- Number 3/0 Round
- Number 2 Round
- Number 4 Round
- Number 2 Flat
- Number 6 Flat
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Out of stock
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Rotating feature makes easy to cut curved lines- Aluminum die-cast holder swivel art knife
- Anti-slip, cushioned elastomer grip / Made of recycled materials
- 11mm diameter of grip
- # of blade included:BDC-200P (30 degrees) x 5
- Replacement blade: BDC-200P (30 degrees)
- Weight of Knife: 0.6 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
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Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. -
40% Off!Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.
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Out of stock
Holbein Masking Fluid comes in a convenient syringe-type container in order to preserve small, white areas when painting. -
Out of stock
- Semi-hard squared pastel.
- Very smooth and soft application on paper.
- Dimensions: 8x8mmx60mm
- Clean and easy to use. The pastels will not crumble or powder in hands
- Green Gray (2)
- Blue Green (2)
- Blue Gray
- Prussian Blue (1)
- Venetian Red
- Light Red
- Burnt Umber
- Brown Ochre
- White
- Gray (1)
- Black
- Compose Green (2)
- Prussian Blue (2)
- Cobalt Blue
- Purple
- Sepia
- Pink
- Carmine
- Rose
- Jaune Brilliant (2)
- Permanent Yellow (2)
- Naples Yellow (1)
- Olive Green (1)
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Out of stock
Empty, refillable marker 0.5 mm tip. The tips and valve system components are totally compatible with the Montana Colors Water Based & Street Paint ranges and with the Street Ink range. -
Set A includes the following colors- #41 Naples Yellow (1)
- #43 Lemon Yellow
- #58 Yellow Ochre (2)
- #28 Jaune Brilliant (2)
- #22 Crimson
- #148 Venetian Red
- #073 Compose Green (2)
- #080 Sap Green (2)
- #089 Pale Blue
- #108 Ultramarine (2)
- #143 Sepia
- #001 White
- #41 Naples Yellow (1)
- #48 Perm. Yellow (2)
- #28 Jaune Brilliant (2)
- #13 Pink (1)
- #14 Rose
- #19 Chinese Vermillion
- #135 Purple
- #78 Compose Green (2)
- #68 Olive Green (1)
- #106 Cobalt Blue
- #113 Prussian Blue (2)
- #143 Sepia
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Holbein Gum Arabic is used to bind loose pigments for watercolor. It is also used as a medium for preserving luminosity and slowing paints’ drying time, allowing for slightly more control over washes. -
Premium quality, gallery-style, primed canvases. Made in the Philippines. Not available for shipping outside of Metro Manila. Email us at [email protected] for shipping quote. -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
- Weight: 153 gsm
- Color: Translucent
- Number of sheets per pad: 15 sheets
- Made in USA
- 100% Polypropylene
- Neutral pH
- Acid Free
- Smooth surface
- Incredibly strong
- Waterproof
- Recyclable
- Specialty Paper
- Acrylic Painting
- Alcohol Inks
- Debossing
- Monotype
- Offset
- Oil Pastel
- Pencil/Graphite
- Silkscreen
- Sumi-e Ink
- Watercolor
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To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
Sheets/Package: 100 Size: 9" x 12" Value pack of eight assorted colors to cut, decorate and paste. Includes Scarlet, Black, Brown, Blue, Green, Yellow Orange, White and Yellow. Made in the USA. Two inspirational project ideas printed on inside of cover. Cover artwork and project ideas by Art Projects for Kids. -
20% Off!
