GAC 500 Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.
Note: Packaging design may vary.-
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
Out of stock
The MTN PRO Universal Primer is a primer spray that also works as a final coat. The primer enhances the adherence of paint to glossy surfaces – from plastics such as rigid PVC and methacrylate to metals such as aluminum, copper or zinc; as well as other materials such as glass, ceramic and tiles. This versatile product can also be used as a finishing paint, as it can be later enameled or varnished. FEATURES - White - Anti-rust prevention - Fast drying - Resistant to temperatures of up to 100 ºC - Strong adhesion to any surface - Indoor and outdoor use - It can be used as a white finishing product. - Excellent primer for all surfaces: iron, zinc, copper, galvanized, polyester, methacrylate, melamine, polyurethane, ceramics, tiles and glass, etc. - It is not recommended for application on anodized aluminum -
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Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
5% Off!
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
With a capacity of 750 ml, this is the ideal product for painting large surfaces quickly and conveniently, with coverage of 4 m2. High quality, quick dry alkyd gloss enamel for a perfect finish with very good colour retention and weather resistance. FEATURES - High pressure. - Very fast drying. - Excellent flexibility. - Easy to apply and repaint. - Good hardening. - Does not contain lead nor other heavy metals. - High covering power. - Very good resistance to the sun and rain. - Retains its glossiness and color. - Very good resistance to UV light. - Strong resistance to scratching once the film is polymerized -
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Small Book Blocks have 40 pages, measure 5x6 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media. -
- Very fast-drying
- Good elasticity
- Easy to apply and repaint with acrylic, synthetic and nitrocellulose products
- Excellent adhesion on polypropylene (modified EPDM)
- On other plastics we recommend carrying out a test prior to use
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Out of stock
Luminous paint that, when charged with light, glows in the dark. It also reacts to black light.- Long-lasting luminescence.
- The luminous intensity depends on the quantity and uniformity of application.
- When applied to white surfaces, a maximum luminous effect is obtained.
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Our Premium Airtight Watercolour Palette makes it easy to lay out your colours and create. With 18 generously sized colour wells, a removable tray and two large mixing areas, you'll wonder what you did without it. If you can't finish your painting in one sitting, the airtight seal makes sure your colours stay fresh for when you're ready to pick up where you left off. -
Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected. -
Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time. -
Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors. -
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Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures. -
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Weight: 300 gsm Surface: Cold Press / Hot Press Standard size sheets for readymade frames and mats. Saves time and hassle, and makes framing easier and less expensive. This paper is harder sized than "old world" papers giving it excellent surface strength. Recommended for intermediate to advanced watercolorists, it provides greater water hold-out, improved color lifting and blending. 100% cotton, acid free, archival. -
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Artists’ handmade paper from Khadi Papers India, for watercolour and all painting and drawing media. -
40% Off!Out of stock
The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
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- 13 unique and vivid colors
- Highest quality pigments
- Unique Far-Eastern colors from the traditional Korean palette
- Authentic colors with Far-Eastern tone
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40% Off!Out of stock
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
MTN Water Based 300 is a revolutionary water-based paint spray. Its handy 300 ml format and its low odor, make it the perfect tool for studio or indoor work. In addition and due to its composition, it is an incredibly versatile paint that may be utilized with various techniques. - Low odor. - Fast drying. - Good adhesion. - Excellent covering power. - Totally lead and heavy metals free. - Great durability on outdoor and indoor exposure, due to the great fastness to light of the pigments. - Easy application and repainting. - Soluble in water during the first minutes of drying. (10’) - Resistant to exterior and outdoor use (rain, washing, etc) once the paint has dried. - Suitable for painting expanded polystyrene. -
Viarco ArtGraf Watercolor Graphite has an interesting and very expressive graphic personality offering the artist an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones. Wet the brush directly on the product controlling the amount of water according to the desired shades. Brush is not included. -
Gamblin Refined Linseed Oil is the palest of linseed oils. Adding Refined Linseed Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. -
