Satin Glazing Liquid [formerly Acrylic Glazing Liquid (Satin)] can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. It is also excellent for soft transitions and color blending in paintings. Available in Gloss and Satin.
Note: Packaging design may vary.-
Gloss Glazing Liquid [formerly Acrylic Glazing Liquid (Gloss)] can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. It is also excellent for soft transitions and color blending in paintings. Available in Gloss and Satin.
Note: Packaging design may vary. -
Out of stock
Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)
Note: Packaging design may vary. -
Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet in wet techniques and reducing skinning on the palette.
Note: Packaging design may vary. -
Clear Granular Gel is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Note: Packaging design may vary. -
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High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary. -
Out of stock
High Solid Gels are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Note: Packaging design may vary. -
Acrylic Ground for Pastels is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher texture Fine or Coarse Pumice Gel can be added. Acrylic Ground for Pastel can also be tinted with acrylic colors.
Note: Packaging design may vary. -
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Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.
Note: Packaging design may vary. -
Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary. -
Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass - best seen in thin films over a light color to allow the glass beads to be illuminated. Note: Packaging design may vary. -
Out of stock
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects. -
GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary. -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Out of stock
Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.
Note: Packaging design may vary.
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Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
Out of stock
Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes. -
GAC 800 is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.
Note: Packaging design may vary. -
Out of stock
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Out of stock
Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clogging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other products for spraying such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).
Note: Packaging design may vary. -
GAC 500 Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.
Note: Packaging design may vary. -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Out of stock
Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. -
HIGH FLOW ACRYLICS are an ultra-thin paint with ink-like consistency that provide incredible versatility. They can go directly from bottle to airbrush, refillable marker or dip pen and work great for drawing, staining, dripping, pouring, calligraphy and color washes. High Flow offers a palette that includes many single-pigment colors, as well as Fluorescent and Iridescent colors. While it acts like an ink, it’s an acrylic so it's compatible with other GOLDEN Acrylic colors and mediums.