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The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. -
Hone your artistic skills with our watercolour cake set. Featuring a nylon brush and 36 vibrant shades spanning the colour wheel, this watercolour paint set is an essential addition to your art materials. Whether you're a seasoned artist or student, you'll get great use out of this practical set. Each watercolour cake has its own corresponding mixing well in the lid so you can mix and experiment with your colours. Explore your potential and keep your workspace tidy with this compact watercolour paint set. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
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Escoda Reserva brushes are made from the finest male Kolinsky hair, from northern Siberia. These brushes are considered the very best for watercolor. -
HIGH FLOW ACRYLICS are an ultra-thin paint with ink-like consistency that provide incredible versatility. They can go directly from bottle to airbrush, refillable marker or dip pen and work great for drawing, staining, dripping, pouring, calligraphy and color washes. High Flow offers a palette that includes many single-pigment colors, as well as Fluorescent and Iridescent colors. While it acts like an ink, it’s an acrylic so it's compatible with other GOLDEN Acrylic colors and mediums. -
40% Off!
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
The Fluid Iridescent Colors are one of the most unique products available to artists today. They are well-known for their luster quality and offer highly reflective metallic variations. They can be used alone or mixed with other GOLDEN colors. Adding glossy gels or mediums to Iridescent colors will also increase their luster quality. Most of the Iridescent Acrylics are made from mica particles coated with Titanium Dioxide and are very resistant to fading. Some are made from metal and metal oxides, such as Iridescent Stainless Steel and Micaceous Iron Oxide. The Iridescent acrylics will not oxidize or tarnish since they are made from stainless steel, naturally occurring minerals such as mica, or fully oxidized materials. -
50% Off!Out of stock
Here's a basic Peerless Watercolor set for those who prefer bright colors. Each set comes in 15 large sheets. -
The format that revolutionized the graffiti world continues to undergo constant evolution in order to fulfill the market’s demands. Thanks to Montana Colors’ experience in the field, Hardcore comprises maximum aerosol paint development, making it one of the best performing gloss spray paints on the market.- Synthetic paint
- 400 ml
- Gloss finish
- High pressure
- 91 colors
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- Number 3/0 Round
- Number 3 Round
- Number 20/0 Liner
- Number 12/0 Fan
- Number 0 Angle Shader
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- Number 1 Round
- Number 4 Round
- Number 1/4" Wash
- Number 1/2" Flat
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- Number 3 Round
- Number 1 Liner
- Number 4 Shader
- Number 1/2" Wash
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- Number 3 Round
- Number 2 Liner
- Number 6 Shader
- Number 1/4" Angle Shader
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- Number 3/0 Round
- Number 2 Round
- Number 4 Round
- Number 2 Flat
- Number 6 Flat
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Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
40% Off!Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
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Holbein Masking Fluid comes in a convenient syringe-type container in order to preserve small, white areas when painting. -
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Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes. -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors. -
Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.- A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
- An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
- Alkali resistant, and consequently suitable for wall paintings.
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Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media. -
Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil- Increases the gloss and the drying time of the paint film
- Increases the risk of the paint film wrinkling
- Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
- Can be thinned with white spirit or turpentine
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Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:- Odourless
- Drying time somewhat longer than Talens white spirit (090)
- Very pure, 100% evaporation; disappears completely from the paint film
- Makes oil paint leaner (use in lower coats)
- Not suitable for removing dry varnish coats
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The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
The GOLDEN Interference Colors achieve their reflective properties by synthetically reproducing a natural phenomenon-the nacreous, or pearlescent, quality found in fish scales, peacock feathers or the dust of a butterfly's wing. Golden produces 6 Fluid Interference Colors and four Interference Oxide Colors in Fine consistency only. All of GOLDEN's Interference Colors produce a luster quality by themselves, or when mixed with other colors and mediums. -
- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries. -
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Antique Medium is used as a top coat over Turner Milk Paint to achieve the aged look of old paint, using a cloth for large areas or a dry brush for smaller areas. -
Turner Top Coat Clear UV is used for Turner Milk Paint to protect the longevity of your finished surface and impart a glossy sheen. -
Plaster Medium is used as a base layer for Turner Milk Paint, for impasto style effects.
