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23 carat, 3.15in x 3.15in (80mm x 80 mm) 1 booklet (25 Sheets) -
Out of stock
14 very lightfast and transparent watercolors, half pans in a metal box 462008 Titanium White 463008 Zinc White 463608 Kremer White 479218 Warm Grey no. 1 479228 Warm Grey no. 2 479258 Warm Grey no. 5 479268 Warm Grey no. 6 479418 Cold Grey no. 1 479428 Cold Grey no. 2 479458 Cold Grey no. 5 479468 Cold Grey no. 6 124408 Bideford Black 471008 Bone Black 472508 Furnace Black -
14 very lightfast and transparent watercolors, full pans in a metal box 402208 Italian Gold Ochre light 404008 Raw Sienna (Italy) 405108 Venetian Red 407208 Burnt Umber (Cyprian) 408218 Green Earth from Verona 420008 Vermilion 439408 Baryte Yellow 441518 Cobalt Green bluish A 442008 Chrome Oxide Green 452108 Paris Blue, water soluble 457008 Cobalt Blue, dark 463008 Zinc White (lead-free) 472508 Furnace Black 487008 Caput Mortuum reddish -
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The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
Out of stock
Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges. -
Out of stock
Weight: 118 gsm Surface: Medium Pages/Book: 128 Media Applications: Graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens Available in Warm Tan and Cool Gray. This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter. -
Out of stock
The GOLDEN Introductory Set of Professional Acrylic Gel Mediums and Molding Pastes offers the opportunity to experiment with a representative sampling of Gel Mediums. Gel Mediums used alone, or blended with acrylic colors can add texture, broaden the working properties and expand the possibilities. The set inclueds six 2 fl oz jars: Soft Gel (Gloss), Regular Gel (Semi-Gloss), Extra Heavy Gel (Matte), Light Molding Paste, Coarse Pumice Gel, Clear Tar Gel. Also includedis a product sample card consisting of a finished one inch square sample of each product and a brief description of the product features. -
Out of stock
Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting and monoprinting. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
Out of stock
Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety. -
Out of stock
Six-3/4 fl. oz. (22 ml) OPEN Acrylic Tubes Contents: Hansa Yellow Opaque, Pyrrole Red, Quinacridone Magenta, Phthalo Blue (GS), Phthalo Green (BS), Titanium White. The colors in this set include some of our cleanest organic pigments, capable of producing bright mixes and are least likely to muddy or gray. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Thinner contains no binders and is used to thin paint mixes without altering open time, or to maintain and adjust workability on palettes without water mists and moisturizing palettes.
Note: Packaging design may vary. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.
