• Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clog­ging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other prod­ucts for spraying  such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).

    Note: Packaging design may vary.
  • Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Luminous paint that, when charged with light, glows in the dark. It also reacts to black light.
    • Long-lasting luminescence.
    • The luminous intensity depends on the quantity and uniformity of application.
    • When applied to white surfaces, a maximum luminous effect is obtained.
    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours.
  • High quality water based paint in a 200 ml bottle. Available in 20 different colors.
  • Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.

    When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.

    Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
  • Golden Soft Gel Matte

    8465,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary.
  • Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium.
  • Out of stock

    Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY

    Note: Packaging design may vary.
  • Out of stock
    14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints.
  • Out of stock
    • 37 ml (1.25 oz) tubes of
      • Cadmium Yellow Light
      • Yellow Ochre
      • Cadmium Red Light
      • Alizarin Crimson
      • Ultramarine Blue
      • Phthalo Green
      • Ivory Black
      • Titanium White
    • Solvent-Free Gel Medium
    • Primed, handcrafted panel
  • Out of stock
    • 13 unique and vivid colors
    • Highest quality pigments
    • Unique Far-Eastern colors from the traditional Korean palette
    • Authentic colors with Far-Eastern tone
  • Out of stock
    Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures.
  • Out of stock

    MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than water­borne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Golden Black Gesso

    8772,268

    Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
  • Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary.
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