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Out of stock
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Titanium White, Hansa Yellow, Diarylide Yellow, Yellow Ochre, Orange, Permanent Red, Red Iron Oxide, Magenta, Violet, Ultramarine Blue, Phthalo Blue, Turquoise, Phthalo Green, Permanent Green, Bright Yellow Green, Burnt Sienna, Raw Umber, Black, Neutral Grey, and Chromium Oxide Green, plus a set of mini Sofft tools for painting. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Paynes Grey, Black, Red Iron Oxide, Raw Umber, Burnt Sienna, Burnt Sienna Tint, Raw Umber Tint, Neutral Grey, Neutral Grey Tint, and Titanium White, plus a set of mini Sofft tools for painting. -
Out of stock
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Yellow Ochre, Violet, Phthalo Green, Burnt Sienna, Raw Umber, Permanent Red, Hansa Yellow, Ultramarine Blue, Titanium White, and Black, plus a set of mini Sofft tools for painting. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Chromium Oxide Green Extra Dark, Ultramarine Blue Extra Dark, Violet Extra Dark, Permanent Red Extra Dark, and Hansa Yellow Extra Dark. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set of primary and secondary brights includes Violet Shade, Ultramarine Blue Shade, Permanent Red Shade, Chromium Oxide Green Shade, and Hansa Yellow Shade. -
Out of stock
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This pastel-hued set includes Hansa Yellow Tint, Permanent Green Tint, Ultramarine Blue Tint, Violet Tint, and Permanent Red Tint. -
Out of stock
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. This set includes Permanent Red, Hansa Yellow, Ultramarine Blue, Titanium White, and Black. -
PanPastel Pearlescent mediums add a lustrous pearlescent sheen / shimmer which changes depending on the angle it is viewed from, also creating dimension. They are mica based. The mediums can be mixed with PanPastel Colors for custom pearlescent colors or used on their own for mixed media. They have all the characteristics of PanPastel Colors, they are mixable, erasable, low dust, lightfast and professional artist’s quality. FINE - Contains smaller particles to create a soft and subtle pearl sheen. COARSE - Contains larger particles to create a more shimmering sparkle. -
The PanPastel Colorless Blender is a medium that can be used for a variety of new effects including increasing transparency and enhancing color “flow”. It can be used before color is applied (under the color), or mixed with the color after it is applied. It also has all the characteristics of PanPastel Colors i.e. mixable, erasable, low dust, lightfast and professional artist’s quality. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Pan Pastel-branded painting tools. Artists may also experiment by using softer brushes, such as Kolinsky hairs, with these compacted pigments. Pan Pastel comes in 91 exceptional-quality colours, including metallics and pearlescents. -
Pan Pastel Colours are professional-grade, soft pastels in convenient cake form that produces minimal dust, and are mixable and erasable. They can be used and applied like paint using Sofft painting tools. Comes in 91 exceptional quality hues. -
Cracking Medium is used to achieve a cracked paint effect. This may be used between two layers of Turner Milk Paint so that the cracks will take the color of the base layer. First paint the base layer and let dry completely, then apply the Cracking Medium. While it’s still slightly sticky, apply the second layer and wait for the cracking to take effect as it dries. -
Turner Milk Paints are non-toxic, water-based, acrylic paints that are extremely popular in Japan. These paints are unique because they use casein, a protein derived from cow’s milk, as a binder, supplied by the Morinaga milk and confectionary company. This results in a beautifully textured, antique, matte finish that comes in 16 colors. -
- Standard duty snap-off blades
- 9mm W x 80mm L x 0.38mm T
- 58 degree / Extra sharp black blades
- Made of high quality carbon tool steel
- Packed in hanging plastic container
- Cutting Material: Paper, wallpaper, card stock, vinyl, film, shrink-wrap, etc.
- 5 blades/pack
- Made in Japan
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Out of stock
- Light duty snap off blade utility knife
- Aluminum die-cast grip / Electrical-acrylic metal coated / Made of recycled material
- Blade Size: 9mm
- Features an automatic blade lock
- Stainless steel blade-sliding-track / Designed for right and left handed use / With built-in blade snapper
- Replacement blade: BA-100
- Cutting Material: Paper, wallpaper, card stock, vinyl, film, shrink-wrap, etc.