This wonderfully unique watercolor paper is incredibly strong as it's made from an impressive East-meets-West blend of kozo + cotton; the only museum quality art paper to feature such a special fiber mix. Hakuho's internal sizing and beautifully textured surface will lend unique artistic depth to your artworks. Made for watercolor / gouache and Hakuho may also be used for drawing, pen & ink work, acrylic, paper cutting, paper sculpture, etc.size 5.8x3.9in / 14.8x10cm / 15 sheets weight 250gsm deckled edges 0 material 45% Kozo / 55% Cotton ph 7 to 8 use Watercolor, drawing, printmaking, letterpress, pencil, pastel -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
The PanPastel Colorless Blender is a medium that can be used for a variety of new effects including increasing transparency and enhancing color “flow”. It can be used before color is applied (under the color), or mixed with the color after it is applied. It also has all the characteristics of PanPastel Colors i.e. mixable, erasable, low dust, lightfast and professional artist’s quality. -
PanPastel Pearlescent mediums add a lustrous pearlescent sheen / shimmer which changes depending on the angle it is viewed from, also creating dimension. They are mica based. The mediums can be mixed with PanPastel Colors for custom pearlescent colors or used on their own for mixed media. They have all the characteristics of PanPastel Colors, they are mixable, erasable, low dust, lightfast and professional artist’s quality. FINE - Contains smaller particles to create a soft and subtle pearl sheen. COARSE - Contains larger particles to create a more shimmering sparkle. -
Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors. -
Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.- A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
- An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
- Alkali resistant, and consequently suitable for wall paintings.
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Out of stock
Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media. -
NT Cutter's slim and durable precision work knife- Aluminum die-cast holder
- 6mm diameter of grip
- Protection cap included
- # of blade included: BDC-200P (30 degrees) x 5 and needle x 1
- Replacement blade: BDA-200P (45 degrees), BDC-200P (30 degrees)
- Weight of Knife: 1.1 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
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Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil- Increases the gloss and the drying time of the paint film
- Increases the risk of the paint film wrinkling
- Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight
- Can be thinned with white spirit or turpentine
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Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics:- Odourless
- Drying time somewhat longer than Talens white spirit (090)
- Very pure, 100% evaporation; disappears completely from the paint film
- Makes oil paint leaner (use in lower coats)
- Not suitable for removing dry varnish coats
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Out of stock
The Angelus 4-Coat Scratch Resistant Urethane Clear Coat is formulated to be the most durable, flexible, and scratch resistant clear coat on the market. This urethane based top coat can withstand most scratches & scrapes to help keep your project looking it's best! Also available in Flat, Matte, Satin, & High Gloss finishes. -
Out of stock
- Easy blending and color extension
- Extra fine quality pigment formulation
- Meets ACMI non-toxicity requirements
- Suitable for many surfaces: paper, cardboard, canvas and wood
- Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
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Out of stock
Let your little painter explore the joys of painting, crafting, and wet media with Crayola’s generous tubs of washable, non-toxic project paint, in sets of 10 colors. -
- Circle cutter extension beam for C-1500
- Dia. 16 - 40cm (6.30 - 15.75")
- Made in Japan
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The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
Weight: 89 g/m2 Surface: Smooth Sheets per pad: 50 Parchment-toned paper has a smooth surface for even ink flow. The assorted tints are ideal for artwork, invitations, certificates, and stationery. -
The GOLDEN Interference Colors achieve their reflective properties by synthetically reproducing a natural phenomenon-the nacreous, or pearlescent, quality found in fish scales, peacock feathers or the dust of a butterfly's wing. Golden produces 6 Fluid Interference Colors and four Interference Oxide Colors in Fine consistency only. All of GOLDEN's Interference Colors produce a luster quality by themselves, or when mixed with other colors and mediums. -
- FIT SYNTHETICS, mottler
- grey, very elastic synthetic fiber
- rust-proof steel ferrule
- green matt handles with a newly developed surface structure
- width 20, 30, 40, 50, 60, 80, 100 and 120 mm
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Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries. -
Out of stock
Antique Medium is used as a top coat over Turner Milk Paint to achieve the aged look of old paint, using a cloth for large areas or a dry brush for smaller areas. -
Turner Top Coat Clear UV is used for Turner Milk Paint to protect the longevity of your finished surface and impart a glossy sheen. -
Plaster Medium is used as a base layer for Turner Milk Paint, for impasto style effects.
