White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary.-
Light Molding Paste - Over 50% lighter than GOLDEN Molding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Molding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colors.
Originally developed as a custom product for an artist whose large, abstract paintings were literally ripping the canvas from its stretcher bars. Mixtures made with this lightweight material allow an artist to work larger with less overall weight.
This product has a white, low-density filler that replaces the traditional marble dust. Aside from being much whiter in color than the other molding pastes, Light Molding Paste is approximately 67% lighter by weight! It has a consistency similar to cake icing, easily manipulated by a palette knife. Wonderfully high peaks maintain their height and appearance. The spongy flexibility opens up new possibilities.
Light Molding Paste's unique attributes allow an artist to use this product in new ways. It can be used simply as a lightweight filler for paints, as a white tinting medium or as a ground.
Note: Packaging design may vary. -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Hard Molding Paste This product is similar to the regular Molding Paste, but develops a much harder film. When dry, it can be carved with hand or power tools, and is readily sandable. It can be used on rigid supports like wood to add designs or texture to the object. Hard Molding Paste can also be mixed with acrylic paints or painted over.
Flexibility can be improved by blending with regular Molding Paste or Regular or Heavy Gel. To minimize the chance of cracking, avoid applying a single layer thicker than 1/4 inch. Multiple layers can be applied to achieve thicker overall applications; this actually facilitates faster drying.
Dries to a extremely hard, opaque film, it is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. Blends easily with acrylic colors. Note: Packaging design may vary. -
Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.
When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.
Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary. -
Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary. -
Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary. -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass - best seen in thin films over a light color to allow the glass beads to be illuminated. Note: Packaging design may vary. -
Clear Granular Gel is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
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Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
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High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary. -
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High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary. -
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Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
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Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
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Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.
Note: Packaging design may vary.
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Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
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Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes. -
The GOLDEN Interference Colors achieve their reflective properties by synthetically reproducing a natural phenomenon-the nacreous, or pearlescent, quality found in fish scales, peacock feathers or the dust of a butterfly's wing. Golden produces 6 Fluid Interference Colors and four Interference Oxide Colors in Fine consistency only. All of GOLDEN's Interference Colors produce a luster quality by themselves, or when mixed with other colors and mediums. -
The Fluid Iridescent Colors are one of the most unique products available to artists today. They are well-known for their luster quality and offer highly reflective metallic variations. They can be used alone or mixed with other GOLDEN colors. Adding glossy gels or mediums to Iridescent colors will also increase their luster quality. Most of the Iridescent Acrylics are made from mica particles coated with Titanium Dioxide and are very resistant to fading. Some are made from metal and metal oxides, such as Iridescent Stainless Steel and Micaceous Iron Oxide. The Iridescent acrylics will not oxidize or tarnish since they are made from stainless steel, naturally occurring minerals such as mica, or fully oxidized materials. -
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. -
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Eight - 2 fl. oz. / 59 ml Tubes. The Classic Theory Color Mixing Set from GOLDEN offers a starting place for artists as they begin to explore their own approach to colors and painting. Based on a selection of historically significant colors, this collection is capable of producing a wide range of traditional mixes, creating a spectrum of colors often found in nature. Includes: Cadmium Yellow Light, Indian Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, Titanium White, and a Classic Color Theory Mixing Guide. -
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Eight - 2 fl. oz. / 59 ml Tubes. This seven color selection of organic pigments plus Titanium White is capable of producing some of the cleanest, brightest mixes and are least likely to muddy or gray. This enables artists to produce a wide array of hues, shades and tints that can be supplemented any time with the impressive selection of other GOLDEN Heavy Body color offerings. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (GS), Phthalo Green (BS), Titanium White and a Modern Theory Color Mixing Guide. -
Viarco ArtGraf Watercolor Graphite has an interesting and very expressive graphic personality offering the artist an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones. Extra-large hand made water soluble graphite stick, developed by Viarco for large artistic interventions. Draw and then use water to create shadows or to raise details. ArtGraf XL defies the artist to create new forms of art expressions and establish new frontiers for creativity. -
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This set offers a selection of 10 GOLDEN Professional Fluid Acrylic Colors that are fundamental to the serious artist working with fluid viscosity acrylics. The GOLDEN Principal Fluid set provides artists with a cost effective means to setting up a basic palette, capable of mixing a full range of hues, tints, and shades, that can later be supplemented with the wide selection of Fluid color offerings. Fluids are the most versatile paint formula produced by GOLDEN, easily adaptable to a wide range of applications. They are ideal for spraying, brushing, or mixing with all GOLDEN Colors including Heavy Body and Airbrush Colors. When mixed with water, or GOLDEN Acrylic Flow Release, the Fluids are very useful for staining or watercolor techniques. Includes: Titanium White, Hansa Yellow Medium, Yellow Oxide, Pyrrole Red, Quinacridone Magenta, Ultramarine Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Burnt Sienna, Carbon Black, Fluid Application Guide. -
Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected. -
The Holbein DUO Aqua Water Soluble Oil Color Standard 12 10ml Tube Set DU911 provides you with 12 essential colors in 10ml tubes to start painting with DUO Aqua Oil Colors today! The set includes Cadmium Red Deep Hue, Vermilion Hue, Lemon Yellow, Cadmium Yellow Light Hue, Yellow Ochre, Cadmium Green Light Hue, Cadmium Green Hue, Cobalt Blue Hue, Ultramarine Light, Burnt Sienna, Ivory Black, Permanent White -
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Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
17 “Elite” labeled colors signify the use of heavy metal pigments including cadmiums and cobalts. -
Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.
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- Circle cutter extension beam for C-1500
- Dia. 16 - 40cm (6.30 - 15.75")
- Made in Japan