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GOLDEN Interference Acrylic Colors offer a unique “flip” when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the “flip” effect is more obvious. Over black or darker surfaces the color is more obvious and the “flip” effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects. -
GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel and Micaceous Iron Oxide are made with highly reflective metallic pigments. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
OPEN Acrylic Gels are supplied in the same consistency as the colors and are used to extend the paints while maintaining working properties.
Note: Packaging design may vary. -
Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums. Note: Packaging design may vary. -
Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use with acrylic washes. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Pumice Gels textures dry to hard films. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Coarse Pumice Gel and Extra Coarse Pumice Gel create more coarse textures to yield concrete-like finishes. Note: Packaging design may vary. -
Out of stock
Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Heavy Gels are thicker than Heavy Body Acrylic Colors and may be blended with colors to increase body. Excellent for holding peaks Note: Packaging design may vary. -
Out of stock
Regular Gels have the same viscosity as Heavy Body Acrylic Colors and are ideal for extending paint and regulating transparency without changing consistency. Useful for impasto.
Note: Packaging design may vary.
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Soft Gels are thinner than Heavy Body Colors. Mix with color to produce a brilliant glaze. Soft gels can be a base for wet blending and also as an adhesive for collage. -
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Self Clear Leveling Gel produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Self Leveling gel dries to a flexible, high gloss film while imparting a leveling quality to other GOLDEN Acrylic products. It blends well with GOLDEN Acrylic colors to produce glazes. -
Out of stock
The Blackwing Two-Step Long Point Sharpener creates a long point using a two-step sharpening process. The first hole sharpens the wood and the second hole precisely sharpens the graphite core. Each sharpener features a matte rubberized finish for added grip and German steel sharpening blades. The sharpener can hold three fresh sharpens before needing to be emptied. -
Out of stock
GENERAL DESCRIPTION A revolutionary spray paint with an ultra-wide, thick, chisel outline that measures about 40 cm in width. It’s specially designed for filling in large surface areas at unprecedented speeds and is also useful for doing gigantic typographic letters due to its powerful, transversal line. Fabricated with acrylic, solvent-based, matte black paint of exceptional quality and with strong covering power. Due to its characteristics it may also be used as a finishing coat on interior and exterior surfaces. FEATURES - High pressure. - Very fast drying. - Does not contain lead nor other heavy metals. - Excellent flexibility. - Excellent covering capability. - Easy to apply and repaint. - Good resistance to weathering. - Very good resistance to UV light. -
Out of stock
An eco-friendly blend of 70% bamboo + 30% recycled pulp and sized for water-based media. With its subtly textured surface, Awagami Bamboo responds beautifully to artists' brushstrokes and has less sticky sizing than EU papers - this allows for the papers lovely surface to unify with pigment effortlessly offering artists new more organic results. 100% acid-free and made solely at Awagami, Japan. May also be used for letterpress printing.size 9x6.2in / 22.8x15.8cm / 15 sheets weight 250gsm deckled edges 0 material 70% Bamboo / 30% Recycled Paper use Watercolor, drawing, pencil, pastel -
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Weight: 230 gsm Surface: Cold Pressed Size: 10.5 x 14.8 cm (4.13 x 5.83 in) -
Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. -
Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. -
Out of stock
The unquestionable industry leader! Created from pigments, ground and milled to the perfect consistency for block/relief printing, Speedball Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They possess excellent tack ensuring even coverage and consistently spectacular results. Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colors and 6 fluorescents. All colors clean up easily with soap and water. -
Ideal for shaping & sharpening charcoal & other drawing media. -- Width: 8 cm (3.15") Height: 23 cm (9.06") Includes an extra set of sanding surfaces -
GAC 800 is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces.
Note: Packaging design may vary. -
Out of stock
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow.
Note: Packaging design may vary. -
Out of stock
Airbrush Medium modifies GOLDEN Fluid Acrylics for spray application by reducing clogging and tip buildup during spraying. Recommended for spraying on garments, Airbrush Medium may also be used to thin other products for spraying such as Iridescent/Interference Acrylics and Gesso. NOTE: Airbrush Medium is NOT designed to mix with High Flow Acrylics (Use Airbrush Transparent Extender).
Note: Packaging design may vary. -
GAC 500 Extends Fluid Acrylics for a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.
Note: Packaging design may vary. -
Coarse Molding Paste - thick, warm white colored medium, translucent up to about 1/8 inch thickness. Dries to a hard, stiff but flexible film with a tooth like fine sandpaper. Accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface.
Note: Packaging design may vary. -
Size A3 20 sheets -
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NT Cutter's light duty circle cutter- Circle cutter for 1.8 - 17cm in diameter
- Does not leave a center needle hole
- Protection cap included
- # of blade included: 6
- Replacement blade: BDA-200P (45 degrees)
- Weight of Knife: 6.4 oz.
