- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Increases gloss
- Does not yellow
- Can be thinned with white spirit or turpentine
- Flammable
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Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives -
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Ten 1 oz. (30 ml) bottles of the following colors: Transparent Dioxazine Purple, Transparent Benzimidazolone Yellow Med, Transparent Naphthol Red Light, Transparent Phthalo Blue GS, Transparent Phthalo Green BS, Transparent Quinacridone Red, Transparent Brown Iron Oxide, Transparent Red Iron Oxide, Transparent Shading Gray, Transparent Yellow Iron Oxide -
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The High Flow Drawing Set from GOLDEN includes ten colors for calligraphers, graphic artists and illustrators. This set includes colors typically used for illustration, such as Indigo and Carbon Black, fancy colors for calligraphy, such as Iridescent Gold and Teal, as well as, White and a range of mixing colors that artists can use to create a whole spectrum of colors. COLORS INCLUDED (10 - 1 oz. bottles): Iridescent Gold (Fine), Iridescent Copper (Fine), Iridescent Silver (Fine), Carbon Black, Titanium White, Neutral Gray N5, Teal, Benzimidazolone Yellow Medium, Quinacridone Magenta, Indigo (Anthraquinone) -
Shami Poster Color is a great tool for pre-school and elementary school students. Suitable for educational use and fun, SHAMI Poster Color is easily washable and comes in a variety of vivid colors. Being safe and high quality at an economic price, these poster colors are a perfect match for kids! -
- High precision color produced by selecting the world’s finest pigments.
- Velvet-like matte surface.
- Water-soluble opaque paint with excellent concealment power.
- Highly lightfast color consisting of cadmium and cobalt pigment.
- Carmine 4B
- Scarlet Red 8B
- Permanent Yellow Orange 22C
- Permanent Yellow 26B
- Permanent Green Light 49A
- Viridian 64B
- Turquoise Blue 83C
- Ultramarine Light 96B
- Violet 115B
- Burnt Sienna 139A
- Ivory Black 151B
- Permanent White 162A
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This sturdy plastic palette consists of 10 small wells for mixing colour and 1 large central well for diluting paint. The small size is easy to handle for individual student use. -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
14 very lightfast and transparent watercolors, full pans in a metal box 402208 Italian Gold Ochre light 404008 Raw Sienna (Italy) 405108 Venetian Red 407208 Burnt Umber (Cyprian) 408218 Green Earth from Verona 420008 Vermilion 439408 Baryte Yellow 441518 Cobalt Green bluish A 442008 Chrome Oxide Green 452108 Paris Blue, water soluble 457008 Cobalt Blue, dark 463008 Zinc White (lead-free) 472508 Furnace Black 487008 Caput Mortuum reddish -
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. -
Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
- For preparing and reusing panels and canvas
- Non-absorbent for deeper color saturation
- Add oil colors for a tinted Ground
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With a capacity of 750 ml, this is the ideal product for painting large surfaces quickly and conveniently, with coverage of 4 m2. High quality, quick dry alkyd gloss enamel for a perfect finish with very good colour retention and weather resistance. FEATURES - High pressure. - Very fast drying. - Excellent flexibility. - Easy to apply and repaint. - Good hardening. - Does not contain lead nor other heavy metals. - High covering power. - Very good resistance to the sun and rain. - Retains its glossiness and color. - Very good resistance to UV light. - Strong resistance to scratching once the film is polymerized -
Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. These standard, versatile colors are available as individual 20mL tubes. Scroll down for metallics. -
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Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper. -
Hone your artistic skills with our watercolour cake set. Featuring a nylon brush and 36 vibrant shades spanning the colour wheel, this watercolour paint set is an essential addition to your art materials. Whether you're a seasoned artist or student, you'll get great use out of this practical set. Each watercolour cake has its own corresponding mixing well in the lid so you can mix and experiment with your colours. Explore your potential and keep your workspace tidy with this compact watercolour paint set. -
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Weight: 190 gsm Surface: Vellum Size: 42" x 8yds Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage Professional quality sheets and boards designed to accept both wet and dry media, providing the ultimate surface for mixed media. Durable vellum finish for traditional drawing techniques and internally sized for wet media. 100% cotton fiber, archival, lignin free and acid free. For finished artwork. -
