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Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
40% Off!
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Fredrix® White Canvas Pads contain genuine artist canvas, primed and ready for use with any medium. Canvas sheets are sturdy enough to be mounted when dry. Each pad contains 10 sheets. -
FREDRIX Painting and Palette Knives are sturdy and long lasting with extra thin, flexible blades, ideal for mixing and applying paints. Because we control the manufacturing process, we hold ourselves to the highest standards using premium grade, non-toxic and non-acidic materials. -
Fredrix® Value Series presents Cut Edge Panels. Cut Edge Panels are identical to our best-selling Artist Series canvas panels, except they have no paper backing or wrapped edges, hence the name “cut edge panels”. -
Fredrix® Value Series presents Cut Edge Panels. Cut Edge Panels are identical to our best-selling Artist Series canvas panels, except they have no paper backing or wrapped edges, hence the name “cut edge panels”. -
Premium quality, gallery-style, primed canvases. Made in the Philippines. Some sizes are not available for shipping outside of Metro Manila. Email us at [email protected] for shipping quote. -
Premium quality, gallery-style, primed canvases. Made in the Philippines. Not available for shipping outside of Metro Manila. Email us at [email protected] for shipping quote.
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True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors. -
Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
Out of stock
Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. -
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. -
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm. -
- For preparing and reusing panels and canvas
- Non-absorbent for deeper color saturation
- Add oil colors for a tinted Ground
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Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss -
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This set includes 59ml bottles of Galkyd, Neo Meglip, Refined Linseed Oil, Gamsol, a 37 ml tube of Galkyd Gel, and a 2 ml jar of Cold Wax Medium. -
This set includes 59ml bottles of Gamsol, Linseed Oil, Galkyd Lite, Gamvar, a 37ml tube of Solvent-Free Gel, and a 59 ml jar of Cold Wax Medium. -
Out of stock
- Seals canvas and linen
- Vegan alternative to Rabbit Skin Glue
- Prepares paper for oil painting
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Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. -
Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. -
Out of stock
MSA (Mineral Spirit Acrylic) Varnish with UVLS is a Mineral Spirit based Acrylic resin system that reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes.ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Absorbent Ground is a fluid acrylic medium that dries to a porous, paper-like surface. Applied over gessoed canvas, it facilitates raw canvas-like staining and watercolor effects. Lightfast, permanent and flexible. This is a Health Labeled (HL) Product, and not for use by children.
Note: Packaging design may vary. -
Out of stock
Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clogging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other products for spraying such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).
Note: Packaging design may vary. -
Out of stock
Archival Aerosol Varnish MSA (Mineral Spirit Acrylic) with UVLS (Ultra Violet Light Stabilizers) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. It resists changes in appearance, remains flexible. It has an adjustable fan spray tip that allows precise application and reduced overspray. Available in Gloss, Satin and Matte. Removable for conservation purposes.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Clear Granular Gel is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Note: Packaging design may vary. -
Out of stock
Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes. -
Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary. -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary.
