- Number 3 Round
- Number 2 Liner
- Number 6 Shader
- Number 1/4" Angle Shader
-
-
Out of stock
- Number 3/0 Round
- Number 2 Round
- Number 4 Round
- Number 2 Flat
- Number 6 Flat
-
Rotating feature makes easy to cut curved lines- Aluminum die-cast holder swivel art knife
- Anti-slip, cushioned elastomer grip / Made of recycled materials
- 11mm diameter of grip
- # of blade included:BDC-200P (30 degrees) x 5
- Replacement blade: BDC-200P (30 degrees)
- Weight of Knife: 0.6 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
-
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
40% Off!Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.
-
Out of stock
Holbein Masking Fluid comes in a convenient syringe-type container in order to preserve small, white areas when painting. -
Out of stock
- Semi-hard squared pastel.
- Very smooth and soft application on paper.
- Dimensions: 8x8mmx60mm
- Clean and easy to use. The pastels will not crumble or powder in hands
- Green Gray (2)
- Blue Green (2)
- Blue Gray
- Prussian Blue (1)
- Venetian Red
- Light Red
- Burnt Umber
- Brown Ochre
- White
- Gray (1)
- Black
- Compose Green (2)
- Prussian Blue (2)
- Cobalt Blue
- Purple
- Sepia
- Pink
- Carmine
- Rose
- Jaune Brilliant (2)
- Permanent Yellow (2)
- Naples Yellow (1)
- Olive Green (1)
-
Out of stock
Empty, refillable marker 0.5 mm tip. The tips and valve system components are totally compatible with the Montana Colors Water Based & Street Paint ranges and with the Street Ink range. -
Set A includes the following colors- #41 Naples Yellow (1)
- #43 Lemon Yellow
- #58 Yellow Ochre (2)
- #28 Jaune Brilliant (2)
- #22 Crimson
- #148 Venetian Red
- #073 Compose Green (2)
- #080 Sap Green (2)
- #089 Pale Blue
- #108 Ultramarine (2)
- #143 Sepia
- #001 White
- #41 Naples Yellow (1)
- #48 Perm. Yellow (2)
- #28 Jaune Brilliant (2)
- #13 Pink (1)
- #14 Rose
- #19 Chinese Vermillion
- #135 Purple
- #78 Compose Green (2)
- #68 Olive Green (1)
- #106 Cobalt Blue
- #113 Prussian Blue (2)
- #143 Sepia
-
Out of stock
Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes. -
Premium quality, gallery-style, primed canvases. Made in the Philippines. Not available for shipping outside of Metro Manila. Email us at [email protected] for shipping quote. -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
- Weight: 153 gsm
- Color: Translucent
- Number of sheets per pad: 15 sheets
- Made in USA
- 100% Polypropylene
- Neutral pH
- Acid Free
- Smooth surface
- Incredibly strong
- Waterproof
- Recyclable
- Specialty Paper
- Acrylic Painting
- Alcohol Inks
- Debossing
- Monotype
- Offset
- Oil Pastel
- Pencil/Graphite
- Silkscreen
- Sumi-e Ink
- Watercolor
-
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
Sheets/Package: 100 Size: 9" x 12" Value pack of eight assorted colors to cut, decorate and paste. Includes Scarlet, Black, Brown, Blue, Green, Yellow Orange, White and Yellow. Made in the USA. Two inspirational project ideas printed on inside of cover. Cover artwork and project ideas by Art Projects for Kids. -
20% Off!
This wonderfully unique watercolor paper is incredibly strong as it's made from an impressive East-meets-West blend of kozo + cotton; the only museum quality art paper to feature such a special fiber mix. Hakuho's internal sizing and beautifully textured surface will lend unique artistic depth to your artworks. Made for watercolor / gouache and Hakuho may also be used for drawing, pen & ink work, acrylic, paper cutting, paper sculpture, etc.size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 45% Kozo / 55% Cotton ph 7 to 8 use Watercolor, drawing, printmaking, letterpress, pencil, pastel -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
The PanPastel Colorless Blender is a medium that can be used for a variety of new effects including increasing transparency and enhancing color “flow”. It can be used before color is applied (under the color), or mixed with the color after it is applied. It also has all the characteristics of PanPastel Colors i.e. mixable, erasable, low dust, lightfast and professional artist’s quality. -
PanPastel Pearlescent mediums add a lustrous pearlescent sheen / shimmer which changes depending on the angle it is viewed from, also creating dimension. They are mica based. The mediums can be mixed with PanPastel Colors for custom pearlescent colors or used on their own for mixed media. They have all the characteristics of PanPastel Colors, they are mixable, erasable, low dust, lightfast and professional artist’s quality. FINE - Contains smaller particles to create a soft and subtle pearl sheen. COARSE - Contains larger particles to create a more shimmering sparkle. -
Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors. -
Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.- A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
- An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
- Alkali resistant, and consequently suitable for wall paintings.
