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    • Premium quality pencil for writing, drawing and sketching on paper and matt drawing film
    • Unbelievably break-resistant through special lead formulation and super-bonded lead
    • Wide range of up to 16 degrees
    • Lines reproduce well
    • Wood from certified, sustainably managed forests
  • Out of stock
    • Mechanical pencil for writing and drawing
    • ISO colour coding
    • Non-slip rubber grip zone
    • Metal clip, push-button and tip
    • Pocket-safe thanks to retractable lead sleeve
    • Rigid, cylindrical lead sleeve, ideal for use with rulers and templates
    • Cushioned lead for high level of break resistance
    • PVC and latex-free eraser
    • Easily to refill with "12-a-go" Mars micro carbon mechanical pencil leads 250
    • B leads
    • Mechanical pencil lead for use on paper and drawing card
    • High break resistance due to flexible lead
    • Smooth-gliding lead, jet black lines
    • Unique ecological manufacturing process without PVC or softening agents
    • More than 90% natural raw materials
    • Suitable for use with all mechanical pencils
    • Simple “12-a-go” refilling for many STAEDTLER mechanical pencils
    • ISO colour coding
    • 12 leads per tube

    Mars-micro-carbon-250-Mechanical-Pencil-Lead-Degrees

           
  • Out of stock
    • Fineliner for writing, sketching and drawing
    • Long metal tip, ideal for use with rulers and templates e.g. Mars lettering guide 572 FL
    • Pigment ink, indelible (in accordance with ISO 14145-2), lightfast, waterproof
    • Erasable when used on drafting paper, no bleeding when highlighted
    • Cap off - can be left uncapped for 18 hours without drying up (Standard atmosphere according to ISO 554)
    • PP barrel guarantees long service life
  • Out of stock
    • Premium quality for first-class erasing performance
    • Blue part of eraser for India ink on transparent paper (vellum) and matt drafting film
    • Minimal crumbling
    • Protective cellophane wrapper with practical tear-and-open strip
    • Sliding sleeve for convenient handling
    • Phthalate and latex free
    • Absolutely age-resistant
    • Efficient production “Made in Germany”
    • Best erasing performance with little wear
    • No discolouration of the eraser on paper
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    • Plexiglas – transparent
    • Length - 30cm / 12in
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    Staedtler Triplus® Fineliner 334 Triangular Fineliner box containing 10 assorted colours.

  • Out of stock

    Staedtler Triplus® Fineliner 334 Triangular Fineliner box containing 20 assorted colours.

  • Sheets/Package: 100 Size: 9" x 12" Value pack of eight assorted colors to cut, decorate and paste. Includes Scarlet, Black, Brown, Blue, Green, Yellow Orange, White and Yellow. Made in the USA. Two inspirational project ideas printed on inside of cover. Cover artwork and project ideas by Art Projects for Kids.
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    A bleed-resistant paper designed to accept coverage of felt tip markers. Two marker project ideas are included on the inside front cover. Cover artwork and project ideas by Art Projects for Kids. Made in the USA. Sheets per pad: 30
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    Good for a combination of drawing, painting and collage. Made in the USA. Two inspirational project ideas are included on the inside of the front cover. Cover artwork by Jaden - Grade 1. Project ideas by Art Projects for Kids. Sheets per pad: 15
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    Economical semi-transparent parchment for tracing and sketching. For use with pencil or pen. Made in the USA. Cover artwork by Art Projects for Kids. Sheets per pad: 40
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    Weight: 270 gsm Surface: Smooth Sheets/Pad: 24 Size: 11" x 17" An economical, smooth bristol weight board printed with non-reproducible blue lines for comic and Manga applications.
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    Weight: 49 g/m2 Surface: Rough Sheets per pad: 100 An economical rough surface newsprint for preliminary sketching.
  • Weight: 89 g/m2 Surface: Smooth Sheets per pad: 50 Parchment-toned paper has a smooth surface for even ink flow. The assorted tints are ideal for artwork, invitations, certificates, and stationery.
  • Sketch Paper is a lighter weight paper that is great for experimentation and practicing techniques. 300 Series is a quality paper for the student and beginning artist at an economical price. 400 Series, 400 Series Recycled and WindpowerTM Series are superior sheets with a harder surface making it a great choice for the advanced artist. Weight: 74 g/m2 Surface: Fine Tooth Sheets per pad: 100 A light weight sketch paper excellent for on-location sketching and practicing techniques. Use with pencil, charcoal, sketching stick and pastel.
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    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper.
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    Bristol  provides a stiff, strong surface to work on without the need for mounting.  Bristol generally describes drawing paper that is pasted together to form multi-ply sheets. Weight: 270 g/m2 Surface: Smooth / Vellum Sheets per pad: 20 Media Applications: Smooth - pen and ink, mechanical pencil, air brush, marker Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very Good for mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
  • Out of stock
    Weight: 270 gsm Surface: Vellum Size: 42" x 10yds Media Applications: Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
  • Weight: 270 gsm Surface: Smooth / Vellum Media Applications: Smooth - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, mixed media, collage Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very Good for mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel.
  • Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. Pad Features: Glue Bound pads have flip-over covers.
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    Mixed Media pads combine true wet media performance and dry media finish for a complete range of mixed media applications. We've combined the characteristics of watercolor paper and the finish of a drawing sheet, creating a paper that performs unlike any other in the industry. Mixed Media is available in a full range of formats and sizes. Weight: 190 g/m2 Surface: Vellum Sheets per pad: 40 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel, collage For mixed media sketches, practice of techniques and quick studies. Medium weight paper in sketchbook formats. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. The 5.5in x 8.5in (362-5) is not micro-perforated but sheets are Actual Size when removed at the wire binding.
  • Weight: 67 gsm Sheets/Pad: 40 Size: Tape Bound 9" x 12" A poly-coated paper for use as a disposable paint-mixing palette.
  • Out of stock
    Weight: 118 gsm Surface: Medium Pages/Book: 128 Media Applications: Graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens Available in Warm Tan and Cool Gray. This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
  • Weight: 300 gsm Surface: Cold Press Sheets/Block: 15 Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork.
  • Weight: 300 gsm Surface: Cold press Pages/Book: 48
    Media Applications: Watercolor, gouache and acrylic This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
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    Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press Size: 22" x 30" Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Pages/Book: 64 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. Excellent for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. 100% cotton fiber, acid free, lignin free, archival. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
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    Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Out of stock
    Weight: 190 gsm Surface: Vellum Size: 22" x 30" Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork.
  • Out of stock
    Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival.
  • Out of stock

    Let the world see your vision

    Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork.
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Hardly influences the degree of gloss
    • Slightly yellowing
    • Can be thinned with white spirit or turpentine
    • Suitable as glazing medium
    • Flammable
  • Out of stock
    Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours.
  • Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil
    • Increases the gloss and the drying time of the paint film
    • Increases the risk of the paint film wrinkling
    • Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
    • Can be thinned with white spirit or turpentine
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