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Out of stock
The Holbein Irodori Series of opaque watercolor allows the user to experience the rich beauty and delicate expressions that the four seasons of Japan bring to mind during spring, summer, autumn and winter. Traditional Japanese colors find their beauty in the changing of the seasons, with delicate color tones based upon history and color names born from nature. Holbein Irodori delivers stunning opaque color with outstanding handling qualities and excellent lightfast ratings. -
107 highly pigmented colors in 20ml. Holbein Acryla Gouache moves, reacts, blends and feels like traditional gum arabic gouache. Holbein Acryla Gouache is water resistant once dry. Drying to a velvet matte finish. Holbein Acryla Gouache does not shift in color from liquid to dry color. What you see is what you get once dry. Holbein Acryla Gouache does not have the same fragile surface as traditional gouache in gum arabic and is compatible with all other water soluble media regardless of origin. -
Out of stock
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Weight: 300 gsm Surface: Hot Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Out of stock
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant. -
Weight: 300 gsm Surface: Cold Pressed The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of color. Ideal for all wet painting techniques: watercolor – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic. Natural white, acid free, lightfast and extremely age resistant.
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Weight: 265 gsm Size: 1.25 x 10 m Content: 1 roll Colour: natural white Order no.: 10629110 -
Out of stock
290 gsm · 70% Agave fibre · 30% Cotton rag · cold pressed
- vegan
- resistant to ageing
- acid-free
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Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. -
HIGH FLOW ACRYLICS are an ultra-thin paint with ink-like consistency that provide incredible versatility. They can go directly from bottle to airbrush, refillable marker or dip pen and work great for drawing, staining, dripping, pouring, calligraphy and color washes. High Flow offers a palette that includes many single-pigment colors, as well as Fluorescent and Iridescent colors. While it acts like an ink, it’s an acrylic so it's compatible with other GOLDEN Acrylic colors and mediums. -
A water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS]. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light. It can be thinned and cleaned up with water, eliminating the need for harsh solvents, and can be removed with household ammonia to facilitate cleaning and conservation. -
Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. -
Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. -
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
Out of stock
- Seals canvas and linen
- Vegan alternative to Rabbit Skin Glue
- Prepares paper for oil painting
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This set includes 59ml bottles of Gamsol, Linseed Oil, Galkyd Lite, Gamvar, a 37ml tube of Solvent-Free Gel, and a 59 ml jar of Cold Wax Medium. -
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This set includes 59ml bottles of Galkyd, Neo Meglip, Refined Linseed Oil, Gamsol, a 37 ml tube of Galkyd Gel, and a 2 ml jar of Cold Wax Medium. -
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss -
Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
- For preparing and reusing panels and canvas
- Non-absorbent for deeper color saturation
- Add oil colors for a tinted Ground
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Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm. -
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. -
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Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. -
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Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
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- 37 ml (1.25 oz) tubes of
- Cadmium Yellow Light
- Yellow Ochre
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Phthalo Green
- Ivory Black
- Titanium White
- Solvent-Free Gel Medium
- Primed, handcrafted panel
- 37 ml (1.25 oz) tubes of
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True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors. -