- Cutting Material: Paper, card stock, any other thin material
- Made in Japan
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Out of stock
Bristol provides a stiff, strong surface to work on without the need for mounting. Bristol generally describes drawing paper that is pasted together to form multi-ply sheets. Weight: 270 g/m2 Surface: Smooth / Vellum Sheets per pad: 20 Media Applications: Smooth - pen and ink, mechanical pencil, air brush, marker Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very Good for mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good for graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel. -
Weight: 67 gsm Sheets/Pad: 40 Size: Tape Bound 9" x 12" A poly-coated paper for use as a disposable paint-mixing palette. -
Holbein Artists’ Oil Colors come in 148 standard colors, and 6 white colors in 50ml tubes.
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Zinc White **** Zinc Oxide is more transparent than lead and its surface qualities are more brittle. It does not have the same brushing qualities, is slower drying and does not react to sulphur. It is whiter than lead.
Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities.
Silver White *** S (Flake/Lead White) One of the first artificially produced pigments, white lead mixes well with oil to a smooth uniform viscosity and has excellent opacity and brush handling qualities. Possessing great surface strength, it is nevertheless toxic in nature and will react by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as lead pigment in use is normally well protected by the oils and varnishes with which it is mixed.
Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Available in two variations: Permanent White SF is produced using poppy oil, while Permanent White EX is produced using safflower oil.
Quick Drying White **** Made of titanium white, calcium carbonate, poppy oil, alkyd resin and petroleum solvent. This quick-drying white is best suited as an undercoat offering exceptional qualities of surface adhesion and durability. Non-yellowing and non-cracking, this white, when coated thinly (0.15mm) will dry in 4 to 5 hours, while application by brush, knife, squeegee or spatula in 2mm to 3mm textured thickness will take approximately 24 hours. Dilute and clean petroleum solvent.
Permanency Rating:
**** Absolutely Permanent
*** Permanent
S – Leaden Chemical origin colors, should avoid admixture with sulfide origin colors. -
Primer that converts surfaces such as canvas, wood or cardboard, into perfectly prepared canvases for the application of paint by means of painterly techniques such as oil or tempera. Not available for shipping outside of mainland Luzon. Email us at [email protected] for shipping quote. -
The perfect selection of pure pigments Oil Colors from ShinHanArt are carefully crafted for brilliant color, superior adhesion, and lightfastness that minimize discoloration. This precise formula for blending pure pigments and oil ensures ShinHan Oil Colors’ brilliance and reliability. -
20% Off!
This wonderfully unique watercolor paper is incredibly strong as it's made from an impressive East-meets-West blend of kozo + cotton; the only museum quality art paper to feature such a special fiber mix. Hakuho's internal sizing and beautifully textured surface will lend unique artistic depth to your artworks. Made for watercolor / gouache and Hakuho may also be used for drawing, pen & ink work, acrylic, paper cutting, paper sculpture, etc...size 9x6.2in / 22.8x15.8cm / 15 sheets weight 250gsm deckled edges 0 material 45% Kozo / 55% Cotton ph 7 to 8 use Watercolor, drawing, printmaking, letterpress, pencil, pastel -
Out of stock
The MTN PRO Universal Primer is a primer spray that also works as a final coat. The primer enhances the adherence of paint to glossy surfaces – from plastics such as rigid PVC and methacrylate to metals such as aluminum, copper or zinc; as well as other materials such as glass, ceramic and tiles. This versatile product can also be used as a finishing paint, as it can be later enameled or varnished. FEATURES - White - Anti-rust prevention - Fast drying - Resistant to temperatures of up to 100 ºC - Strong adhesion to any surface - Indoor and outdoor use - It can be used as a white finishing product. - Excellent primer for all surfaces: iron, zinc, copper, galvanized, polyester, methacrylate, melamine, polyurethane, ceramics, tiles and glass, etc. - It is not recommended for application on anodized aluminum -
Out of stock
Extra Heavy Gels have the thickest consistency of any gel we offer and may be blended with colors to increase body. Excellent for holding peaks and tool marks. Note: Packaging design may vary. -
5% Off!
