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Dust Medium is used as a top coat over Milk Paint to achieve a faded finish, using a cloth for large areas or a dry brush for smaller areas. -
Multi Primer is used to improve adhesion of of Turner Milk Paint to paint-resistant surfaces like glass, metal, plastic, and other smooth, non-porous surfaces. Stir before use and apply two layers for best results; add a tiny amount of water for smoother application and non-visible brushstrokes. The surfaces will be ready two hours after priming, but glass needs a day before painting. -
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Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
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Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges. -
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Let the world see your vision
Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. -
MTN 94 is probably the most versatile aerosol on the market. Thanks to its extensive color range, quick drying ability and low pressure, it is an suitable tool for practically any type of creative work that requires a matte finish.- Synthetic paint
- 400 ml
- Matte finish
- Low pressure
- 91 colors
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Empty, refillable marker 0.5 mm tip. The tips and valve system components are totally compatible with the Montana Colors Water Based & Street Paint ranges and with the Street Ink range. -
Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Hardly influences the degree of gloss
- Slightly yellowing
- Can be thinned with white spirit or turpentine
- Suitable as glazing medium
- Flammable
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Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Increases gloss
- Does not yellow
- Can be thinned with white spirit or turpentine
- Flammable
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Out of stock
Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Out of stock
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
40% Off!Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
(Soft) 5mm Each package contains five (5) batons. -- For the discerning artist that requires a rich black for drawing, then Nitram B is the answer. It is very soft, yet is still able to carry a point for working rich blacks into the paper or canvas. -
(Medium) 5mm Each package contains five (5) batons. -- This medium soft charcoal is the one most preferred for drawing and sketching. Nitram HB’s superior hold is perfect for homogenizing tones and retaining tonal detail. -
(Hard) 5mm Each package contains five (5) batons. -- Nitram H can be sharpened to an extra fine point for creating fine detail in your drawing. Also, the unique hardness of Nitram H makes lighter and mid tones easier to attain. -
The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. -
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An eco-friendly blend of 70% bamboo + 30% recycled pulp and sized for water-based media. With its subtly textured surface, Awagami Bamboo responds beautifully to artists' brushstrokes and has less sticky sizing than EU papers - this allows for the papers lovely surface to unify with pigment effortlessly offering artists new more organic results. 100% acid-free and made solely at Awagami, Japan. May also be used for letterpress printing.size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 70% Bamboo / 30% Recycled Paper use Watercolor, drawing, pencil, pastel -
Use these fun but elegant decorative papers for seasonal announcements, event invitations, art, craft and more. 70gsm, machinemade with 4 cut edges and random inclusions, they can be inkjet printed or handwritten on…size A4 / 20 sheets material Kozo + Alpha Cellulose use Origami, drawing, stationery, invitations, papercraft, collage -
The unquestionable industry leader! Created from pigments, ground and milled to the perfect consistency for block/relief printing, Speedball Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They possess excellent tack ensuring even coverage and consistently spectacular results. Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colors and 6 fluorescents. All colors clean up easily with soap and water. -
Sofft Tools Knives, covers, and sponges are special tools made for use with Pan Pastels, made for optimal blending of soft pastels. These are ergonomically designed for maximum comfort and minimum mess when painting with Pan Pastels. -
This gift card entitles the bearer to a one-time purchase of art supplies worth the stated amount. Type the GIFT CARD code upon checkout in the Gift Card bar online at artwhale.ph. The gift card is valid for one (1) year from the date of the gift-giver's payment. Give the gift of creativity with Art Whale! -
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Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brushstrokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. -
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. -
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss -
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Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. -
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Holbein Artists’ Oil Colors come in 148 colors, in 40mL tubes. -
Fredrix® Value Series presents Cut Edge Panels. Cut Edge Panels are identical to our best-selling Artist Series canvas panels, except they have no paper backing or wrapped edges, hence the name “cut edge panels”. -
Select Artiste™ – Brushes for Acrylic, Watercolor and Oil
Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with. -
Anti rust primer formulated with acrylic resins and corrosion inhibitor pigments, makes it ideal for protecting any iron surface. FEATURES - Fast drying. - Good elasticity. - Easy of application and recoating. - Good adherence. - Does not contain lead. - High covering power. - Very high resistance to outdoor exposure. - High anti-corrosion power. -
17 “Elite” labeled colors signify the use of heavy metal pigments including cadmiums and cobalts. -
40% Off!
Acrylic Colors offer the workability and consistency of oils with a faster drying time and easy water-based clean-up. ShinHan Acrylic Colors provide artists with unparalleled quality in a brilliant palette of colors to help you create your next masterpiece. -
Out of stock
Weight: 450 gsm Surface: Cold Pressed Bright white, acid free, lightfast and extremely age resistant. The heavy weight provides a very stable board that ensures improved flatness when wet. Cornwall offers good color flow and high color intensity. This quality is ideal for wet painting techniques: watercolor – especially smooth washes and dry painting – and also lavis, gouache, tempera and acrylic. -
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Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival. -
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Contents: Round brushes no. 2, 6, 8, 10, and 15 -
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Contents: Flat brushes no. 2, 6, 8, 10, and 15
