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  • Sofft Tools Knives, covers, and sponges are special tools made for use with Pan Pastels, made for optimal blending of soft pastels. These are ergonomically designed for maximum comfort and minimum mess when painting with Pan Pastels.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. Artists may also experiment by using softer brushes, such as Kolinsky hairs, with these compacted pigments. Pan Pastel comes in 91 exceptional-quality colours, including metallics and pearlescents.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues.
  • Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues.
  • Out of stock
    • Semi-hard squared pastel.
    • Very smooth and soft application on paper.
    • Dimensions: 8x8mmx60mm
    • Clean and easy to use. The pastels will not crumble or powder in hands
    Set A includes the following colors
    • Green Gray (2)
    • Blue Green (2)
    • Blue Gray
    • Prussian Blue (1)
    • Venetian Red
    • Light Red
    • Burnt Umber
    • Brown Ochre
    • White
    • Gray (1)
    • Black
    Set B includes the following colors
    • Compose Green (2)
    • Prussian Blue (2)
    • Cobalt Blue
    • Purple
    • Sepia
    • Pink
    • Carmine
    • Rose
    • Jaune Brilliant (2)
    • Permanent Yellow (2)
    • Naples Yellow (1)
    • Olive Green (1)
  • Set A includes the following colors
    • #41 Naples Yellow (1)
    • #43 Lemon Yellow
    • #58 Yellow Ochre (2)
    • #28 Jaune Brilliant (2)
    • #22 Crimson
    • #148 Venetian Red
    • #073 Compose Green (2)
    • #080 Sap Green (2)
    • #089 Pale Blue
    • #108 Ultramarine (2)
    • #143 Sepia
    • #001 White
    Set B includes the following colors
    • #41 Naples Yellow (1)
    • #48 Perm. Yellow (2)
    • #28 Jaune Brilliant (2)
    • #13 Pink (1)
    • #14 Rose
    • #19 Chinese Vermillion
    • #135 Purple
    • #78 Compose Green (2)
    • #68 Olive Green (1)
    • #106 Cobalt Blue
    • #113 Prussian Blue (2)
    • #143 Sepia
  • Out of stock
    • Easy blending and color extension
    • Extra fine quality pigment formulation
    • Meets ACMI non-toxicity requirements
    • Suitable for many surfaces: paper, cardboard, canvas and wood
    • Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
    • Easy blending and color extension
    • Extra fine quality pigment formulation
    • Meets ACMI non-toxicity requirements
    • Suitable for many surfaces: paper, cardboard, canvas and wood
    • Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
  • Out of stock
    Smooth-writing gel-ink ballpoint pen with white ink. Suitable for black or dark colored papers.
    • Clear and vivid white ink and standing out on black/dark color papers.
    • Smooth-writing and constant ink flow from start to end.
    • No smears, feathers, or bleed-through on most papers.
    • Bright, white opaque ink
    • 08 Medium: 0.8mm ball / 0.4mm line
    • Not evaluated for cosmetic use on skin
    • Meets ACMI non-toxicity standards
  • Unique 3-D stained-glass effect ball point pen with 0.8mm ball.
    • Suitable on not only papers but also hard-surface such as mirrors, mobile-phone, frame and so on.
    • Glossy ink.
    • 3-D effect (Raised letters feelable with finger).
    • Leave “2-3 minutes” to dry completely.
    • No smears, feathers, or bleed-through on most papers.
    • Line width: 0.6mm.
  • Retractable Eraser.
    • Incorporates the convenience of a mechanical pencil advance system.
    • Comfortable finger grip.
    • Refill (XHNE-A) is available.
  • Technical qualities
    • Archival quality Pigma® ink on paper
    • Waterproof
    • Fade and chemical resistant
    • Will not smear or feather when dry
    • Does not bleed through most papers
    • Meets ACMI non-toxicity standards
    • Not evaluated for cosmetic use on skin
    • Not recommended for use on fabrics intended to be washed
  • APPLICATIONS • daily notes, stick notes, letters, editing, journals, grocery lists • carbon-less paper, check writing, log books • sketching, comic drawing, Zentangle® Method drawing • coloring, Bible journaling TECHNICAL QUALITIES • Durable plastic nib • 8 archival Pigma ink colors: black, red, blue/black, blue, sepia, rose, burgundy and purple • Pigma archival quality ink is waterproof, chemical and fade resistant, bleed free, quick drying and pH neutral.
  • Unique 3-D OPAQUE effect ball point pen with 0.8mm ball.
    • Suitable on not only papers but also hard-surface such as mirrors, mobile-phone, frame, etc.
    • Opaque ink.
    • 3-D effect with the touch of a finger.
    • Leave “2-3 minutes” to dry completely.
    • No smears, feathers, or bleed-through on most papers.
    • Line width: 0.6mm.
  • 0% Off!