- Made in Japan
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Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
Holbein’s Botanical Art Set of 24 5ml tube watercolors comes in a range of colors for the serious botanical artist. The set includes the following colors:- Crimson Lake W010
- Carmine W011
- Pyrrole Red W007
- Opera (Quinacridone Opera) W013
- Vermilion Hue W019
- Cadmium Yellow Deep W043
- Cadmium Yellow Lemon W040
- Imidazolone Yellow W050
- Yellow Ochre W034
- Permanent Green No. 1 W066
- Hooker's Green W062
- Sap Green W075
- Cerulean Blue W092
- Cobalt Blue W090
- Ultramarine Light W093
- Prussian Blue W097
- Permanent Violet W115
- Cobalt Violet Light W110
- Bright Violet (Luminous) W175
- Quinacridone Violet W120
- Burnt Sienna W134
- Burnt Umber W133
- Vandyke Brown W139
- Payne's Grey W156
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GAC 800 is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.
Note: Packaging design may vary. -
GAC 400 Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.
Note: Packaging design may vary. -
Multi Primer is used to improve adhesion of of Turner Milk Paint to paint-resistant surfaces like glass, metal, plastic, and other smooth, non-porous surfaces. Stir before use and apply two layers for best results; add a tiny amount of water for smoother application and non-visible brushstrokes. The surfaces will be ready two hours after priming, but glass needs a day before painting. -
Out of stock
Dust Medium is used as a top coat over Milk Paint to achieve a faded finish, using a cloth for large areas or a dry brush for smaller areas. -
Plaster Medium is used as a base layer for Turner Milk Paint, for impasto style effects. -
Turner Top Coat Clear UV is used for Turner Milk Paint to protect the longevity of your finished surface and impart a glossy sheen. -
Out of stock
Antique Medium is used as a top coat over Turner Milk Paint to achieve the aged look of old paint, using a cloth for large areas or a dry brush for smaller areas. -
- Refill cartrdige for Nocks Pencil Eraser.
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Retractable Eraser.- Incorporates the convenience of a mechanical pencil advance system.
- Comfortable finger grip.
- Refill (XHNE-A) is available.
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Out of stock
Smooth-writing gel-ink ballpoint pen with white ink. Suitable for black or dark colored papers.- Clear and vivid white ink and standing out on black/dark color papers.
- Smooth-writing and constant ink flow from start to end.
- No smears, feathers, or bleed-through on most papers.
- Bright, white opaque ink
- 08 Medium: 0.8mm ball / 0.4mm line
- Not evaluated for cosmetic use on skin
- Meets ACMI non-toxicity standards
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Unique 3-D OPAQUE effect ball point pen with 0.8mm ball.- Suitable on not only papers but also hard-surface such as mirrors, mobile-phone, frame, etc.
- Opaque ink.
- 3-D effect with the touch of a finger.
- Leave “2-3 minutes” to dry completely.
- No smears, feathers, or bleed-through on most papers.
- Line width: 0.6mm.
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Unique 3-D stained-glass effect ball point pen with 0.8mm ball.- Suitable on not only papers but also hard-surface such as mirrors, mobile-phone, frame and so on.
- Glossy ink.
- 3-D effect (Raised letters feelable with finger).
- Leave “2-3 minutes” to dry completely.
- No smears, feathers, or bleed-through on most papers.
- Line width: 0.6mm.
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Out of stock
- Easy blending and color extension
- Extra fine quality pigment formulation
- Meets ACMI non-toxicity requirements
- Suitable for many surfaces: paper, cardboard, canvas and wood
- Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
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Out of stock
- Easy blending and color extension
- Extra fine quality pigment formulation
- Meets ACMI non-toxicity requirements
- Suitable for many surfaces: paper, cardboard, canvas and wood
- Provides full coverage on many surfaces such as paper, cardboard, canvas, and wood
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Out of stock
- Semi-hard squared pastel.
- Very smooth and soft application on paper.
