• MTN 94 is probably the most versatile aerosol on the market. Thanks to its extensive color range, quick drying ability and low pressure, it is an suitable tool for practically any type of creative work that requires a matte finish.
    • Synthetic paint
    • 400 ml
    • Matte finish
    • Low pressure
    • 91 colors
    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Increases gloss
    • Does not yellow
    • Can be thinned with white spirit or turpentine
    • Flammable
  • Out of stock
    Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit
    • Increases the durability and elasticity of the paint film
    • Makes the brush stroke run, depending on the amount added
    • Hardly influences the degree of gloss
    • Slightly yellowing
    • Can be thinned with white spirit or turpentine
    • Suitable as glazing medium
    • Flammable
  • Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:
    • Odourless
    • Drying time somewhat longer than Talens white spirit (090)
    • Very pure, 100% evaporation; disappears completely from the paint film
    • Makes oil paint leaner (use in lower coats)
    • Not suitable for removing dry varnish coats
  • Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil
    • Increases the gloss and the drying time of the paint film
    • Increases the risk of the paint film wrinkling
    • Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
    • Can be thinned with white spirit or turpentine
  • Out of stock
    Set of 3 metal painting knives, suitable for expressive and structured work with oil and acrylic colours, as well as for mixing colours.
  • Out of stock
    Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:
    • Titanium White 105
    • Primary Yellow 275
    • Primary Magenta 369
    • Primary Cyan 572
    • Oxide Black 735
    • 3x Dosing nozzles
  • Out of stock
    Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:
    • Titanium White 105
    • Primary Yellow 275
    • Primary Magenta 369
    • Primary Cyan 572
    • Oxide Black 735
  • Out of stock
    Amsterdam Standard Series provides you with everything you need if you want to use acrylic paint. Contents:
    • Titanium White 105
    • Azo Yellow Light 268
    • Naphthol Red Medium 396
    • Ultramarine 504
    • Oxide Black 735
  • Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.
    • A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
    • An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
    • Alkali resistant, and consequently suitable for wall paintings.
  • Out of stock
    The Holbein Artists' Gouache 12 5ml Tube Set G3702 provides you with 12 essential colors in 5ml tubes to start painting with Holbein Artists' Gouache today! The set includes the following colors:
    • Carmine G502
    • Flame Red G507
    • Permanent Yellow Deep G521
    • Lemon Yellow G526
    • Permanent Green Deep G542
    • Permanent Green Light G541
    • Turquoise Blue G561
    • Ultramarine Deep G565
    • Violet G581
    • Burnt Sienna G603
    • Ivory Black G606
    • Permanent White G630
  • 40% Off!
    White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint.
  • Out of stock
    White Toray fiber is one of the softest and typically used in watercolor. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint.
  • Out of stock
    40% Off!
    White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint.
  • Out of stock
    40% Off!

    Escoda Perla White Toray Dagger Stripper Brush

    Original price was: ₱1,100.Current price is: ₱660.
    White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint.
  • Out of stock
    • Highest quality
    • Pure pigments, no wax fillers
    • White mixing trays and brush included
  • Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries.
  • Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors.
  • Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
  • Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:
    • Crimson Lake W010
    • Carmine W011
    • Pyrrole Red W007
    • Opera (Quinacridone Opera) W013
    • Vermilion Hue W019
    • Cadmium Yellow Deep W043
    • Cadmium Yellow Lemon W040
    • Imidazolone Yellow W050
    • Yellow Ochre W034
    • Permanent Green No. 1 W066
    • Hooker's Green W062
    • Sap Green W075
    • Cerulean Blue W092
    • Cobalt Blue W090
    • Ultramarine Light W093
    • Prussian Blue W097
    • Permanent Violet W115
    • Cobalt Violet Light W110
    • Bright Violet (Luminous) W175
    • Quinacridone Violet W120
    • Burnt Sienna W134
    • Burnt Umber W133
    • Vandyke Brown W139
    • Payne's Grey W156
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