-
Out of stock
Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media. -
NT Cutter's slim and durable precision work knife- Aluminum die-cast holder
- 6mm diameter of grip
- Protection cap included
- # of blade included: BDC-200P (30 degrees) x 5 and needle x 1
- Replacement blade: BDA-200P (45 degrees), BDC-200P (30 degrees)
- Weight of Knife: 1.1 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
-
Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil- Increases the gloss and the drying time of the paint film
- Increases the risk of the paint film wrinkling
- Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
- Can be thinned with white spirit or turpentine
-
Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:- Odourless
- Drying time somewhat longer than Talens white spirit (090)
- Very pure, 100% evaporation; disappears completely from the paint film
- Makes oil paint leaner (use in lower coats)
- Not suitable for removing dry varnish coats
-
Out of stock
The Angelus 4-Coat Scratch Resistant Urethane Clear Coat is formulated to be the most durable, flexible, and scratch resistant clear coat on the market. This urethane based top coat can withstand most scratches & scrapes to help keep your project looking it's best! Also available in Flat, Matte, Satin, & High Gloss finishes. -
- Easy blending and color extension
- Extra fine quality pigment formulation
- Meets ACMI non-toxicity requirements
- Suitable for many surfaces: paper, cardboard, canvas and wood
- Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
-
Out of stock
Let your little painter explore the joys of painting, crafting, and wet media with Crayola’s generous tubs of washable, non-toxic project paint, in sets of 10 colors. -
- Circle cutter extension beam for C-1500
- Dia. 16 - 40cm (6.30 - 15.75")
- Made in Japan
-
Weight: 89 g/m2 Surface: Smooth Sheets per pad: 50 Parchment-toned paper has a smooth surface for even ink flow. The assorted tints are ideal for artwork, invitations, certificates, and stationery. -
The GOLDEN Interference Colors achieve their reflective properties by synthetically reproducing a natural phenomenon-the nacreous, or pearlescent, quality found in fish scales, peacock feathers or the dust of a butterfly's wing. Golden produces 6 Fluid Interference Colors and four Interference Oxide Colors in Fine consistency only. All of GOLDEN's Interference Colors produce a luster quality by themselves, or when mixed with other colors and mediums. -
- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
-
Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries. -
Out of stock
Antique Medium is used as a top coat over Turner Milk Paint to achieve the aged look of old paint, using a cloth for large areas or a dry brush for smaller areas. -
Turner Top Coat Clear UV is used for Turner Milk Paint to protect the longevity of your finished surface and impart a glossy sheen. -
Plaster Medium is used as a base layer for Turner Milk Paint, for impasto style effects. -
Out of stock
Dust Medium is used as a top coat over Milk Paint to achieve a faded finish, using a cloth for large areas or a dry brush for smaller areas. -
Multi Primer is used to improve adhesion of of Turner Milk Paint to paint-resistant surfaces like glass, metal, plastic, and other smooth, non-porous surfaces. Stir before use and apply two layers for best results; add a tiny amount of water for smoother application and non-visible brushstrokes. The surfaces will be ready two hours after priming, but glass needs a day before painting. -
5% Off!
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
Out of stock
Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges.
-
Out of stock
Let the world see your vision
Tear off the top sheet and reveal your own customizable cover! Mixed Media Paper Weight: 160 g/m2 Surface: Medium Sheets per pad: 70 Acid Free Customizable Cover Weight: 300 g/m2 Surface: Medium Acid Free A medium weight, acid free, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. -
MTN 94 is probably the most versatile aerosol on the market. Thanks to its extensive color range, quick drying ability and low pressure, it is an suitable tool for practically any type of creative work that requires a matte finish.- Synthetic paint
- 400 ml
- Matte finish
- Low pressure
- 91 colors
-
Empty, refillable marker 0.5 mm tip. The tips and valve system components are totally compatible with the Montana Colors Water Based & Street Paint ranges and with the Street Ink range. -
Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Hardly influences the degree of gloss
- Slightly yellowing
- Can be thinned with white spirit or turpentine
- Suitable as glazing medium
- Flammable
-
Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Increases gloss
- Does not yellow
- Can be thinned with white spirit or turpentine
- Flammable
-
Out of stock
Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
40% Off!Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
(Soft) 5mm Each package contains five (5) batons. -- For the discerning artist that requires a rich black for drawing, then Nitram B is the answer. It is very soft, yet is still able to carry a point for working rich blacks into the paper or canvas. -
(Medium) 5mm Each package contains five (5) batons. -- This medium soft charcoal is the one most preferred for drawing and sketching. Nitram HB’s superior hold is perfect for homogenizing tones and retaining tonal detail. -
(Hard) 5mm Each package contains five (5) batons. -- Nitram H can be sharpened to an extra fine point for creating fine detail in your drawing. Also, the unique hardness of Nitram H makes lighter and mid tones easier to attain. -
The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. -
Out of stock
An eco-friendly blend of 70% bamboo + 30% recycled pulp and sized for water-based media. With its subtly textured surface, Awagami Bamboo responds beautifully to artists' brushstrokes and has less sticky sizing than EU papers - this allows for the papers lovely surface to unify with pigment effortlessly offering artists new more organic results. 100% acid-free and made solely at Awagami, Japan. May also be used for letterpress printing.size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 70% Bamboo / 30% Recycled Paper use Watercolor, drawing, pencil, pastel -
Use these fun but elegant decorative papers for seasonal announcements, event invitations, art, craft and more. 70gsm, machinemade with 4 cut edges and random inclusions, they can be inkjet printed or handwritten on…size A4 / 20 sheets material Kozo + Alpha Cellulose use Origami, drawing, stationery, invitations, papercraft, collage