- Dimensions: 8x8mmx60mm
- Clean and easy to use. The pastels will not crumble or powder in hands
- Green Gray (2)
- Blue Green (2)
- Blue Gray
- Prussian Blue (1)
- Venetian Red
- Light Red
- Burnt Umber
- Brown Ochre
- White
- Gray (1)
- Black
- Compose Green (2)
- Prussian Blue (2)
- Cobalt Blue
- Purple
- Sepia
- Pink
- Carmine
- Rose
- Jaune Brilliant (2)
- Permanent Yellow (2)
- Naples Yellow (1)
- Olive Green (1)
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APPLICATIONS • daily notes, stick notes, letters, editing, journals, grocery lists • carbon-less paper, check writing, log books • sketching, comic drawing, Zentangle® Method drawing • coloring, Bible journaling TECHNICAL QUALITIES • Durable plastic nib • 8 archival Pigma ink colors: black, red, blue/black, blue, sepia, rose, burgundy and purple • Pigma archival quality ink is waterproof, chemical and fade resistant, bleed free, quick drying and pH neutral. -
The Holbein Iridescent Watercolor Medium is an artist-grade medium is designed to facilitate iridescent (pearlescent) effects when used with water based media including watercolor, acrylic, gouache and acryla gouache. Available in 60ml Squeeze bottle. -
Out of stock
Staedtler Triplus® Fineliner 334 Triangular Fineliner box containing 20 assorted colours.
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Out of stock
Ø 7.5 cm, app. 300 g Our glass mullers are all handmade. They are used on a sandblasted piece of glass to slowly grind oil into the pigment. Our mullers are oversized and heavier than other models. -
Out of stock
3.74in x 3.74in (95mm x 95mm) 1 booklet (25 Sheets) -
Out of stock
23 carat, 3.15in x 3.15in (80mm x 80 mm) 1 booklet (25 Sheets) -
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14 very lightfast and transparent watercolors, half pans in a metal box 462008 Titanium White 463008 Zinc White 463608 Kremer White 479218 Warm Grey no. 1 479228 Warm Grey no. 2 479258 Warm Grey no. 5 479268 Warm Grey no. 6 479418 Cold Grey no. 1 479428 Cold Grey no. 2 479458 Cold Grey no. 5 479468 Cold Grey no. 6 124408 Bideford Black 471008 Bone Black 472508 Furnace Black -
14 very lightfast and transparent watercolors, full pans in a metal box 402208 Italian Gold Ochre light 404008 Raw Sienna (Italy) 405108 Venetian Red 407208 Burnt Umber (Cyprian) 408218 Green Earth from Verona 420008 Vermilion 439408 Baryte Yellow 441518 Cobalt Green bluish A 442008 Chrome Oxide Green 452108 Paris Blue, water soluble 457008 Cobalt Blue, dark 463008 Zinc White (lead-free) 472508 Furnace Black 487008 Caput Mortuum reddish -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
Out of stock
Weight: 300 gsm Surface: Cold Press / Hot Press Developed in 1949, this professional watercolor paper is known for its hard surface sizing which provides excellent water hold out, color lifting and blending. It is made with 100% cotton and has two deckle edges.
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Out of stock
Weight: 118 gsm Surface: Medium Pages/Book: 128 Media Applications: Graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens Available in Warm Tan and Cool Gray. This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free. Journal Features: Lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter. -
Out of stock
The GOLDEN Introductory Set of Professional Acrylic Gel Mediums and Molding Pastes offers the opportunity to experiment with a representative sampling of Gel Mediums. Gel Mediums used alone, or blended with acrylic colors can add texture, broaden the working properties and expand the possibilities. The set inclueds six 2 fl oz jars: Soft Gel (Gloss), Regular Gel (Semi-Gloss), Extra Heavy Gel (Matte), Light Molding Paste, Coarse Pumice Gel, Clear Tar Gel. Also includedis a product sample card consisting of a finished one inch square sample of each product and a brief description of the product features. -
Out of stock
Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting and monoprinting. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide. -
Out of stock
Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time. Includes: Hansa Yellow Light, Hansa Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml). -
Out of stock
Six-3/4 fl. oz. (22ml) OPEN Acrylic Tubes Contents: Indian Yellow Hue, Alizarin Crimson Hue, Ultramarine Blue, Sap Green Hue, Van Dyke Brown Hue and Titanium White. The colors in this set use contemporary pigments to create the hue combinations of traditional colors while meeting today's requirements for quality, lightfastness and safety. -
Out of stock
Six-3/4 fl. oz. (22 ml) OPEN Acrylic Tubes Contents: Hansa Yellow Opaque, Pyrrole Red, Quinacridone Magenta, Phthalo Blue (GS), Phthalo Green (BS), Titanium White. The colors in this set include some of our cleanest organic pigments, capable of producing bright mixes and are least likely to muddy or gray. -
Out of stock
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Thinner contains no binders and is used to thin paint mixes without altering open time, or to maintain and adjust workability on palettes without water mists and moisturizing palettes.
Note: Packaging design may vary. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.
