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Out of stock
The High Flow Drawing Set from GOLDEN includes ten colors for calligraphers, graphic artists and illustrators. This set includes colors typically used for illustration, such as Indigo and Carbon Black, fancy colors for calligraphy, such as Iridescent Gold and Teal, as well as, White and a range of mixing colors that artists can use to create a whole spectrum of colors. COLORS INCLUDED (10 - 1 oz. bottles): Iridescent Gold (Fine), Iridescent Copper (Fine), Iridescent Silver (Fine), Carbon Black, Titanium White, Neutral Gray N5, Teal, Benzimidazolone Yellow Medium, Quinacridone Magenta, Indigo (Anthraquinone) -
Out of stock
Ten 1 oz. (30 ml) bottles of the following colors: Transparent Dioxazine Purple, Transparent Benzimidazolone Yellow Med, Transparent Naphthol Red Light, Transparent Phthalo Blue GS, Transparent Phthalo Green BS, Transparent Quinacridone Red, Transparent Brown Iron Oxide, Transparent Red Iron Oxide, Transparent Shading Gray, Transparent Yellow Iron Oxide -
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Ten 1 oz. (30 ml) bottles of the following colors: Burnt Sienna, Carbon Black, Quinacridone Magenta, Benzimidazolone Yellow Medium, Quinacridone/Nickel Azo Gold, Naphthol Red Light, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Ultramarine Blue, Titanium White. -
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Fixative Lacquer ideal for artistic techniques such as pastel, charcoal, pencil or graphite. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote. -
High quality water based paint in a 200 ml bottle. Available in 20 different colors. -
Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote. -
Out of stock
Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours. -
Out of stock
Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:- Titanium White 105
- Primary Yellow 275
- Primary Magenta 369
- Primary Cyan 572
- Oxide Black 735
- 3x Dosing nozzles
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Out of stock
Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:- Titanium White 105
- Primary Yellow 275
- Primary Magenta 369
- Primary Cyan 572
- Oxide Black 735
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Out of stock
Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:- Titanium White 105
- Azo Yellow Light 268
- Naphthol Red Medium 396
- Ultramarine 504
- Oxide Black 735
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Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.- A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
- An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
- Alkali resistant, and consequently suitable for wall paintings.
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40% Off!
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
Out of stock
White Toray fiber is one of the softest and typically used in watercolor. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint. -
40% Off!Out of stock
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
40% Off!Out of stock
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
GAC 800 is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.
Note: Packaging design may vary. -
GAC 400 Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.
Note: Packaging design may vary. -
Out of stock
Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges. -
Out of stock
The GOLDEN Introductory Set of Professional Acrylic Gel Mediums and Molding Pastes offers the opportunity to experiment with a representative sampling of Gel Mediums. Gel Mediums used alone, or blended with acrylic colors can add texture, broaden the working properties and expand the possibilities. The set inclueds six 2 fl oz jars: Soft Gel (Gloss), Regular Gel (Semi-Gloss), Extra Heavy Gel (Matte), Light Molding Paste, Coarse Pumice Gel, Clear Tar Gel. Also includedis a product sample card consisting of a finished one inch square sample of each product and a brief description of the product features. -
Out of stock
Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting and monoprinting. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
Out of stock
Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety. -
Out of stock
Six-3/4 fl. oz. (22 ml) OPEN Acrylic Tubes Contents: Hansa Yellow Opaque, Pyrrole Red, Quinacridone Magenta, Phthalo Blue (GS), Phthalo Green (BS), Titanium White. The colors in this set include some of our cleanest organic pigments, capable of producing bright mixes and are least likely to muddy or gray. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Thinner contains no binders and is used to thin paint mixes without altering open time, or to maintain and adjust workability on palettes without water mists and moisturizing palettes.
Note: Packaging design may vary. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. -
Out of stock
Archival Aerosol Varnish MSA (Mineral Spirit Acrylic) with UVLS (Ultra Violet Light Stabilizers) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. It resists changes in appearance, remains flexible. It has an adjustable fan spray tip that allows precise application and reduced overspray. Available in Gloss, Satin and Matte. Removable for conservation purposes.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Out of stock
MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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Out of stock
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Note: Packaging design may vary.
