• Out of stock
    MSA (Mineral Spirit Acrylic) Varnish with UVLS is a Mineral Spirit based Acrylic resin system that reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Golden Black Gesso

    8772,268

    Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
  • Out of stock

    Archival Aerosol Varnish MSA (Mineral Spirit Acrylic) with UVLS (Ultra Violet Light Stabilizers) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. It resists changes in appearance, remains flexible. It has an adjustable fan spray tip that allows precise application and reduced overspray. Available in Gloss, Satin and Matte. Removable for conservation purposes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Absorbent Ground is a fluid acrylic medium that dries to a porous, paper-like surface. Applied over gessoed canvas, it facilitates raw canvas-like staining and watercolor effects. Lightfast, permanent and flexible. This is a Health Labeled (HL) Product, and not for use by children.

    Note: Packaging design may vary.
  • Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Increases gloss
    • Does not yellow
    • Can be thinned with white spirit or turpentine
    • Flammable
  • Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:
    • Odourless
    • Drying time somewhat longer than Talens white spirit (090)
    • Very pure, 100% evaporation; disappears completely from the paint film
    • Makes oil paint leaner (use in lower coats)
    • Not suitable for removing dry varnish coats
  • Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil
    • Increases the gloss and the drying time of the paint film
    • Increases the risk of the paint film wrinkling
    • Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
    • Can be thinned with white spirit or turpentine
  • Out of stock
    Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours.
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Hardly influences the degree of gloss
    • Slightly yellowing
    • Can be thinned with white spirit or turpentine
    • Suitable as glazing medium
    • Flammable
  • Out of stock

    Let the world see your vision

    Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork.
  • Out of stock
    Mixed Media pads combine true wet media performance and dry media finish for a complete range of mixed media applications. We've combined the characteristics of watercolor paper and the finish of a drawing sheet, creating a paper that performs unlike any other in the industry. Mixed Media is available in a full range of formats and sizes. Weight: 190 g/m2 Surface: Vellum Sheets per pad: 40 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel, collage For mixed media sketches, practice of techniques and quick studies. Medium weight paper in sketchbook formats. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. The 5.5in x 8.5in (362-5) is not micro-perforated but sheets are Actual Size when removed at the wire binding.
  • Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. Pad Features: Glue Bound pads have flip-over covers.
  • Out of stock
    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper.
  • Out of stock
    Good for a combination of drawing, painting and collage. Made in the USA. Two inspirational project ideas are included on the inside of the front cover. Cover artwork by Jaden - Grade 1. Project ideas by Art Projects for Kids. Sheets per pad: 15
  • Out of stock
    Fixative Lacquer ideal for artistic techniques such as pastel, charcoal, pencil or graphite. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Weight: 230 gsm Surface: Cold Pressed Size: 10.5 x 14.8 cm (4.13 x 5.83 in)
  • Out of stock
    Weight: 450 gsm Surface: Cold Pressed Bright white, acid free, lightfast and extremely age resistant. The heavy weight provides a very stable board that ensures improved flatness when wet. Cornwall offers good color flow and high color intensity. This quality is ideal for wet painting techniques: watercolor – especially smooth washes and dry painting – and also lavis, gouache, tempera and acrylic.
  • Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
  • Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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