    Shin Han Touch Twin 36 Marker Custom Set

    Original price was: ₱5,760.Current price is: ₱5,184.
    TOUCH TWIN brush markers are alcohol-based, double-ended markers, with a brush and broad tip on each end. They are odorless and have the finest control of ink flow, with absolutely no smudging or bleeding. Its ergonomic design ensures a comfortable grip. Now available in customizable sets of 36. Mix and match colors and marker models. You can have brush-broad and fine-broad markers in one set! All marker colors are refillable.
  • Out of stock

    Staedtler Triplus® Fineliner 334 Triangular Fineliner box containing 10 assorted colours.

  • Out of stock

    Staedtler Triplus® Fineliner 334 Triangular Fineliner box containing 20 assorted colours.

  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors.
  • Out of stock
    Antique Medium is used as a top coat over Turner Milk Paint to achieve the aged look of old paint, using a cloth for large areas or a dry brush for smaller areas.
  • Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries.
  • Out of stock
    Dust Medium is used as a top coat over Milk Paint to achieve a faded finish, using a cloth for large areas or a dry brush for smaller areas.
  • Multi Primer is used to improve adhesion of of Turner Milk Paint to paint-resistant surfaces like glass, metal, plastic, and other smooth, non-porous surfaces. Stir before use and apply two layers for best results; add a tiny amount of water for smoother application and non-visible brushstrokes. The surfaces will be ready two hours after priming, but glass needs a day before painting.
  • Plaster Medium is used as a base layer for Turner Milk Paint, for impasto style effects.
  • Turner Top Coat Clear UV is used for Turner Milk Paint to protect the longevity of your finished surface and impart a glossy sheen.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press Size: 22" x 30" Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges.
  • Out of stock
    Weight: 270 gsm Surface: Vellum Size: 42" x 10yds Media Applications: Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
  • Weight: 270 gsm Surface: Smooth / Vellum Media Applications: Smooth - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, mixed media, collage Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very Good for mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
  • Out of stock
    Weight: 118 gsm Surface: Medium Pages/Book: 128 Media Applications: Graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens Available in Warm Tan and Cool Gray. This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Pages/Book: 64 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. Excellent for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. 100% cotton fiber, acid free, lignin free, archival. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
  • Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork.
  • Weight: 300 gsm Surface: Cold press Pages/Book: 48
    Media Applications: Watercolor, gouache and acrylic This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
  • Weight: 67 gsm Sheets/Pad: 40 Size: Tape Bound 9" x 12" A poly-coated paper for use as a disposable paint-mixing palette.
  • Sheets/Package: 100 Size: 9" x 12" Value pack of eight assorted colors to cut, decorate and paste. Includes Scarlet, Black, Brown, Blue, Green, Yellow Orange, White and Yellow. Made in the USA. Two inspirational project ideas printed on inside of cover. Cover artwork and project ideas by Art Projects for Kids.
  • Out of stock
    Weight: 270 gsm Surface: Smooth Sheets/Pad: 24 Size: 11" x 17" An economical, smooth bristol weight board printed with non-reproducible blue lines for comic and Manga applications.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival.
  • Out of stock
    Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures.
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