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Out of stockEscoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media.
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Out of stock
- Highest quality
- Pure pigments, no wax fillers
- White mixing trays and brush included
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Out of stockMedium Book Blocks have 40 pages, measure 8x10 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media.
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40% Off!The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media.
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Out of stockFixative Lacquer ideal for artistic techniques such as pastel, charcoal, pencil or graphite. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
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Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork.
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Out of stockWeight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
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Out of stockBristol provides a stiff, strong surface to work on without the need for mounting. Bristol generally describes drawing paper that is pasted together to form multi-ply sheets. Weight: 270 g/m2 Surface: Smooth / Vellum Sheets per pad: 20 Media Applications: Smooth - pen and ink, mechanical pencil, air brush, marker Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very Good for mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
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Created from a revolutionary material, Speedball® SpeedyCarve™ Blocks provide you with an easy carving experience without having to sacrifice the fine detail usually associated with traditional linoleum block designs. Great for use with either water-soluble or oil-based block printing inks, these blocks are the perfect fit for novice and expert relief printers alike!
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Out of stockA special set of six large Peerless Watercolor sheets in shades of pink, not found in any of the other sets. Perfect for artists specializing in botany, florals, or fashion illustration.
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20% Off!This wonderfully unique watercolor paper is incredibly strong as it's made from an impressive East-meets-West blend of kozo + cotton; the only museum quality art paper to feature such a special fiber mix. Hakuho's internal sizing and beautifully textured surface will lend unique artistic depth to your artworks. Made for watercolor / gouache and Hakuho may also be used for drawing, pen & ink work, acrylic, paper cutting, paper sculpture, etc.
size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 45% Kozo / 55% Cotton ph 7 to 8 use Watercolor, drawing, printmaking, letterpress, pencil, pastel -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
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Out of stockArtists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media.
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Out of stockTurner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics.
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Out of stockEach Awagami Editioning Sample Pack contains 2 approx. 8” x 10” sample size sheets of our 10 famed ‘Awagami Editioning’ papers. Try them out for printmaking, drawing, painting, book arts, collage, etc…
size 8x10in / 21x26cm weight assorted deckled edges 4 material assorted ph 5 to 8 use Printmaking, drawing, collage, bookarts -
Out of stockThe Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media.
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GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments.
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Out of stockAn eco-friendly blend of 70% bamboo + 30% recycled pulp and sized for water-based media. With its subtly textured surface, Awagami Bamboo responds beautifully to artists' brushstrokes and has less sticky sizing than EU papers - this allows for the papers lovely surface to unify with pigment effortlessly offering artists new more organic results. 100% acid-free and made solely at Awagami, Japan. May also be used for letterpress printing.
size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 70% Bamboo / 30% Recycled Paper use Watercolor, drawing, pencil, pastel -
Out of stockNT Cutter's light duty circle cutter
- Circle cutter for 1.8 - 17cm in diameter
- Does not leave a center needle hole
- Protection cap included
- # of blade included: 6
- Replacement blade: BDA-200P (45 degrees)
- Weight of Knife: 6.4 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
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Out of stock
- Mechanical pencil for writing and drawing
- ISO colour coding
- Non-slip rubber grip zone
- Metal clip, push-button and tip
- Pocket-safe thanks to retractable lead sleeve
- Rigid, cylindrical lead sleeve, ideal for use with rulers and templates
- Cushioned lead for high level of break resistance
- PVC and latex-free eraser
- Easily to refill with "12-a-go" Mars micro carbon mechanical pencil leads 250
- B leads
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Out of stockEscoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media.
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- Heavy duty snap off blade utility knife with 18mm extra Sharp black blade
- Features an automatic blade lock and stainless steel blade-sliding-track
- Extra High quality white ABS grip with built-in blade Snapper
- Cutting material: cardboard, rubber, leather, corkboard, acetates, linoleum, carpet, thin veneer, foam board, etc.
- Good for DIY projects, construction such as drywall, roofing, flooring, industrial application, Warehouses, factories, etc.
- Good for craft & hobby projects, professional artists or installers, general use
- Made in Japan (TAA designated)
- Replacement blade: BL-12P
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Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:
- Crimson Lake W010
- Carmine W011
- Pyrrole Red W007
- Opera (Quinacridone Opera) W013
- Vermilion Hue W019
- Cadmium Yellow Deep W043
- Cadmium Yellow Lemon W040
- Imidazolone Yellow W050
- Yellow Ochre W034
- Permanent Green No. 1 W066
- Hooker's Green W062
- Sap Green W075
- Cerulean Blue W092
- Cobalt Blue W090
- Ultramarine Light W093
- Prussian Blue W097
- Permanent Violet W115
- Cobalt Violet Light W110
- Bright Violet (Luminous) W175
- Quinacridone Violet W120
- Burnt Sienna W134
- Burnt Umber W133
- Vandyke Brown W139
- Payne's Grey W156
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The Awagami Editioning Okawara Select paper has a warm natural color, medium weight and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students.
size 20.5x17in / 52x43cm weight 51gsm deckled edges 4 material 25% Kozo / 75% Alpha Cellulose ph 6 to 7 use Printmaking, drawing, collage, bookarts