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Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Multi Primer is used to improve adhesion of of Turner Milk Paint to paint-resistant surfaces like glass, metal, plastic, and other smooth, non-porous surfaces. Stir before use and apply two layers for best results; add a tiny amount of water for smoother application and non-visible brushstrokes. The surfaces will be ready two hours after priming, but glass needs a day before painting. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, Black Carbon is a charcoal block prepared for drawing and painting. Using Black Carbon the artist will achieve a wide range of shades, from light gray to deep black. The ArtGraf Black Carbon is excellent for drawing and painting; it is water soluble and extremely soft. -
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Ø 7.5 cm, app. 300 g Our glass mullers are all handmade. They are used on a sandblasted piece of glass to slowly grind oil into the pigment. Our mullers are oversized and heavier than other models. -
Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:- Odourless
- Drying time somewhat longer than Talens white spirit (090)
- Very pure, 100% evaporation; disappears completely from the paint film
- Makes oil paint leaner (use in lower coats)
- Not suitable for removing dry varnish coats
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Paint that possesses highly reflective qualities when light is shone directly onto the painted surface. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote. -
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Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects. -
Out of stock
Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes. -
Out of stock
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Each 15mL tube is highly pigmented and lightfast, perfect for the needs of discerning professional artists who need their work to stand the test of time.
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Universally acclaimed and loved for its bright and powerful colors, Acryl Gouache is the perfect paint for artists who paint with passion and vigour. Paint vigorously, and you make the world more vigorous. When this mood grabs hold of you, we often recommend the Cadmium Red Medium (Hue). Find it in our World set and express your vigour and vitality.- 119 Cadmium Red Medium (Hue)
- 13 Permanent Yellow Orange
- 135 Ivory Yellow
- 42 Permanent Green Light
- 43 Permanent Green Middle
- 57 Cerulean Blue
- 52 Cobalt Blue (Hue)
- 60 Lilac
- 123 Rose Pink
- 39 Red Ochre
- 108 Mars Black
- 101 Titanium White
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A dream may be ambiguous and vague but it is always colorful. The Dream set contains some surprising colors, American limited colors, mixed with more universal mid-tone colors. Using Night Blue while imagining a lingering dream corning true will eventually build and color a new and surreal landscape.- 29 Poppy Red
- 113 Cadmium Orange (Hue)
- 10 Permanent Lemon
- 139 Hooker's Green
- 144 Beryl Green
- 150 Horizon Blue
- 154 Night Blue
- 64 Dioxazine Violet
- 23 Rose
- 35 Sepia
- 108 Mars Black
- 101 Titanium White
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290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed- vegan
- resistant to ageing
- acid-free
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The MTN PRO Universal Primer is a primer spray that also works as a final coat. The primer enhances the adherence of paint to glossy surfaces – from plastics such as rigid PVC and methacrylate to metals such as aluminum, copper or zinc; as well as other materials such as glass, ceramic and tiles. This versatile product can also be used as a finishing paint, as it can be later enameled or varnished. FEATURES - White - Anti-rust prevention - Fast drying - Resistant to temperatures of up to 100 ºC - Strong adhesion to any surface - Indoor and outdoor use - It can be used as a white finishing product. - Excellent primer for all surfaces: iron, zinc, copper, galvanized, polyester, methacrylate, melamine, polyurethane, ceramics, tiles and glass, etc. - It is not recommended for application on anodized aluminum -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Out of stock
Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
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Ten 1 oz. (30 ml) bottles of the following colors: Burnt Sienna, Carbon Black, Quinacridone Magenta, Benzimidazolone Yellow Medium, Quinacridone/Nickel Azo Gold, Naphthol Red Light, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Ultramarine Blue, Titanium White. -
Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. -
Out of stock
Weight: 300 gsm Surface: Cold Press Size: 42" x 10yds Our intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
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Eight - 2 fl. oz. / 59 ml Tubes. This seven color selection of organic pigments plus Titanium White is capable of producing some of the cleanest, brightest mixes and are least likely to muddy or gray. This enables artists to produce a wide array of hues, shades and tints that can be supplemented any time with the impressive selection of other GOLDEN Heavy Body color offerings. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (GS), Phthalo Green (BS), Titanium White and a Modern Theory Color Mixing Guide. -
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
Fine line 2,5 cm ø. - 1.0 in. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19543 Cadmium Yellow No. 2, very light 19547 Cadmium Yellow No. 6, medium 19551 Cadmium Yellow No. 9, dark 19553 Cadmium Orange No. 0, very light 19555 Cadmium Orange No. 1, medium 19559 Cadmium Red No. 1, light 19563 Cadmium Red No. 2, medium 19567 Chrome Oxide Green 19571 Viridian Green 19575 Cobalt Green Bluish A 19579 Cobalt Blue Turquoise Light 19583 Cobalt Blue Light 19587 Ultramarine Blue, very dark 19591 Paris Blue -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Out of stock
MSA Varnish with UVLS is a Mineral Spirit based Acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes and can be applied to acrylic, oil and alkyd painted surfaces. It reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. It is removable with Mineral Spirits after drying and is recommended for interior or exterior use. Not for use by children.
ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.
Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
Note: Packaging design may vary.
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Out of stock
Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures. -
Out of stock
- 13 unique and vivid colors
- Highest quality pigments
- Unique Far-Eastern colors from the traditional Korean palette
- Authentic colors with Far-Eastern tone
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Out of stock
- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Out of stock
14 very lightfast and transparent watercolors, full pans in a metal box 19595 Jarosite, from Cyprus 19599 Natural Sienna, Monte Amiata 19603 Italian Gold Ochre Light 19607 Bluish Green Earth, from Cyprus 19611 Bohemian Green Earth, genuine 19615 Green Earth, from Cyprus 19619 Burnt Umber, dark brown 19623 Caput Mortuum Reddish 19627 Venetian Red 19631 Madder Lake, Dark Red 19635 Iron Glimmer Violet 19639 Slate Gray, gray-green 19643 Van Dyck Brown 19647 Magnetite, very fine Slight colour changes can occur with earth colours from batch to batch. This may also be visible with the colour chart, since the pans in the set are certainly from a different batch than the one which is used for painting the colour chart (the pans you get are not used, of course). These two pigments, especially the sienna, can even change within one pan and show different colour on top of the pan than in lower layers. These discrepancies do not change the quality and the value of these paints. -
Black Gessos are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variey to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds.
Note: Packaging design may vary. -
Out of stock
Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
GENERAL DESCRIPTION White primer paint formulated for use as a first layer or background, especially on dark surfaces, to ensure that the colors subsequently applied are brighter, especially when we want to finish the object with fluorescent paint or clear colors with a poor covering power. Paint formulated for use as a primer, or even as a top coat when a matt white finish is required. FEATURES - Fast drying. - Good adherence. - Excellent covering power. - Does not contain lead or other heavy metals. - Color durability. - Non-yellowing. - Easy of application and recoating -
Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. Note: Packaging design may vary. -
Molding Paste (Regular) GOLDEN Molding Paste is similar to the consistency of GOLDEN Heavy Gels, yet the marble dust solids impart a unique feel due to the material's higher density. It is an opaque gray product that dries to a semi-gloss sheen.
When used alone or mixed with other products, such as GOLDEN Heavy Body Acrylics, it offers a hard yet flexible film. Capable of holding good peaks, Molding Paste is excellent for building surfaces or creating textures.
Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with colors to tint and extend paint. Note: Packaging design may vary.