Titanium White **** The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment. Permanent White **** A titanium white with the same general handling qualities but with a barium sulphate additive which inhibits yellowing in early drying while reducing tinting power and increases transparency. Ceramic White **** A painting white developed by a joint research project of the Holbein Works Ltd. Laboratory and Japanese Government Industrial Laboratory, Ceramic White was developed to combine the most positive qualities of other painting whites when taken collectively. It contains titanium and strontium pigment which will not react with sulphur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but when compared to titanium white, it offers increased transparency, drying time and visual whiteness. Excellent handling qualities. -
Use these fun but elegant decorative papers for seasonal announcements, event invitations, art, craft and more. Machine-made with 4 cut edges and random inclusions, they can be inkjet printed or handwritten on…size A4 / 50 sheets use art, craft, journalling, collage, printing, drawing, etc -
Cleaning soap for brushes based on pure vegetable oils KERNSEIFE - a special soap that cleans and maintains the brush head Through its reconditioning action this special soap cleans and maintains the brush-head, keeping natural hair, bristles or synthetic fiber elastic and smooth. 85 g in a round metal box -
Out of stock
Each package contains: 2 x H (5mm) 2 x HB (5mm) 2 x B (5mm) 2 x B+ (6mm) -- H - Hard, perfect for fine lines and detail HB - Medium, for drawing and sketching B - Soft, for dark notes and shading B+ - Extra Soft, for rich blacks -
Out of stock
Shin Han Art sh Soft Pastel for semi-professional artists contains high level of pigments, offering vibrant colors with excellent opacity. Shin Han Art sh Soft Pastels blend easily for a beautiful and smooth texture. These pastels are great for layering and consistent coverage. -
With a capacity of 750 ml, this is the ideal product for painting large surfaces quickly and conveniently, with coverage of 4 m2. High quality, quick dry alkyd gloss enamel for a perfect finish with very good colour retention and weather resistance. FEATURES - High pressure. - Very fast drying. - Excellent flexibility. - Easy to apply and repaint. - Good hardening. - Does not contain lead nor other heavy metals. - High covering power. - Very good resistance to the sun and rain. - Retains its glossiness and color. - Very good resistance to UV light. - Strong resistance to scratching once the film is polymerized -
Out of stock
Small Book Blocks have 40 pages, measure 5x6 inches, and are made with smooth handmade paper, with section-stiched binding. For watercolour and all painting and drawing media. -
Sofft Tools Knives, covers, and sponges are special tools made for use with Pan Pastels, made for optimal blending of soft pastels. These are ergonomically designed for maximum comfort and minimum mess when painting with Pan Pastels. -
- Immediate adherence
- Excellent adhesion
- Does not deteriorate materials
- Not suitable for application on automobile roof interiors
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- Very fast-drying
- Good elasticity
- Easy to apply and repaint with acrylic, synthetic and nitrocellulose products
- Excellent adhesion on polypropylene (modified EPDM)
- On other plastics we recommend carrying out a test prior to use
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Out of stock
Luminous paint that, when charged with light, glows in the dark. It also reacts to black light.- Long-lasting luminescence.
- The luminous intensity depends on the quantity and uniformity of application.
- When applied to white surfaces, a maximum luminous effect is obtained.
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Our Premium Airtight Watercolour Palette makes it easy to lay out your colours and create. With 18 generously sized colour wells, a removable tray and two large mixing areas, you'll wonder what you did without it. If you can't finish your painting in one sitting, the airtight seal makes sure your colours stay fresh for when you're ready to pick up where you left off. -
Holbein DUO Linseed Oil increases the transparency and gloss finish while slowing drying time of DUO. DUO Linseed Oil can be thinned with water, this may cause it to become milky, but it will become clear once dry. While DUO Linseed Oil may become cloudy over time, performance will not be affected. -
Premium quality, gallery-style, primed canvases. Made in the Philippines. Not available for shipping outside of Metro Manila. Email us at [email protected] for shipping quote.
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Holbein Linseed Oil is used to increase oil paints’ fluidity and gloss, and slows drying time. -
Gamblin Stand Oil is a thickened version of Refined Linseed Oil. Modifying oil colors with Gamblin Stand Oil increases flow and gloss and slows dry time. Colors mixed with Stand Oil will dry to a smooth, enamel-like finish. Use sparingly or mix with an equal amount Gamsol to create a traditional, slowdrying, high-viscosity painting medium. -
True color. Real value. Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. In order to reduce the cost of oil colors, some manufacturers use gels and waxes to stiffen colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colors have been made with these three ingredients since oil painting began. With 1980 colors, artists experience colors that are true, without homogenized texture or muddy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colors. -
Holbein Artists’ Oil Colors come in 79 standard colors and 17 elite colors in 40mL tubes, and 3 white colors in 50ml tubes.
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Out of stock
Extremely versatile, Viarco’s ArtGraf water-soluble graphite powder gives the artist the opportunity to explore new techniques and approaches with one of the oldest and most conventional raw materials used in fine arts Naturally able to make the traditional shade, it has the advantage of allowing to work with water before, during or after application. With soluble and fixing properties incorporated into the formula, the ArtGraf graphite powder provides a rigorous control of the scale of greys, from transparent to the opaque only by controlling the proportion of water and graphite. Challenging, it can also be mixed with other water-based paint materials, providing the experimental freedom to create new colours, shades and unique textures.
