• Out of stock

    Golden Archival Aerosol MSA Varnish

    ₱1,110

    Archival Aerosol Varnish MSA (Mineral Spirit Acrylic) with UVLS (Ultra Violet Light Stabilizers) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with the same features as GOLDEN brushable MSA varnish plus, excellent wet/dry state clarity. It resists changes in appearance, remains flexible. It has an adjustable fan spray tip that allows precise application and reduced overspray. Available in Gloss, Satin and Matte. Removable for conservation purposes.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.

    Note: Packaging design may vary.

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  • Gamblin GAMVAR Varnish

    ₱619 – ₱1,082
    Gamvar Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm.
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  • Golden Isolation Coat

    ₱616 – ₱1,044
    Isolation Coat is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing.
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    Strathmore 300 Series Mixed Media Pad – Wire Bound

    ₱585 – ₱1,040
    Mixed Media pads combine true wet media performance and dry media finish for a complete range of mixed media applications. We've combined the characteristics of watercolor paper and the finish of a drawing sheet, creating a paper that performs unlike any other in the industry. Mixed Media is available in a full range of formats and sizes. Weight: 190 g/m2 Surface: Vellum Sheets per pad: 40 Media Applications: Watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel, collage For mixed media sketches, practice of techniques and quick studies. Medium weight paper in sketchbook formats. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. The 5.5in x 8.5in (362-5) is not micro-perforated but sheets are Actual Size when removed at the wire binding.
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  • Escoda Versatil Synthetic Kolinsky Travel Brush

    ₱680 – ₱1,040
    Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media.
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  • Escoda Prado Tame Synthetic Travel Brush

    ₱600 – ₱990
    White Toray fiber is one of the softest and typically used in watercolor. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint.
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    Golden Silverpoint/Drawing Ground

    ₱963

    Silverpoint Drawing Ground is an opaque white liquid acrylic preparation for drawing media. It is designed for fine detail and line work on a permanent, lightfast, flexible ground. Silverpoint / Drawing Ground can be tinted with acrylic colors and is ideal for use with metal styli, graphite and other drawing tools. (Item# 3558)

    Note: Packaging design may vary.
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    40% Off!

    Escoda Primera Teijin Synthetic Filbert Brush – Long Handle

    ₱372 – ₱936
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    Strathmore Vision Mixed Media – Wire Bound

    ₱480 – ₱915

    Let the world see your vision

    Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork.
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  • Gamblin Solvent-Free Fluid Medium

    ₱503 – ₱889
    Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates.
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  • Gamblin Neo Megilp

    ₱503 – ₱889
    Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss
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  • Gamblin Galkyd Lite

    ₱503 – ₱889
    Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours.
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  • Golden Pastel Ground

    ₱877

    Acrylic Ground for Pastels is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher texture Fine or Coarse Pumice Gel can be added. Acrylic Ground for Pastel can also be tinted with acrylic colors.

    Note: Packaging design may vary.
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  • Out of stock

    Golden Sandable Hard Gesso

    ₱877

    Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso.

    Note: Packaging design may vary.
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  • Out of stock

    Golden Polymer Varnish with UVLS (Matte)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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  • Out of stock

    Golden Polymer Varnish with UVLS (Satin)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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  • Out of stock

    Golden Polymer Varnish with UVLS (Gloss)

    ₱875

    Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. It is removable with ammonia, and available in Gloss, Satin and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only.

    ALWAYS TEST ON SCRAP PIECES OR INCONSPICUOUS AREAS BEFORE USE ON FINAL ARTWORK.

    Note: Packaging design may vary.

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  • Out of stock

    Hahnemuehle Watercolor Postcard 230gsm Cold Pressed Metal Box

    ₱820
    Weight: 230 gsm Surface: Cold Pressed Size: 10.5 x 14.8 cm (4.13 x 5.83 in)
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  • Gamblin Solvent-Free Gel Medium

    ₱271 – ₱812
    Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.
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  • Gamblin Galkyd Gel Medium

    ₱812
    Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto.
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  • Holbein Artists’ Oil Color 50ml Tube – White

    ₱420 – ₱784
    Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
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  • MTN PRO Gesso Spray Primer 400ml

    ₱780
    Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
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  • Shin Han Professional Oil Color 50ml

    ₱460 – ₱778
    The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability.
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  • 5% Off!

