• Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes. Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.   Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil. Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent. Permanency Rating: **** Absolutely Permanent *** Permanent S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors.
  • Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability.
  • 5% Off!
    Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
  • Holbein DUO Linseed Oil

    250700
    Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected.
  • Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time.
  • Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium.
  • Gamblin 1980 Oil Colors

    310696
    True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors.
  • Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.

  • Out of stock
    Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival.
  • Out of stock
    MTN PRO Canvas Varnish is a product designed as a final coat to protect oil and acrylic paints against humidity, grease, UV rays, dust, contamination and contact, allowing the work to maintain its properties without yellowing or cracking. Very fast drying through evaporation. Available in different finishes: glossy, matte and satin. For varnishing oil paints, allow for complete drying before using the product. GENERAL DESCRIPTION Transparent varnish formulated with an acrylic-resin base and UV protection that is easy to apply. Available in different finishes: gloss, matt and satin. FEATURES - Good hardening. - Non-yellowing. - Resistance to UV light. - Good durability. - Easy to apply and repaint. - Good leveling. - Good elasticity
  • Out of stock
    Fast drying water based aerosol varnish of excellent characteristics with a Acrylic, water-based varnish that is fast drying and offers excellent characteristics that provide high quality matte and glossy finishes, long-lasting durability and non-yellowing on multiple surfaces. - Water based product. - Acrylic. - Cures well. - Non-yellowing. - Sticks well to the majority of surfaces. - Easy to apply.
  • Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium.
  • Gamblin Safflower Oil

    426619
    To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying.
  • Out of stock
    MTN PRO Acrylic Varnish is made with solvent-based thermoplastic acrylic resins. Ultra-fast drying, its main function is to protect and protect different surfaces. It can be applied for indoor and outdoor use on a multitude of materials in order to increase surface protection in three finishes: glossy, satin or matt. Different finishes will be obtained depending on the number of layers applied. Completely transparent and does not yellow. GENERAL DESCRIPTION Fast drying, thermoplastic acrylic resin-based varnish. Available in glossy, satin finish and matte. FEATURES - Very fast drying. - Good hardness. - Excellent adhesion. - Good elasticity. - High durability. - Easy to apply and recoat. - Good water resistant. - Non-yellowing. - Good resistance to UV light. On newly painted surfaces or old paint, do a test first in order to see the results, as the varnish may crack the previous layer.
  • Select Artiste™ – Brushes for Acrylic, Watercolor and Oil

    Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with.
  • Out of stock
    • Seals canvas and linen
    • Vegan alternative to Rabbit Skin Glue
    • Prepares paper for oil painting
  • Out of stock
    Fixative Lacquer ideal for artistic techniques such as pastel, charcoal, pencil or graphite. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote.
  • Out of stock
    Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper.
  • Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. Pad Features: Glue Bound pads have flip-over covers.
Go to Top