• Out of stock

    Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clog­ging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other prod­ucts for spraying  such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).

    Note: Packaging design may vary.
  • Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Luminous paint that, when charged with light, glows in the dark. It also reacts to black light.
    • Long-lasting luminescence.
    • The luminous intensity depends on the quantity and uniformity of application.
    • When applied to white surfaces, a maximum luminous effect is obtained.
    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours.
  • High quality water based paint in a 200 ml bottle. Available in 20 different colors.
  • Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.

    When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.

    Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
  • Golden Soft Gel Matte

    8465,444
    Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary.
  • GENERAL DESCRIPTION White primer paint formulated for use as a first layer or background, especially on dark surfaces, to ensure that the colors subsequently applied are brighter, especially when we want to finish the object with fluorescent paint or clear colors with a poor covering power. Paint formulated for use as a primer, or even as a top coat when a matt white finish is required. FEATURES - Fast drying. - Good adherence. - Excellent covering power. - Does not contain lead or other heavy metals. - Color durability. - Non-yellowing. - Easy of application and recoating
  • Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium.
  • Out of stock

    Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY

    Note: Packaging design may vary.
  • Out of stock
    14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints.
  • Gamblin Galkyd Lite

    503889
    Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours.
  • Out of stock
    • 37 ml (1.25 oz) tubes of
      • Cadmium Yellow Light
      • Yellow Ochre
      • Cadmium Red Light
      • Alizarin Crimson
      • Ultramarine Blue
      • Phthalo Green
      • Ivory Black
      • Titanium White
    • Solvent-Free Gel Medium
    • Primed, handcrafted panel
  • Out of stock
    • 13 unique and vivid colors
    • Highest quality pigments
    • Unique Far-Eastern colors from the traditional Korean palette
    • Authentic colors with Far-Eastern tone
  • Out of stock
    Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures.
  • Out of stock

    MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than water­borne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an ex­treme­ly level film with less foam and fewer pin­holes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

  • Golden Black Gesso

    8772,268

    Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.

    Note: Packaging design may vary.
  • Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary.
  • Out of stock
    14 very lightfast and transparent watercolors, full pans in a metal box 19543 Cadmium Yellow No. 2, very light 19547 Cadmium Yellow No. 6, medium 19551 Cadmium Yellow No. 9, dark 19553 Cadmium Orange No. 0, very light 19555 Cadmium Orange No. 1, medium 19559 Cadmium Red No. 1, light 19563 Cadmium Red No. 2, medium 19567 Chrome Oxide Green 19571 Viridian Green 19575 Cobalt Green Bluish A 19579 Cobalt Blue Turquoise Light 19583 Cobalt Blue Light 19587 Ultramarine Blue, very dark 19591 Paris Blue
  • Fine line 2,5 cm ø. - 1.0 in.
  • Out of stock
    Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors.  OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml).
  • Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
  • Golden Regular Gel Gloss

    8465,444
    Regular Gels  have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary.
  • Out of stock
    Eight - 2 fl. oz. / 59 ml Tubes. This seven color selection of organic pigments plus Titanium White is capable of producing some of the cleanest, brightest mixes and are least likely to muddy or gray. This enables artists to produce a wide array of hues, shades and tints that can be supplemented any time with the impressive selection of other GOLDEN Heavy Body color offerings. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (GS), Phthalo Green (BS), Titanium White and a Modern Theory Color Mixing Guide.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.
  • Out of stock
    Ten 1 oz. (30 ml) bottles of the following colors: Burnt Sienna, Carbon Black, Quinacridone Magenta, Benzimidazolone Yellow Medium, Quinacridone/Nickel Azo Gold, Naphthol Red Light, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Ultramarine Blue, Titanium White.
  • The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability.
  • Out of stock
    Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety.
  • Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.

    Note: Packaging design may vary.
  • Out of stock
    The MTN PRO Universal Primer is a primer spray that also works as a final coat. The primer enhances the adherence of paint to glossy surfaces – from plastics such as rigid PVC and methacrylate to metals such as aluminum, copper or zinc; as well as other materials such as glass, ceramic and tiles. This versatile product can also be used as a finishing paint, as it can be later enameled or varnished.   FEATURES - White - Anti-rust prevention - Fast drying - Resistant to temperatures of up to 100 ºC - Strong adhesion to any surface - Indoor and outdoor use - It can be used as a white finishing product. - Excellent primer for all surfaces: iron, zinc, copper, galvanized, polyester, methacrylate, melamine, polyurethane, ceramics, tiles and glass, etc. - It is not recommended for application on anodized aluminum
  • Out of stock
    290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed
    • vegan​​​​​​​
    • resistant to ageing
    • acid-free
     
  • A dream may be ambiguous and vague but it is always colorful. The Dream set contains some surprising colors, American limited colors, mixed with more universal mid-tone colors. Using Night Blue while imagining a lingering dream corning true will eventually build and color a new and surreal landscape.
    • 29 Poppy Red
    • 113 Cadmium Orange (Hue)
    • 10 Permanent Lemon
    • 139 Hooker's Green
    • 144 Beryl Green
    • 150 Horizon Blue
    • 154 Night Blue
    • 64 Dioxazine Violet
    • 23 Rose
    • 35 Sepia
    • 108 Mars Black
    • 101 Titanium White
  • Universally acclaimed and loved for its bright and powerful colors, Acryl Gouache is the perfect paint for artists who paint with passion and vigour. Paint vigorously, and you make the world more vigorous. When this mood grabs hold of you, we often recommend the Cadmium Red Medium (Hue). Find it in our World set and express your vigour and vitality.
    • 119 Cadmium Red Medium (Hue)
    • 13 Permanent Yellow Orange
    • 135 Ivory Yellow
    • 42 Permanent Green Light
    • 43 Permanent Green Middle
    • 57 Cerulean Blue
    • 52 Cobalt Blue (Hue)
    • 60 Lilac
    • 123 Rose Pink
    • 39 Red Ochre
    • 108 Mars Black
    • 101 Titanium White
  • Each 15mL tube is highly pigmented and lightfast, perfect for the needs of discerning professional artists who need their work to stand the test of time.  
  • Out of stock
    Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary.
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