To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water. Gamblin Safflower Oil is a pale drying oil, which increases the flow and slows drying. -
Turner Acryl Gouache is a brand of matte acrylic paint manufactured in Osaka, Japan. Acrylic artists can use these paints, made with high-quality pigments, on various surfaces including paper, canvas, wood, metal, glass, and fabrics. These standard, versatile colors come in 100mL individual tubes. -
Select Artiste™ – Brushes for Acrylic, Watercolor and Oil
Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with. -
The Holbein Iridescent Watercolor Medium is an artist-grade medium is designed to facilitate iridescent (pearlescent) effects when used with water based media including watercolor, acrylic, gouache and acryla gouache. Available in 60ml Squeeze bottle. -
Shin Han Art PWC Extra Fine Watercolor is crafted with the highest quality pigments and the finest high-grade gum arabic. To enhance the clarity and depth of color, single pigments have been used whenever possible. The usage of mixed pigments has been limited. Using single pigments, watercolors are less prone to fading and the consistency of colors are improved. PWC offers exceptional clarity and transparency that artists desire, along with superior lightfastness to resist fading. PWC is ideal for spread techniques and color overlapping, bringing out the best in watercolor paper. The color palette offers a total of 104 colors that are transparent and subtle, yet intense and vibrant, allowing for an even greater freedom of expression. -
MTN PRO Wash Primer is a grey anchoring primer with excellent adhesion to galvanized, electrozinced steel or aluminum and other types of polished metals. Phosphate Primer (Wash Primer) is especially designed as a preliminary coat for the subsequent painting of garage doors, shutters, aluminum frames and copper pipes. It can be used as a primer for nylon 6 plastic surfaces, carbon fiber, epoxy, polyester, acrylate, PVC, PC and ABS. Thanks to its characteristics, the product also offers good anchoring properties on surfaces already painted with polyester-type paints (aluminum frames) or 2k epoxy after sanding. FEATURES - Fast drying. - Easy to apply and repaint. - Good adherence. - Does not contain lead -
40% Off!
White Toray fiber is one of the softest and typically used in watercolor. It has a capacity to retain a large amount of paint. -
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. -
HIGH FLOW ACRYLICS are an ultra-thin paint with ink-like consistency that provide incredible versatility. They can go directly from bottle to airbrush, refillable marker or dip pen and work great for drawing, staining, dripping, pouring, calligraphy and color washes. High Flow offers a palette that includes many single-pigment colors, as well as Fluorescent and Iridescent colors. While it acts like an ink, it’s an acrylic so it's compatible with other GOLDEN Acrylic colors and mediums. -
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- Seals canvas and linen
- Vegan alternative to Rabbit Skin Glue
- Prepares paper for oil painting
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Out of stock
- Highest quality
- Pure pigments, no wax fillers
- White mixing trays and brush included
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GENERAL DESCRIPTION White primer paint formulated for use as a first layer or background, especially on dark surfaces, to ensure that the colors subsequently applied are brighter, especially when we want to finish the object with fluorescent paint or clear colors with a poor covering power. Paint formulated for use as a primer, or even as a top coat when a matt white finish is required. FEATURES - Fast drying. - Good adherence. - Excellent covering power. - Does not contain lead or other heavy metals. - Color durability. - Non-yellowing. - Easy of application and recoating -
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The Escoda Optimo range is made from a combination of male and female Kolinsky hairs. It is an excellent option for artists who work with mixed media. -
Out of stock
Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 Pad Features: Glue Bound pads have flip-over covers. Creating art on our new Black Canvas paper is a fresh and inspiring way to make paintings that pop. The black background allows colors to take center stage and lets the artist create dramatic shadows for an inspiring look. This bold black canvas-textured paper is great for practicing techniques and making finished art. The classic canvas texture works with oil and acrylic paints, and is the same texture that can be found on our 300 Series White Canvas paper. -
Weight: 187 g/m2 Surface: Canvas texture Sheets per pad: 10 A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. Pad Features: Glue Bound pads have flip-over covers. -
50% Off!Out of stock
Inspired in the traditional tailor's chalk, ArtGraf Tailor Shape it's a rich pigment block prepared for drawing and painting. Extremely soft and water soluble provides the artist a wide range of shades, from light ones to deep and opaque colors. ArtGraf Tailor Shape it's an excellent tool for drawing and painting. -
OPEN Thinner contains no binders and is used to thin paint mixes without altering open time, or to maintain and adjust workability on palettes without water mists and moisturizing palettes.