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Charcoal’s black, right? Wrong! Meet Derwent Tinted Charcoal – charcoal with just a hint of colour! These pencils give you all the good points of charcoal pencils; they can be smudged and blended easily, you have great control and there’s less mess, plus you get colour with a beautiful element of charcoal ‘blackness’!- Sand TC01
- Glowing Embers TC04
- Lavender TC07
- Mountain Blue TC11
- Ocean Deep TC12
- Green Moss TC15
- Dark Moss TC16
- Driftwood TC17
- Peat TC18
- Dark
- Natural TC20
- White TC21
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Charcoal’s black, right? Wrong! Meet Derwent Tinted Charcoal – charcoal with just a hint of colour! These pencils give you all the good points of charcoal pencils; they can be smudged and blended easily, you have great control and there’s less mess, plus you get colour with a beautiful element of charcoal ‘blackness’! -
Out of stock
Derwent Procolour pencils are the perfect combination of a strong point and a smooth, effortless laydown, delivering beautiful, effortless blendability. Wax formulation glides like an oil while delivering incredible covering power.- Outstanding reproduction print
- Highly pigmented
- Offers a smooth application
- Clean, smudge-free finish
- Glides like an oil
- Maintains a sharp point for detailed drawing
- Set contains 36 Procolour pencils in a tin
- Colour Palette: Buttercup Yellow, Deep Chrome, Primary Red, Cerise Pink, Imperial Purple, Prussian Blue, Spectrum Blue, Sap Green, Grass Green, Burnt Umber, Brown Ochre, Ivory Black, Primrose Yellow, Crimson Lake, Heather, Midnight Blue, Distant Green, Cedar Green, Sunset Gold, Foliage, Nutmeg, Gunmetal, Blue Grey, White, Lime, Salmon, Magenta, Mars Violet, Grape, Blue Violet Lake, Dark Indigo, Turquoise Green, Racing Green, Bronze, Copper Beech and Felt Grey
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- The vast range of colours available allow artists to layer colours on top of each other in order to create new tints and hues. - Can be easily mixed and blended. - Suitable for all types of pastel work. - Ideal for creating crisp, fine lines and detailed pastel studies.- P030 Process Yellow
- P070 Naples Yellow
- P100 Spectrum Orange
- P130 Cadmium Red
- P160 Crimson
- P200 Magenta
- P260 Violet
- P280 Dioxazine Purple
- P290 Ultramarine
- P340 Cyan
- P350 Prussian Blue
- P410 Forest Green
- P430 Pea Green
- P450 Green Oxide
- P510 Olive Green
- P530 Sepia
- P560 Raw Umber
- P580 Yellow Ochre
- P590 Chocolate
- P640 Terracotta
- P650 French Grey Dark
- P680 Aluminium Grey
- P710 Carbon Black
- P720 Titanium White
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The paper stump makes the difficult job of blending dusty media such as charcoal and pastel much easier and cleaner. Once the stumps get dirty and the points wear down they can be easily cleaned and re-pointed using a sandpaper block.- Ideal accessory for use with Derwent products.
- Compact and lightweight
- Perfect gift idea.
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Perfect for lifting out tone and colour the kneadable eraser is soft and pliable and comes in wax paper to help keep it fresher for longer. -
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Derwent Inktense pencils are intensely vibrant, watersoluble pencils that have been formulated to dry permanently, offering exceptional layering capability without dissolving previously dried layers of vivid colour.- Delivers ink-like staining effects with its vivid, yet translucent washes
- Dries permanently, allowing you to layer up without affecting previous applications
- Once dry, can be embellished with wet or dry media
- Highly versatile; can be used on paper and fabric for a wide range of fine art and craft projects. Will stay in place on fabrics when hand washed in cool water (below 30 degrees) with no harsh detergents
- Round 8mm barrel; wide 4mm core
- Set contains 36 Inktense pencils in a tin
- Colour Palette: Sherbet Lemon, Sun Yellow, Sienna Gold, Tangerine, Poppy Red, Chilli Red, Cherry, Shiraz, Red Violet, Fuchsia, Mauve, Violet, Peacock Blue, Iron Blue, Iris Blue, Bright Blue, Deep Indigo, Sea Blue, Teal Green, Iron Green, Ionian Green, Field Green, Felt Green, Apple Green, Leaf Green, Mustard, Tan, Saddle Brown, Baked Earth, Willow, Bark, Indian Ink, Charcoal Grey, Ink Black, Antique White and Outliner.
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- Soft powdery charcoal pencils provide a wide range of tones from the deepest of blacks to the lightest of greys.
- Made from natural charcoal particles.
