigo (Anthraquinone)
  • Out of stock
    Ten 1 oz. (30 ml) bottles of the following colors: Transparent Dioxazine Purple, Transparent Benzimidazolone Yellow Med, Transparent Naphthol Red Light, Transparent Phthalo Blue GS, Transparent Phthalo Green BS, Transparent Quinacridone Red, Transparent Brown Iron Oxide, Transparent Red Iron Oxide, Transparent Shading Gray, Transparent Yellow Iron Oxide
  • Out of stock

    Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.

    Note: Packaging design may vary.
  • Out of stock
    Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary.
  • Earth seen from space shows blue from the ocean and green from the land. This blessed, mysterious grace is the concept of our earth set. The color selection includes mid-tone blues and greens as well as a turquoise which will enhance your creativity.
    • 21 Permanent Red
    • 20 Permanent Scarlet
    • 12 Permanent Yellow Deep
    • 111 Cadmium Yellow Light (Hue)
    • 140 Fresh Green
    • 148 Phthalo Green
    • 55 Turquoise Blue
    • 157 Manganese Blue (Hue)
    • 62 Violet
    • 34 Burnt Sienna
    • 108 Mars Black
    • 101 Titanium White
  • Golden GAC 400

    8462,079

    GAC 400  Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.

    Note: Packaging design may vary.
  • OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.

    Note: Packaging design may vary.
  • GAC 500  Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.

    Note: Packaging design may vary.
  • Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary.
  • Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary.
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
Go to Top