Note: Packaging design may vary. -
Amsterdam Standard series offers everything an acrylic painter needs. A good quality acrylic paint and an enormous range of colours.- A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour
- An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result
- Alkali resistant, and consequently suitable for wall paintings.
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Anti rust primer formulated with acrylic resins and corrosion inhibitor pigments, makes it ideal for protecting any iron surface. FEATURES - Fast drying. - Good elasticity. - Easy of application and recoating. - Good adherence. - Does not contain lead. - High covering power. - Very high resistance to outdoor exposure. - High anti-corrosion power. -
Select Artiste™ – Brushes for Acrylic, Watercolor and Oil
Created by the fine craftsmen of Princeton, Select Artiste™ is a vast line of brushes created for oil, acrylic and watercolor artists. Now you can explore traditional and avant-garde techniques on nearly any surface. Satin-finish jewel-tone blue handles and silver ferrules make Select Artiste™ as beautiful to look at as it is to paint with. -
- FIT SYNTHETICS, flat
- grey, very elastic synthetic fiber
- aluminum ferrule
- green matt handles with a newly developed surface structure
- Flats and brights for area work
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40% Off!Out of stock
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
SHIN HAN PROFESSIONAL Acrylic Color has a fast-drying time that allows artists to quickly layer colors. Each layer dries to a durable and flexible finish. Their abilities to withstand natural weathering and corrosion makes them perfect for mural painting. The colors are bold, intense, contemporary, and are readily mixable in any possible combination. The heavy-body SHIN HAN PROFESSIONAL Acrylic Color creates a textured brush stroke essential for impasto painting techniques. • 61 brilliant colors • High quality ShinHan professional pigments and acrylic emulsion • High degree of lightfastness • Fast drying time -
The GOLDEN Interference Colors achieve their reflective properties by synthetically reproducing a natural phenomenon-the nacreous, or pearlescent, quality found in fish scales, peacock feathers or the dust of a butterfly's wing. Golden produces 6 Fluid Interference Colors and four Interference Oxide Colors in Fine consistency only. All of GOLDEN's Interference Colors produce a luster quality by themselves, or when mixed with other colors and mediums. -
The Fluid Iridescent Colors are one of the most unique products available to artists today. They are well-known for their luster quality and offer highly reflective metallic variations. They can be used alone or mixed with other GOLDEN colors. Adding glossy gels or mediums to Iridescent colors will also increase their luster quality. Most of the Iridescent Acrylics are made from mica particles coated with Titanium Dioxide and are very resistant to fading. Some are made from metal and metal oxides, such as Iridescent Stainless Steel and Micaceous Iron Oxide. The Iridescent acrylics will not oxidize or tarnish since they are made from stainless steel, naturally occurring minerals such as mica, or fully oxidized materials. -
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Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. -
Escoda's Versatil range of paintbrushes are the finest simulation of Kolinsky sable brushes on the market. Their artist-grade quality at an affordable price point make them ideal for artists of all skill levels working with waterbased media. -
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Wetting Agent [formerly Acrylic Flow Release] is a concentrated additive used to reduce surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is effective for achieving rich stains on a porous surface. As with OPEN Thinner and Retarder, Wetting Agent contains no binder and should only be used properly diluted per product instructions. Not for use by children. Eye Irritant. Inhalation of Spray Mist Harmful. DO NOT SPRAY APPLY
Note: Packaging design may vary. -
Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Increases gloss
- Does not yellow
- Can be thinned with white spirit or turpentine
- Flammable
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Out of stock
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time Composition: Alkyd resin, white spirit- Increases the durability and elasticity of the paint film
- Makes the brush stroke run, depending on the amount added
- Hardly influences the degree of gloss
- Slightly yellowing
- Can be thinned with white spirit or turpentine
- Suitable as glazing medium
- Flammable
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MTN 94 is probably the most versatile aerosol on the market. Thanks to its extensive color range, quick drying ability and low pressure, it is an suitable tool for practically any type of creative work that requires a matte finish.- Synthetic paint
- 400 ml
- Matte finish
- Low pressure
- 91 colors
