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Out of stockThis set includes 59ml bottles of Galkyd, Neo Meglip, Refined Linseed Oil, Gamsol, a 37 ml tube of Galkyd Gel, and a 2 ml jar of Cold Wax Medium.
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Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium.
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Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm.
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Out of stockGalkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours.
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Out of stockCold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish.
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Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors.
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Out of stockCharcoal’s black, right? Wrong! Meet Derwent Tinted Charcoal – charcoal with just a hint of colour! These pencils give you all the good points of charcoal pencils; they can be smudged and blended easily, you have great control and there’s less mess, plus you get colour with a beautiful element of charcoal ‘blackness’!
- Sand TC01
- Glowing Embers TC04
- Lavender TC07
- Mountain Blue TC11
- Ocean Deep TC12
- Green Moss TC15
- Dark Moss TC16
- Driftwood TC17
- Peat TC18
- Dark
- Natural TC20
- White TC21
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Out of stockCharcoal’s black, right? Wrong! Meet Derwent Tinted Charcoal – charcoal with just a hint of colour! These pencils give you all the good points of charcoal pencils; they can be smudged and blended easily, you have great control and there’s less mess, plus you get colour with a beautiful element of charcoal ‘blackness’!
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Out of stockDerwent Procolour pencils are the perfect combination of a strong point and a smooth, effortless laydown, delivering beautiful, effortless blendability. Wax formulation glides like an oil while delivering incredible covering power.
- Outstanding reproduction print
- Highly pigmented
- Offers a smooth application
- Clean, smudge-free finish
- Glides like an oil
- Maintains a sharp point for detailed drawing
- Set contains 36 Procolour pencils in a tin
- Colour Palette: Buttercup Yellow, Deep Chrome, Primary Red, Cerise Pink, Imperial Purple, Prussian Blue, Spectrum Blue, Sap Green, Grass Green, Burnt Umber, Brown Ochre, Ivory Black, Primrose Yellow, Crimson Lake, Heather, Midnight Blue, Distant Green, Cedar Green, Sunset Gold, Foliage, Nutmeg, Gunmetal, Blue Grey, White, Lime, Salmon, Magenta, Mars Violet, Grape, Blue Violet Lake, Dark Indigo, Turquoise Green, Racing Green, Bronze, Copper Beech and Felt Grey
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Out of stock- The vast range of colours available allow artists to layer colours on top of each other in order to create new tints and hues. - Can be easily mixed and blended. - Suitable for all types of pastel work. - Ideal for creating crisp, fine lines and detailed pastel studies.
- P030 Process Yellow
- P070 Naples Yellow
- P100 Spectrum Orange
- P130 Cadmium Red
- P160 Crimson
- P200 Magenta
- P260 Violet
- P280 Dioxazine Purple
- P290 Ultramarine
- P340 Cyan
- P350 Prussian Blue
- P410 Forest Green
- P430 Pea Green
- P450 Green Oxide
- P510 Olive Green
- P530 Sepia
- P560 Raw Umber
- P580 Yellow Ochre
- P590 Chocolate
- P640 Terracotta
- P650 French Grey Dark
- P680 Aluminium Grey
- P710 Carbon Black
- P720 Titanium White
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Out of stockThe paper stump makes the difficult job of blending dusty media such as charcoal and pastel much easier and cleaner. Once the stumps get dirty and the points wear down they can be easily cleaned and re-pointed using a sandpaper block.
- Ideal accessory for use with Derwent products.
- Compact and lightweight
- Perfect gift idea.