    Holbein DUO Aqua Water Soluble Oil Color 50ml Tube – White

    ₱479 – ₱756
    Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
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  • Holbein DUO Linseed Oil

    ₱250 – ₱700
    Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected.
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  • Holbein Purified Linseed Oil

    ₱250 – ₱700
    Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time.
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  • Gamblin Linseed Stand Oil

    ₱696
    Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium.
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  • Gamblin 1980 Oil Colors

    ₱310 – ₱696
    True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors.
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  • Holbein DUO Aqua Water Soluble Oil Color 40ml Tube

    ₱409 – ₱689

    Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.

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    Strathmore 500 Series Ready Cut Watercolor Sheet Pack

    ₱530 – ₱680
    Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival.
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    MTN PRO Canvas Varnish 400ml

    ₱640
    MTN PRO Canvas Varnish is a product designed as a final coat to protect oil and acrylic paints against humidity, grease, UV rays, dust, contamination and contact, allowing the work to maintain its properties without yellowing or cracking. Very fast drying through evaporation. Available in different finishes: glossy, matte and satin. For varnishing oil paints, allow for complete drying before using the product. GENERAL DESCRIPTION Transparent varnish formulated with an acrylic-resin base and UV protection that is easy to apply. Available in different finishes: gloss, matt and satin. FEATURES - Good hardening. - Non-yellowing. - Resistance to UV light. - Good durability. - Easy to apply and repaint. - Good leveling. - Good elasticity
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    Montana MTN Water Based Varnish 300ml

    ₱630
    Fast drying water based aerosol varnish of excellent characteristics with a Acrylic, water-based varnish that is fast drying and offers excellent characteristics that provide high quality matte and glossy finishes, long-lasting durability and non-yellowing on multiple surfaces. - Water based product. - Acrylic. - Cures well. - Non-yellowing. - Sticks well to the majority of surfaces. - Easy to apply.
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  • Gamblin Refined Linseed Oil

    ₱426 – ₱619
    Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium.
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  • Gamblin Safflower Oil

    ₱426 – ₱619
    To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying.
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    MTN PRO Acrylic Varnish

    ₱610
    MTN PRO Acrylic Varnish is made with solvent-based thermoplastic acrylic resins. Ultra-fast drying, its main function is to protect and protect different surfaces. It can be applied for indoor and outdoor use on a multitude of materials in order to increase surface protection in three finishes: glossy, satin or matt. Different finishes will be obtained depending on the number of layers applied. Completely transparent and does not yellow. GENERAL DESCRIPTION Fast drying, thermoplastic acrylic resin-based varnish. Available in glossy, satin finish and matte. FEATURES - Very fast drying. - Good hardness. - Excellent adhesion. - Good elasticity. - High durability. - Easy to apply and recoat. - Good water resistant. - Non-yellowing. - Good resistance to UV light. On newly painted surfaces or old paint, do a test first in order to see the results, as the varnish may crack the previous layer.
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  • Princeton Select Artiste 3750 Synthetic Angle Shader Brush

    ₱207 – ₱605

    Select Artiste™ – Brushes for Acrylic, Watercolor and Oil

    Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with.
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    Gamblin PVA Size

    ₱580
    • Seals canvas and linen
    • Vegan alternative to Rabbit Skin Glue
    • Prepares paper for oil painting
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    MTN PRO Matte Fixative 400ml

    ₱555
    Fixative Lacquer ideal for artistic techniques such as pastel, charcoal, pencil or graphite. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
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    Strathmore 300 Black Series Canvas Paper Pad – Glue Bound 9in x 12in

    ₱540
    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper.
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    Strathmore 300 Series Canvas Paper Pad – Glue Bound 9in x 12in

    ₱540
    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. Pad Features: Glue Bound pads have flip-over covers.
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