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- da Vinci MAESTRO2, round
- medium length bristles
- long red transparent handles with black ends
- Rounds for detail and precision work
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- da Vinci MAESTRO2, brights
- medium length bristles
- long red transparent handles with black ends
- Flats and brights for area work
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- da Vinci MAESTRO watercolor brush, round
- Siberian Kolinsky red sable hair from selected male winter tails
- short black polished handles
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- Red sable water color brush
- selected Kolinsky red sable hair
- double section black artificial horn handles
- also called a pocket brush
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- da Vinci MAESTRO water color brush, flat
- Kolinsky red sable hair, from selected male winter tails
- short black polished handle
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FORTE BASIC, round - strong elastic synthetic fiber - aluminum ferrule - blue matt handles with a newly developed surface structure - standard sizes No. 5/0, 3/0 - Rounds for details and precision work -
- FIT SYNTHETICS, round
- grey, very elastic synthetic fiber
- aluminum ferrule
- green matt handles with a newly developed surface structure
- Rounds for details and precision work
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- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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- FIT SYNTHETICS, flat
- grey, very elastic synthetic fiber
- aluminum ferrule
- green matt handles with a newly developed surface structure
- Flats and brights for area work
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Cleaning soap for brushes based on pure vegetable oils KERNSEIFE - a special soap that cleans and maintains the brush head Through its reconditioning action this special soap cleans and maintains the brush-head, keeping natural hair, bristles or synthetic fiber elastic and smooth. 85 g in a round metal box -
Lovely organic papers made from a variety of agricultural waste gathered from local farms. Choose from Onion, Corn, Indigo leaves and Japanese "Nano-hana" florets & leaves. Each sheet is a little different but all have many inclusions and lovely natural textures - very special and limited edition papers.size 38.18 x 25.19in / 97 x 64 cm weight 48gsm deckled edges 4 material kozo, pulp, onion skins ph 6 use Collage, Bookmaking, Hobby & Crafts, Chin Colle', Lighting & Interior, Visual Merchandising & Display, Fine Art -
Lovely organic papers made from a variety of agricultural waste gathered from local farms. Choose from Onion, Corn, Indigo leaves and Japanese "Nano-hana" florets & leaves. Each sheet is a little different but all have many inclusions and lovely natural textures - very special and limited edition papers.size 38.18 x 25.19in / 97 x 64 cm weight 48gsm deckled edges 4 material kozo, pulp, nanohana flower stems ph 6 use Collage, Bookmaking, Hobby & Crafts, Chin Colle', Lighting & Interior, Visual Merchandising & Display, Fine Art -
Lovely organic papers made from a variety of agricultural waste gathered from local farms. Choose from Onion, Corn, Indigo leaves and Japanese "Nano-hana" florets & leaves. Each sheet is a little different but all have many inclusions and lovely natural textures - very special and limited edition papers.size 38.18 x 25.19in / 97 x 64 cm weight 48gsm deckled edges 4 material kozo, pulp, indigo leaves ph 6 use Collage, Bookmaking, Hobby & Crafts, Chin Colle', Lighting & Interior, Visual Merchandising & Display, Fine Art -
Out of stock
Lovely organic papers made from a variety of agricultural waste gathered from local farms. Choose from Onion, Corn, Indigo leaves and Japanese "Nano-hana" florets & leaves. Each sheet is a little different but all have many inclusions and lovely natural textures - very special and limited edition papers.size 38.18 x 25.19in / 97 x 64 cm weight 48gsm deckled edges 4 material kozo, pulp, corn waste ph 6 use Collage, Bookmaking, Hobby & Crafts, Chin Colle', Lighting & Interior, Visual Merchandising & Display, Fine Art -
Thick handmade cards suitable for many types of fine art, crafts and printing. Made in the "Tamezuki" method, an East-meets-West style of papermaking that allows for thicker sheets to be made. These cards use recycled wood shavings saved from our neighboring carpenter, subtly mixed into the pulp producing beautiful paper.size 10 x 15 cm / Set of 10 material Kozo + Alpha Cellulose + Wood Flecks use Printmaking, drawing, collage, letterpress, bookarts, crafts -
Thick handmade cards suitable for many types of fine art, crafts and printing. Made in the "Tamezuki" method, an East-meets-West style of papermaking that allows for thicker sheets to be made. These cards have small bits of local onion peels mixed throughout each sheet (but have no odor).size 10 x 15 cm / Set of 10 material Kozo + Alpha Cellulose + Onion use Printmaking, drawing, collage, letterpress, bookarts, crafts -
Thick handmade cards suitable for many types of fine art, crafts and printing. Made in the "Tamezuki" method, an East-meets-West style of papermaking that allows for thicker sheets to be made. These cards have little bits of coffee mixed in with the pulp yielding a lovely decorative paper.size 10 x 15 cm / Set of 10 material Kozo + Alpha Cellulose + Coffee use Printmaking, drawing, collage, letterpress, bookarts, crafts