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Satin Glazing Liquid [formerly Acrylic Glazing Liquid (Satin)] can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. It is also excellent for soft transitions and color blending in paintings. Available in Gloss and Satin.
Note: Packaging design may vary. -
Gloss Glazing Liquid [formerly Acrylic Glazing Liquid (Gloss)] can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. The slow drying formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. It is also excellent for soft transitions and color blending in paintings. Available in Gloss and Satin.
Note: Packaging design may vary. -
Out of stock
Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)
Note: Packaging design may vary. -
Out of stock
Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clogging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other products for spraying such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).
Note: Packaging design may vary. -
GAC 900 Fabric Painting Medium, when heat-set properly, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.
Note: Packaging design may vary. -
GAC 500 Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.
Note: Packaging design may vary. -
GAC 100 Multi-Purpose Acrylic Polymer is a sealer that helps prevent Support Induced Discoloration (SID) caused by impurities that are drawn up through a substrate as the acrylic paint dries. GAC 100 is also useful for diluting and extending colors, increasing flexibility and film integrity, sizing for fabric and sealing for wood. GAC 100 will wet out solids, including pigments, more readily than other polymers and is useful for artists formulating their own paints.
Note: Packaging design may vary. -
Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet in wet techniques and reducing skinning on the palette.
Note: Packaging design may vary. -
Out of stock
Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Out of stock
Matte Medium is a pourable medium useful for extending color, decreasing gloss and increasing film integrity. It is also used as a nearly clear ground on canvas instead of gesso.
Note: Packaging design may vary. -
Gloss Medium is an acrylic liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. It has an oil-like feel and resinous nature that promotes flow and leveling.
Note: Packaging design may vary. -
Absorbent Ground is a fluid acrylic medium that dries to a porous, paper-like surface. Applied over gessoed canvas, it facilitates raw canvas-like staining and watercolor effects. Lightfast, permanent and flexible. This is a Health Labeled (HL) Product, and not for use by children.
Note: Packaging design may vary. -
Acrylic Ground for Pastels is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher texture Fine or Coarse Pumice Gel can be added. Acrylic Ground for Pastel can also be tinted with acrylic colors.
Note: Packaging design may vary. -
Out of stock
Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.
Note: Packaging design may vary. -
Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
White Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Light Molding Paste - Over 50% lighter than GOLDEN Molding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Molding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colors.
Originally developed as a custom product for an artist whose large, abstract paintings were literally ripping the canvas from its stretcher bars. Mixtures made with this lightweight material allow an artist to work larger with less overall weight.
This product has a white, low-density filler that replaces the traditional marble dust. Aside from being much whiter in color than the other molding pastes, Light Molding Paste is approximately 67% lighter by weight! It has a consistency similar to cake icing, easily manipulated by a palette knife. Wonderfully high peaks maintain their height and appearance. The spongy flexibility opens up new possibilities.
Light Molding Paste's unique attributes allow an artist to use this product in new ways. It can be used simply as a lightweight filler for paints, as a white tinting medium or as a ground.
Note: Packaging design may vary. -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Hard Molding Paste This product is similar to the regular Molding Paste, but develops a much harder film. When dry, it can be carved with hand or power tools, and is readily sandable. It can be used on rigid supports like wood to add designs or texture to the object. Hard Molding Paste can also be mixed with acrylic paints or painted over.
Flexibility can be improved by blending with regular Molding Paste or Regular or Heavy Gel. To minimize the chance of cracking, avoid applying a single layer thicker than 1/4 inch. Multiple layers can be applied to achieve thicker overall applications; this actually facilitates faster drying.
Dries to a extremely hard, opaque film, it is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. Blends easily with acrylic colors. Note: Packaging design may vary. -
Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.
When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.
Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary. -
Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary. -
Clear Tar Gel has a pully, tar-like feel, but in a clear, colorless gel. This extremely resinous and stringy consistency makes it feel very different from other acrylic gels. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. It blends well with all GOLDEN Acrylic colors, although Fluid Colors work best. Note: Packaging design may vary. -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass - best seen in thin films over a light color to allow the glass beads to be illuminated. Note: Packaging design may vary.
